Rabbit Brown
Rabbit Brown | |
|---|---|
| Birth name | Richard Brown |
| Also known as | probably Blind Willie Harris |
| Born | c. 1880 Louisiana, United States (probably New Orleans) |
| Died | 1937 New Orleans, Louisiana, United States |
| Genres | Country blues |
| Occupation(s) | Musician |
| Instruments | |
| Labels | Victor |
Richard "Rabbit" Brown (c. 1880—1937)[1] was an American blues guitarist and composer. His music has been characterized as a mixture of blues, pop songs, and original topical ballads. He recorded six sides for Victor Records on March 11, 1927, one of which, "James Alley", is included in the 1952 Anthology of American Folk Music and has been covered by Bob Dylan, among others.
The rock critic Greil Marcus has called Brown's recording of "James Alley" "the greatest recording ever made."[2]
Biography
[edit]Brown was probably born around 1880 in New Orleans, Louisiana. He certainly lived in New Orleans from his youth on. He eventually moved to the Battlefield, a rough district of the city, where several events inspired some of the songs he later wrote.[3] He mainly performed at nightclubs and on the street.
Including the recording also selected for the Anthology of American Folk Music, five of Brown's six known recordings appear on the compilation album, The Greatest Songsters: Complete Works (1927–1929).[3] His sixth recorded song, “Great Northern Blues,” was not released and is considered to be lost.
Brown died in 1937, probably in New Orleans.[3]
Topical songwriting
[edit]At least four of Brown's most popular songs were topical ballads. "The Downfall of the Lion" and "Gyp the Blood" were based on events that occurred in New Orleans.[3] Neither of these songs were recorded, but both were later remembered and named by Brown's contemporaries.
Two of Brown's recorded songs, "The Mystery of the Dunbar's Child," and "The Sinking of the Titanic," are considered to be original topical songs, and not "folk" songs in the sense of being passed along from performer to performer with slight variations.
Blind Willie Harris
[edit]An anthology of rural acoustic gospel music, Goodbye, Babylon, released in 2003, included one of the two known recordings by an otherwise undocumented singer named Blind Willie Harris. This piece, "Where He Leads Me I Will Follow," was recorded in New Orleans in 1929, and in describing it, the authors of the CD liner notes pointed out its "strikingly similar" resemblance to Richard Brown's 1927 New Orleans recordings. Since then, more discussion has ensued among early blues and gospel collectors and scholars, leading many to state without equivocation that Harris was a pseudonym of Brown's, although no documents linking the name Harris with Brown have been found.[citation needed]
Quotation
[edit]I done seen better days, but I'm putting up with these.
—Rabbit Brown[4]
See also
[edit]References
[edit]- ^ "Richard (Rabbit) Brown discography". Wirz.de. Retrieved November 15, 2022.
- ^ Perchuk, Andrew; Singh, Rani (2010). Harry Smith: The Avant-garde in the American Vernacular. Getty Publications. ISBN 978-0-89236-735-1. Retrieved 6 February 2023.
- ^ a b c d Bush, John. "Richard Rabbit Brown: Biography". Allmusic.com. Retrieved November 15, 2022.
- ^ Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray. Dubai: Carlton Books. p. 9. ISBN 1-85868-255-X.
External links
[edit]- "Times Ain't Like They Used to Be: Rabbit Brown, New Orleans Songster" by Kevin S. Fontenot - from Bluesworld
- Illustrated Richard Rabbit Brown discography, including also Blind Willie Harris
- Artist Direct: Richard Rabbit Brown
| International | |
|---|---|
| National | |
| Artists | |
| Other | |
- 1880s births
- 1937 deaths
- 20th-century African-American male singers
- 20th-century American male singers
- 20th-century American singers
- American blues guitarists
- American male guitarists
- American blues singers
- Country blues musicians
- Blues musicians from New Orleans
- Singers from Louisiana
- Guitarists from Louisiana
- 20th-century American guitarists
- African-American guitarists