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Francis (film)

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Not to be confused with Frances (film).
Francis
Theatrical release half-sheet display poster
Directed byArthur Lubin
Written byDavid Stern III
Dorothy Reid (uncredited)
Based onnovel
by David Stern
Produced byRobert Arthur
StarringDonald O'Connor
Patricia Medina
CinematographyIrving Glassberg
Music byFrank Skinner
Walter Scharf
Production
company
Universal Pictures
Distributed byUniversal-International
Release date
  • 8 February 1950 (1950-02-08) (New Orleans)[1]
Running time
91 minutes
CountryUnited States
LanguageEnglish
Budget$622,000[2][3]
Box office$2.9 million (US rentals)[4]

Francis is a 1950 American black-and-white comedy film from Universal-International that launched the Francis the Talking Mule film series. Francis is produced by Robert Arthur, directed by Arthur Lubin, and stars Donald O'Connor and Patricia Medina. The distinctive voice of Francis is a voice-over by actor Chill Wills.

Six Francis sequels from Universal followed this first effort, all but one starring O'Connor. Mickey Rooney replaced O'Connor in the final film of the series.

During World War II, a junior American Army officer gets sent to the psychiatric ward whenever he insists that an Army mule named Francis speaks to him.

Plot

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When a bank manager discovers teller Peter Stirling is attracting public attention, he calls the young man in. Stirling relates his story in flashback.

Then Second Lieutenant Stirling is caught behind Japanese lines in Burma during World War II. Francis, a talking Army mule (voiced by Chill Wills), carries him to safety. When Stirling insists that the animal rescued him, he is placed in a psychiatric ward. Twice Francis helps Stirling thwart enemy plans. Each time, Stirling is sent back to the psych ward when he insists on crediting a talking mule. In an effort to get himself released, Stirling asks three-star General Stevens to order Francis to speak, but the mule does not obey until it becomes clear that Stirling will be arrested for treason if he remains silent. Convinced, Stevens has Stirling released.

During one of his enforced hospital stays, he is befriended by Maureen Gelder, a beautiful French refugee. He grows to trust her and tells her about Francis. Later, a propaganda radio broadcast from Tokyo Rose mocks the Allies for being advised by a mule. This leads to the suspicion of Stirling or Gelder being a Japanese agent. The press is later informed that the absurd mule story was concocted in order to flush out the spy, and with Francis' help, the real culprit-Gelder-is identified.

Francis is shipped back to the U. S. for further study, but his military transport crashes in the wilds of Kentucky. After the war, convinced that Francis survived the crash, Peter searches for and finally finds the mule still alive and well and talking.

Cast

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Production

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Development

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Lubin became attached to the film in March 1948.[5] He was attracted to the light material because "as a movie fan myself, I am tired of watching neurotic material on the screen. I can easily skip the latest psychiatric spell binders, but I've seen Miracle on 34th Street a half dozen times."[6]

In September 1948 it was announced Robert Stillman, Joseph H. Nadel, and Arthur Lubin had purchased the film rights from David Stern; Sillman would produce and Lubin would direct.[7] (Lubin said a friend who worked at a literary agency recommended the book to him.[8])

Lubin took the film to Universal who were originally not interested. However their story editor, who later became an assistant to Harold Robbins was interested, especially as Universal had a commitment to Donald O'Connor for $30,000 and were looking to make something cheap. The studio advanced Lubin $10,000 as a test to see if he could make the mule talk. The test proved to be successful and Universal agreed to make the film.[8]

They set up the production at Universal where it was turned into a starring vehicle for Donald O'Connor.[9] Lubin worked on the script with Stern. Dorothy Davenport Reid (widow of silent film star Wallace Reid) worked on the script.[10]

Lubin said it was the first time that he had a financial interest in any film he had made:

Directing Francis gave me a new slant on picture making after some years of acting and producing in both New York and Hollywood. I love Francis, first because it's good entertainment, and secondly because I own a bit of that ornery mule.[6]

Apparently Universal records say Lubin was paid a flat fee of $25,000.[11]

Shooting

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Filming started 7 May 1949[12] and continued through to June. Parts of the film were shot at the now defunct Conejo Valley Airport in Thousand Oaks, California.[13]

Before its release in the U. S., Francis was first shown in January 1950 to Army troops stationed in West Germany.

Francis the mule was signed to a seven-year contract with Universal-International, according to an article in Newsweek magazine. Newsweek also reported that Francis' entourage included "a make-up man, trainer, hairdresser, and sanitary engineer, complete with broom and Airwick."

Robert Arthur the producer later said the film was budgeted at $580,000 but went $42,000 over budget.[2] Lubin later said the film cost $150,000. "Donald got $30,000 at the time, the mule cost nothing. We had three mules then. And we made that picture in fifteen days."[14]

Reception

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The film was the eleventh biggest hit of the year in the U.S.[4]

In May 1950 it was announced Universal-International had purchased all rights to the character Francis from author David Stern, including the right to make an unlimited number of sequels.[15]

Diabolique said "Lubin’s handling is always sure and confident, and they contain some genuinely hilarious moments and sensational performances from O’Connor and Chill Wills (who voiced Francis). Admittedly the structure gets repetitive – generally in first half hour everyone thinks Donald O’Connor is mad, then Francis talks to someone, there’s another half hour of people thinking they’re mad, then Francis talks to a few more people, then another half hour and more allegations of madness, then Francis talks to everyone."[16]

Home media

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Francis was released in 1978 as one of the first-ever titles in the new LaserDisc format (Discovision Catalog #22-003).[17] It was then re-issued on LaserDisc in May 1994 by MCA/Universal Home Video (Catalog #42024) as part of an Encore Edition Double Feature with Francis Goes to the Races (1951).

The first two Francis films were released again in 2004 by Universal Pictures on Region 1 and Region 4 DVD, along with the next two in the series, as The Adventures of Francis the Talking Mule Vol. 1. Several years later, Universal released all 7 Francis films as a set on three Region 1 and Region 4 DVDs as Francis The Talking Mule: The Complete Collection.

References

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  1. ^ First Play at Century Theater Set, Los Angeles Times, 15 January 1950: D4.
  2. ^ a b "How to Produce 2 Films at Once". Los Angeles Times. 8 June 1968. p. b6.
  3. ^ "U's $1,470,000 Average Prod Cost Pared to 740G Per Pic in 49". Variety. 27 April 1949. p. 6.
  4. ^ a b 'The Top Box Office Hits of 1950', Variety, 3 January 1951
  5. ^ Looking at Hollywood, Hopper, Hedda, Chicago Daily Tribune, 4 March 1948: B6.
  6. ^ a b So The Mmule Talks--: Reporter: By Arthur Lubin Director of "Francis". New York Times, 12 March 1950: X4.
  7. ^ Studio Briefs, Los Angeles Times, 24 September 1948: 21.
  8. ^ a b Flynn, Charles; McCarthy, Todd (1975). "Arthur Lubin". In Flynn, Charles; McCarthy, Todd (eds.). Kings of the Bs : working within the Hollywood system : an anthology of film history and criticism. E. P. Dutton. p. 370.
  9. ^ Of Local Origin, New York Times, 1 March 1949: 31.
  10. ^ Fidelity Pictures Buys Herbert Book: Welsch-Peters Firm Will Make 'House by River,' 1920 Novel, for Republic Release, Thomas F. Brady, New York Times, 4 April 1949: 27.
  11. ^ Dick, Bernard K. (2015). City of Dreams: The Making and Remaking of Universal Pictures. University Press of Kentucky. p. 156. ISBN 9780813158891.
  12. ^ Mankiewicz Wins Film Guild Award: Directors' Quarterly Prize Goes to Him for 'Letter to Three Wives', a Fox Picture, Thomas F. Brady, New York Times, 6 May 1949: 31.
  13. ^ Sprankling, Miriam and Ruthanne Begun (2012). Tales and Voices of the Conejo. Newbury Park, CA: Conejo Valley Historical Society. Pages 42-43. ISBN 0-9725233-6-7.
  14. ^ Flynn, Charles; McCarthy, Todd (1975). "Arthur Lubin". In Flynn, Charles; McCarthy, Todd (eds.). Kings of the Bs : working within the Hollywood system : an anthology of film history and criticism. E. P. Dutton. p. 367.
  15. ^ 'Francis' Stories Are Bought By U.-I.: Studio Acquires All Rights to David Stern's Future Yarns About the Army Mule, Thomas F. Brady, New York Times, 17 May 1950: 35.
  16. ^ Vagg, Stephen (14 September 2019). "The Cinema of Arthur Lubin". Diabolique Magazine.
  17. ^ [1] (The Discovision Library)
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