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Herbert Menges

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For the United States Navy officer, see Herbert Hugo Menges.

Herbert Menges OBE (27 August 1902 – 20 February 1972) was an English conductor and composer, who wrote incidental music to all of Shakespeare's plays.

Life and career

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Siegfried Frederick Herbert Menges was born in Hove on 27 August 1902. His father was German and his mother British.[1] His elder sister was the violinist Isolde Menges.[2] Herbert appeared in public as a violinist at the age of four. He later abandoned the violin for the piano, which he studied with Mathilde Verne and Arthur De Greef.[3] He later studied composition at the Royal College of Music under Gustav Holst and Ralph Vaughan Williams.[1]

Menges's mother Kate founded the Brighton Symphony Players in 1925 and the first concert was given in the Hove Town Hall on 18 May 1925, conducted by Herbert Menges.[4] After some years the Players evolved into the Brighton Philharmonic Society, a forerunner of the Southern Philharmonic Orchestra, a professional group based in Brighton from 1945 which also gave regular concerts in Portsmouth and Hastings. Menges was a powerful advocate of the regional professional orchestras.[3] He remained the orchestra's musical director for the remaining 47 years of his life, during which time it became the Brighton Philharmonic Orchestra in 1958, and conducted the orchestra 326 times.[4] He conducted the premieres of a number of works by contemporary English composers.[citation needed]

In 1931 he became musical director of the Old Vic Theatre, in which capacity he wrote (or arranged from composers such as Henry Purcell[5]) incidental music for all the plays of William Shakespeare, and numerous plays by other writers.[1] Notable among these was his music for a 1949 production of Love's Labour's Lost.[6] He was associated with the productions of John Gielgud from 1933 onwards. His assistant there for three years was John Cook. He remained with the Old Vic until 1950.[7] From 1941 to 1944, alongside Lawrance Collingwood he conducted performances in London and around Britain for operas with the Sadler's Wells Theatre Orchestra, before returning to the Old Vic company when it moved to the New Theatre.[3] He toured with Laurence Olivier and Ralph Richardson to Paris, Germany, the Low countries and New York, where he also conducted the CBS Symphony Orchestra.[3]

He also became musical director of the Royalty Theatre in London. In 1931 he founded the London Rehearsal Orchestra, whose purpose was to help young musicians learn difficult pieces.[4]

In 1951 he wrote the music for the Laurence Olivier-Vivien Leigh Broadway production of Shakespeare's Antony and Cleopatra.[8] That same year, Malcolm Arnold dedicated his A Sussex Overture, Op. 31, to Herbert Menges and the Brighton Philharmonic Society.[9]

He considered that he had a strong affinity with Bach and conducted the Viennese classics and composers such as Verdi and Tchaikovsky with restraint, while his Brahms and Dvorak are warmer in his interpretations.[3] His rehearsal and conducting technique were commended for their economy and he would often forego the baton in more expressive passages.[3] A later critic, discussing his recordings, praised the rhythmic acuity, superb internal balance in the orchestra and the precision of attack he achieved, comparing his approach with Paray and Monteux.[10]

He had conducted engagements with the Royal Philharmonic Orchestra, the Liverpool Philharmonic Orchestra, and the BBC Symphony Orchestra. He became Director of Music at the Chichester Festival Theatre in 1962.[11]

Herbert Menges was appointed an Officer of the Order of the British Empire in 1963.[12] He died on 20 February 1972, in London, aged 69.[13] His name now appears as a tribute on some Brighton and Hove buses.[4]

Many of his letters and scores are held at McMaster University Library, Hamilton, Ontario, Canada.[7][14]

He was married in 1935 to Evelyn Stiebel and had three children, Nicholas, Christopher (an Academy Award-winning cinematographer) and Susannah.[3]

Recordings

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Herbert Menges made a number of recordings, almost all of which were of concertante works:

References

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  1. ^ a b c Grove's Dictionary of Music and Musicians, 5th ed, 1954, Vol. 5, p. 709
  2. ^ a b Music Web International, accessed 15 March 2015.
  3. ^ a b c d e f g Brook, Donald. Herbert Menges. In: International Gallery of Conductors. Rockliff Publishing Corporation Ltd, London, 1951, p113-116.
  4. ^ a b c d Brighton and Hove: Names on the buses
  5. ^ Jill L. Levenson; William Shakespeare (1987). Romeo and Juliet. Manchester University Press. p. 62. ISBN 978-0-7190-2218-0.
  6. ^ Hugh Hunt (2005). Old Vic Prefaces: Shakespeare and the Producer. Psychology Press. p. 25. ISBN 978-0-415-35318-2.
  7. ^ a b Archivaria
  8. ^ New York Times, 21 December 1951
  9. ^ Chandos
  10. ^ a b Mousnier, J-P. Pierre Monteux. L’Harmattan, Paris and Montréal, 1999, p296-7.
  11. ^ "Stars will lead new festival". The Stage. 18 January 1962. p. 1.
  12. ^ "No. 42870". The London Gazette (Supplement). 28 December 1962. pp. 1–34.
  13. ^ Royal Academy of Music Search results for: herbert menges, accessed 15 March 2015.
  14. ^ "McMaster University". Archived from the original on 27 September 2011. Retrieved 10 August 2010.
  15. ^ "maniadb". Archived from the original on 21 July 2011. Retrieved 10 August 2010.
  16. ^ "Classics Online". Archived from the original on 11 March 2012. Retrieved 10 August 2010.
  17. ^ Audiophile Audition
  18. ^ a b Music Web International
  19. ^ Sound Fountain
  20. ^ "First Hand Records". Archived from the original on 22 June 2011. Retrieved 10 August 2010.
  21. ^ a b c d e CHARM Discography, Centre for the History and Analysis of Recorded Music, <http://www.charm.kcl.ac.uk/about/about_structure>, accessed 11 June 2012.
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