Gable hood
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A gable hood, English hood or gable headdress is an English woman's headdress of c. 1500–1550, so called because its pointed shape resembles the architectural feature of the same name. The contemporary French hood was rounded in outline and unlike the gable hood, less conservative, displaying the frontal part of the wearer's hair.
Description
[edit]The gable hood was originally a simple pointed hood with decorated side panels called lappets and a veil at the back. Over time, it became a complex construction stiffened with buckram, having a box-shaped back and two tube-shaped hanging veils at 90-degree angles. The hanging veils and lappets could be pinned up in a variety of ways to make complex headdresses.
Generally, the gable hood consisted of four parts: the paste, lappets, veil, and decorative jewels (for the most aristocratic only). The paste was a white, stiffened version of the coif, with drawstrings at the back to adjust to the wearer's head. Then, the lappets were pinned to the paste, and either left to hang or pinned to the side of the head. Then, the veil was attached. The jewels were mounted on a stiff foundation that could be sewn to the paste, acting not only as decoration but as something to create a more rigid structure. A striped silk undercap could also be worn to fully cover the hair.
Gallery
[edit]-
Early gable hood: Elizabeth of York c. 1500
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18th-century rendition of Catherine of Aragon in a 1520s gable hood with pinned lappets.
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Gable hood with lappets and one side of veil pinned up. Engraving after Holbein, c. 1535.
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Gable hood of c. 1543
See also
[edit]- 1500–1550 in Western European fashion
- Margaret Beaufort
- Catherine of Aragon
- Jane Seymour
- Mary Boleyn
References
[edit]- Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5
- Ashelford, Jane: A Visual History of Costume: The Sixteenth Century, Drama Books, 1983. ISBN 0-89676-076-6