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"Parasuram" and "Parashuram" redirect here. For other uses, see Parashurama (disambiguation).

Parashurama
Member of Dashavatara and Chiranjivi
Parashurama by Raja Ravi Varma
Other names
  • Bhargava Rama
  • Jamadagnya Rama
  • Ramabhadra
Devanagariपरशुराम
Sanskrit transliterationParaśurāma
AffiliationVaishnavism
WeaponAxe named Vidyudabhi (Parashu)
DayThursday
Genealogy
BornThird day of Vaishaka Shukla Paksha or Parashurama Jayanti
Parents
SiblingsṚumaṇvān, Suhotra, Vasu, and Viśvāvasu[2]
SpouseDharani (Lakshmi)[1]
Dashavatara Sequence
PredecessorVamana
SuccessorRama

Parashurama (Sanskrit: परशुराम, romanized: Paraśurāma, lit. 'Rama with an axe'), also referred to as Rama Jamadagnya, Rama Bhargava and Virarama,[3] is the sixth avatar among the Dashavatara of the preserver god Vishnu in Hinduism.[4] He is believed to be one of the Chiranjivis (Immortals), who will appear at the end of the Kali Yuga to be the guru of Vishnu's tenth and last incarnation, Kalki.

Born to Jamadagni and Renuka, the Brahmin Parashurama was foretold to appear at a time when overwhelming evil prevailed on the earth. The Kshatriya class, with weapons and power, had begun to abuse their power, take what belonged to others by force and tyrannise people. He corrected the cosmic equilibrium by destroying the Kshatriya warriors twenty-one times. He is married to Dharani, an incarnation of Lakshmi, the wife of Vishnu.[5] He is present in the Ramayana due to the conflict with Rama (the protagonist of the Ramayana). He is mentioned in the Mahabharata as the guru of Bhisma, Drona, Rukmi and Karna.[6][7]

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Closeup of Vishnu, seated in the lotus position on a lotus. From depiction of the poet Jayadeva bowing to Vishnu, Gouache on paper Pahari, The very picture of devotion, bare-bodied, head bowed, legs crossed and hands folded, Jayadeva stands at left, with the implements of worship placed before the lotus-seat of Vishnu who sits there, blessing the poet.
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According to Hindu mythology, Parashurama was born to the sage Jamadagni and his Kshatriya wife, Renuka. In local tradition, it is believed they lived in a hut located at Janapav.[8] They had a celestial cow called Surabhi, which gives them all that they desire (Surabhi is the daughter of cow Kamadhenu).[7][9] A king named Kartavirya Arjuna (not to be confused with Arjuna, the Pandava)[10][note 1] learns about this cow of plenty and wants it. He asks Jamadagni to give it to him, but the sage refuses. While Parashurama is away from the hut, the king takes it by force.[7] When Jamadagni pleads his case and seeks for the return of the cow, the king strikes him with his fist, killing him. Parashurama learns about this crime, and is upset. With his axe in his hand, he challenges the king to battle. They fight, and Parashurama defeats and kills the king, according to the Padma Purana.[3][5]

The wicked-minded one lost his valour due to his own sin. The mighty son of Reṇukā, being angry, cut off his head, as mighty Indra did the peak of a big mountain, and he who was brave and angry, killed Sahasrabāhu and all the kings with his axe in the battle. Seeing Rāma, the very fearful one, all kings on the earth, struck by fear, ran away as elephants do on seeing a lion. The angry Rāma killed the kings even though they had fled due to the resentment against his father's murder, as the angry Garuḍa killed the serpents. The valorous Rāma made the entire [world] clear of the kṣatriyas, but protected [i.e. spared] only the very great family of Ikṣvāku, due to its being the family to which his maternal grandfather was related, and due to his mother's words.

— Padma Purana, Chapter 241

The warrior class challenges him, and he slays every single member of the class, save for those belonging to the lineages of Manu and Ikshvaku. The mighty son of Jamadagni, having rid the world of the Kshatriyas, then performs the ashvamedha sacrifice. He grants the earth with the seven islands to principal rishis belonging to the Brahmin class. Having renounced the earth and his violent deeds, he retires to the hermitage of Nara-Narayana to engage in penance. The legend likely has roots in the ancient conflict between the Brahmin varna, with knowledge duties, and the Kshatriya varna, with warrior and enforcement roles.[6][7][11]

Confrontation with Rama

In the Ramayana, following Rama's wedding to Sita at Mithila and during their homeward journey to Ayodhya, his party comes across a number of inauspicious signs. Amid an earthquake and a dust storm, Parashurama appears before the party. After accepting the libation offered to him, Parashurama challenges Rama to combat, on the condition that the prince show his strength to the sage by placing a bow within the string of the latter's bow, Sharanga, and discharging it. Ignoring Dasharatha's plea to spare Rama this task, Parashurama relays the divine origin of the bow and the history of its ownership, appealing to Rama's skills as a warrior. Rama seizes the bow from Parashurama and strings it, an act that causes the latter to become bereft of his divine power. Humbled, Parashurama acknowledges that Rama is an incarnation of Vishnu and requests the prince to allow him to return to the mountain Mahendra so that he could practice yoga and accrue merit. After circumambulating Rama in worship, Parashurama returns to his hermitage.[12]

Confrontation with Bhishma

In the Mahabharata, Parashurama intercedes on the princess Amba's behalf, promising to command his disciple Bhishma to do his duty and marry her after her abduction.[13] When Parashurama arrives with his retinue at Kurukshetra, he sends a message to Bhishma to inform him of his arrival. Bhishma comes to see his guru, offering him the traditional respects. Parashurama commands Bhishma to accept Amba as his wife. Bhishma refuses, restating that he had taken a vow of celibacy. An infuriated Parashurama threatens Bhishma with death. Bhishma tries to calm the sage, but in vain, and he finally agrees to battle his guru to safeguard his Kshatriya duty. Ganga tries stopping the battle by beseeching her son as well as the great sage, but fails.[14] The great battle lasts for 23 days, without any result. On the 24th day, when Bhishma chooses to use a deadly weapon, at the behest of the divine sage Narada and the devas, Parashurama ends the conflict and the battle is declared a draw.[15][16] Parashurama narrates the events to Amba and urges her to seek Bhishma's protection. However, Amba refuses to listen to Parashurama's advice and angrily declares that she would achieve her objective by asceticism.[17]

Parashurama in geographical myths

Parashurama, surrounded by settlers, commanding Varuna, god of the waters to recede to make land known as 'Parashurama Kshetra' from Gokarna to Kanyakumari for the Brahmins

There are legends dealing with the origins of the western coast geographically and culturally. One such legend is the retrieval of the west coast from the sea, by Parashurama, a warrior sage. It proclaims that Parashurama, an incarnation of Mahavishnu, threw his battle axe into the sea. As a result, the land of the western coast arose, and thus was reclaimed from the waters. The place from which he threw his axe (or shot an arrow) is on Salher fort (the second highest peak and the highest fort in Maharashtra) in the Baglan taluka of Nashik district of Maharashtra. There is a temple on the summit of this fort dedicated to Parshuram and there are footprints in the rock four times the size of normal humans. This fort on a lower plateau has a temple of goddess Renuka, Parshuram's mother and also a Yagya Kunda with pits for poles to erect a shamiyana on the banks of a big water tank.[citation needed]

According to the Sangam classic Purananuru, the Chera king Senkuttuvan conquered the lands between Kanyakumari and the Himalayas.[18] Lacking worthy enemies, he besieged the sea by throwing his spear into it.[18][19] According to the 17th-century Malayalam work Keralolpathi, the lands of Kerala were recovered from the sea by the axe-wielding warrior sage Parashurama, the sixth incarnation of Vishnu (hence, Kerala is also called Parashurama Kshetram 'The Land of Parashurama'[20]). Parashurama threw his axe across the sea, and the water receded as far as it reached. According to legend, this new area of land extended from Gokarna to Kanyakumari.[21] The land which rose from sea was filled with salt and unsuitable for habitation; so Parashurama invoked the snake king Vasuki, who spat holy poison and converted the soil into fertile lush green land. Out of respect, Vasuki and all snakes were appointed as protectors and guardians of the land. P. T. Srinivasa Iyengar has theorised that Senguttuvan may have been inspired by the Parashurama legend, which was brought by early Aryan settlers.[22]

In present-day Goa (or Gomantak), which is a part of the Konkan, there is a temple in Canacona in South Goa district dedicated to Parashurama.[23][24][25]

Texts

Parashurama is generally presented as the fifth son of Renuka and Rishi Jamadagni.[11] The legends of Parashurama appear in many Hindu texts, in different versions:[26]

  • In Chapter 6 of the Devi Bhagavata Purana, he is born from the thigh with intense light surrounding him that blinds all warriors, who then repent their evil ways and promise to lead a moral life if their eyesight is restored. The boy grants them the boon.[11]
  • In Chapter 4 of the Vishnu Purana, Rcika prepares a meal for two women, one simple, and another with ingredients that if eaten would cause the woman to conceive a son with martial powers. The latter is accidentally eaten by Renuka, and she then gives birth to Parashurama.[11]
  • In Chapter 2 of the Vayu Purana, he is born after his mother Renuka eats a sacrificial offering made to both Rudra (Shiva) and Vishnu, which gives him dual characteristics of Kshatriya and Brahmin.[27]

Parashurama is described in some versions of the Mahabharata as the angry Brahmin who with his axe, killed a huge number of Kshatriya warriors because they were abusing their power.[28] In some versions, he even kills his own mother because his father asks him to in order to test his obeisance.[10][29] After Parashurama obeys his father's order to kill his mother, his father grants him a boon. Parashurama asks for the reward that his mother be brought back to life, and she is restored to life.[29] Parashurama remains filled with sorrow after the violence, repents and expiates his sin.[10] After his Mother comes back to life, he tries to clean the blood-stained axe but he finds a drop of blood which he was unable to clean and tries cleaning the blood drop in different rivers. This is when he moves towards the south of India in search of any holy river where he could clean his axe, finally, he reaches Tirthahalli village in Shimoga, Karnataka and tries to clean the axe and to his surprise, the axe gets cleaned in the holy river of Tunga. With respect towards the holy river, he constructs a Shiva linga and performs pooja and the temple is named as Rameshwara temple. The place where Parashurama cleaned his axe is called Ramakunda.

He plays important roles in the Mahabharata serving as mentor to Bhishma (chapter 5.178), Drona (chapter 1.121) and Karna (chapter 3.286), teaching weapon arts and helping key warriors in both sides of the war.[30][31][note 2]

In the regional literature of Kerala, he is the founder of the land, the one who brought it out of the sea and settled a Hindu community there.[6] He is also known as Rama Jamadagnya and Rama Bhargava in some Hindu texts.[3] Parashurama retired in the Mahendra Mountains, according to chapter 2.3.47 of the Bhagavata Purana.[33] He is the only incarnation of Vishnu who never dies, never returns to abstract Vishnu and lives in meditative retirement.[10] Further, he is the only incarnation of Vishnu that co-exists with other Vishnu incarnations Rama and Krishna in some versions of the Ramayana and Mahabharata, respectively.[10][note 3]

Samanta Panchaka

According to the Sangraha Parva, after killing 21 generations of Kshatriyas, he filled their blood in five pools collectively known as the Samantha Panchaka (Sanskrit: समंत पञ्चक). He later atoned for his sin by severe penance. The five pools are considered to be holy.

The Anukramanika Parva says that the Samantha Panchaka is located somewhere around Kurukshetra. It also mentions that the Pandavas performed a few religious rites near the Samantha Panchaka before the Kurukshetra War.

Parashurama Kshetra

There is much interpretation of 'Parashurama Kshetra' (Land of Parashurama) mentioned in the Puranas.

The region on the western coast of India from Gokarna to Kanyakumari was known as Parashurama Kshetra.[34]

The region of Konkan was also considered as Parashurama Kshetra.[35]

The ancient Saptakonkana is a slightly larger region described in the Sahyadrikhanda which refers to it as Parashuramakshetra (Sanskrit for "The Land Of Parashurama"), Vapi to Tapi is an area of South Gujarat, India. This area is called "Parshuram Ni Bhoomi".[36]

Iconography

Parashurama with his axe (two representations)

The Hindu literature on iconography such as the Vishnudharmottara Purana and Rupamandana describes him as a man with matted locks, with two hands, one carrying an axe. However, the Agni Purana portrays his iconography with four hands, carrying his axe, bow, arrow and sword. The Bhagavata Purana describes his icon as one with four hands, carrying his axe, bow, arrows and a shield like a warrior.[37] Though a warrior, his representation inside Hindu temples with him in war scenes is rare (the Basohli temple is one such exception). Typically, he is shown with two hands, with an axe in his right hand either seated or standing.[37]

Temples

The Anantheshwara Temple is a famous temple in Udupi where Parashurama is worshipped in the form of a lingam.[38]

There is a temple for Parashurama in Thiruvallam near Thiruvananthapuram Kerala. The temple called Athyarala in Rajempet, Andhra Pradesh, is dedicated to Parashurama. There is a Parshuram Kund, a Hindu pilgrimage centre in Lohit District of Arunachal Pradesh which is dedicated to Parashurama. Thousands of pilgrims visit the place in winter every year, especially on the Makar Sankranti day for a holy dip in the sacred kund which is believed to wash away one's sins.[39][40] Mahurgad is one of the Shakti Pitha shrines in Maharashtra's Nanded District, where a famous temple of goddess Renuka exists. This temple at Mahurgad is always full of pilgrims. People also come to visit Parashurama temple on the same Mahurgad. The 108 Shiva Temples in Kerala which are believed to be consecrated by Parashurama.

Other places where temples for Parashurama are found are Chiplun in Ratnagiri District, Maharashtra and at Udupi, Karnataka. In Karnataka, there are a group of seven temples in the stretch of Tulunadu (coastal Karnataka), known as Parashurama Kshetras, namely, Kollur, Koteshwara, Kukke Subrahmanya, Udupi, Gokarna, Anegudde (Kumbhasi) and Shankaranarayana.

  • A Parashurama temple in Kerala
    A Parashurama temple in Kerala
  • Parashurama in a garden
    Parashurama in a garden

On top of the hills of Janapav is a Shiva temple where Parashurama is believed to have worshipped Shiva, the ashram is known as Jamadagni Ashram, named after his father. The place also has a Kund (Pond) that is being developed by the state government.[41]

In Kannada folklore, especially in devotional songs sung by the Devdasis he is often referred to as a son of Yellamma. Parashurama legends are notable for their discussion of violence, the cycles of retaliations, the impulse of krodha (anger), the inappropriateness of krodha, and repentance.[42][note 4]

See also

Notes

  1. ^ The Mahabharata includes legends about both Arjuna, one is dharmic (moral) and other adharmic (immoral); in some versions, Arjuna Kartavirya has mixed moral-immoral characteristics consistent with the Hindu belief that there is varying degrees of good and evil in every person.[10]
  2. ^ The Sanskrit epic uses multiple names for Parashurama in its verses: Parashurama, Jamadagnya, Rama (his name shortened, but not to be confused with Rama of Ramayana), etc.[32]
  3. ^ These texts also state that Parasurama lost the essence of Vishnu while he was alive, and Vishnu then appeared as a complete avatar in Rama; later, in Krishna.[10]
  4. ^ According to Madeleine Biardeau, Parasurama is a fusion of contradictions, possibly to emphasize the ease with which those with military power tend to abuse it, and the moral issues in circumstances and one's actions, particularly violent ones.[43][44]

References

  1. ^ Debroy, Bibek (30 June 2022). Vishnu Purana - Bibek Debroy - Google Books. Penguin Random House India Private Limited. ISBN 9789354926617. Retrieved 25 September 2022.
  2. ^ "Story of Jamadagni". 28 January 2019.
  3. ^ a b c Julia Leslie (2014). Myth and Mythmaking: Continuous Evolution in Indian Tradition. Taylor & Francis. pp. 63–66 with footnotes. ISBN 978-1-136-77888-9.
  4. ^ Chakraborty, Yogabrata (28 June 2023). "পুরীধাম ও জগন্নাথদেবের ব্রহ্মরূপ বৃত্তান্ত" [Puridham and the tale of lord Jagannath's legendary 'Bramharup']. dainikstatesmannews.com (in Bengali). Kolkata: Dainik Statesman (The Statesman Group). p. 4. Archived from the original on 28 June 2023. Retrieved 28 June 2023.
  5. ^ a b Coulter, Charles Russell; Turner, Patricia (4 July 2013). Encyclopedia of Ancient Deities. Routledge. ISBN 978-1-135-96390-3.
  6. ^ a b c Constance Jones; James D. Ryan (2006). Encyclopedia of Hinduism. Infobase Publishing. p. 324. ISBN 978-0-8160-7564-5.
  7. ^ a b c d James G. Lochtefeld (2002). The Illustrated Encyclopedia of Hinduism: N–Z. The Rosen Publishing Group. pp. 500–501. ISBN 978-0-8239-3180-4.
  8. ^ "Parashurama | Hindu mythology".
  9. ^ Khazan Ecosystems of Goa: Building on Indigenous Solutions to Cope with Global Environmental Change (Advances in Asian Human-Environmental Research) (1995). Khazan Ecosystems of Goa: Building on Indigenous Solutions to Cope with Global Environmental Change. Abhinav Publications. p. 29. ISBN 978-9400772014.
  10. ^ a b c d e f g Lynn Thomas (2014). Julia Leslie (ed.). Myth and Mythmaking: Continuous Evolution in Indian Tradition. Routledge. pp. 64–66 with footnotes. ISBN 978-1-136-77881-0.
  11. ^ a b c d Thomas E Donaldson (1995). Umakant Premanand Shah (ed.). Studies in Jaina Art and Iconography and Allied Subjects in Honour of Dr. U. P. Shah. Abhinav Publications. pp. 159–160. ISBN 978-81-7017-316-8.
  12. ^ Valmiki. The Ramayana. pp. 139–144.
  13. ^ Uberoi, Meera (2005). The Mahabharata. Penguin Books India. p. 25. ISBN 978-0-14-303358-5.
  14. ^ Kisari Mohan Ganguli. "Section CLXXXI". The Mahabharata, Book 5: Udyoga Parva. Sacred-texts.com.
  15. ^ Mani, Vettam (1975). "Amba". Puranic Encyclopaedia: a Comprehensive Dictionary with Special Reference to the Epic and Puranic Literature. Motilal Banarsidass Publishers. pp. 27–29. ISBN 978-0-8426-0822-0.
  16. ^ Kisari Mohan Ganguli. "Section CLXXXVIII". The Mahabharata, Book 5: Udyoga Parva. Sacred-texts.com.
  17. ^ Kisari Mohan Ganguli. "Section CLXXXIX". The Mahabharata, Book 5: Udyoga Parva. Sacred-texts.com.
  18. ^ a b Menon, A. Sreedhara (1987). Kerala History and its Makers. D C Books. p. 24. ISBN 978-8126421992.
  19. ^ Ancient Indian History By Madhavan Arjunan Pillai, p. 204 [ISBN missing]
  20. ^ S. C. Bhatt, Gopal K. Bhargava (2006) "Land and People of Indian States and Union Territories: Volume 14", p. 18
  21. ^ Aiya VN (1906). The Travancore State Manual. Travancore Government Press. pp. 210–12. Retrieved 12 November 2007.
  22. ^ Srinivisa Iyengar, P. T. (1929). History of the Tamils: From the Earliest Times to 600 A.D. Madras: Asian Educational Services. p. 515. ISBN 978-8120601451.
  23. ^ Shree Scanda Puran (Sayadri Khandha) – Ed. Dr. Jarson D. Kunha, Marathi version Ed. by Gajanan Shastri Gaytonde, published by Shree Katyani Publication, Mumbai
  24. ^ Gomantak Prakruti ani Sanskruti Part 1, p. 206, B. D. Satoskar, Shubhada Publication
  25. ^ Aiya VN (1906). The Travancore State Manual. Travancore Government Press. pp. 210–212. Retrieved 12 November 2007.
  26. ^ Cornelia Dimmitt (2012). Classical Hindu Mythology: A Reader in the Sanskrit Puranas. Temple University Press. pp. 82–85. ISBN 978-1-4399-0464-0.
  27. ^ Thomas E Donaldson (1995). Umakant Premanand Shah (ed.). Studies in Jaina Art and Iconography and Allied Subjects in Honour of Dr. U.P. Shah. Abhinav Publications. pp. 160–161. ISBN 978-81-7017-316-8.
  28. ^ Ganguly KM (1883). "Drona Parva Section LXX". The Mahabharata of Krishna-Dwaipayana Vyasa. Sacred Texts. Retrieved 15 June 2016.
  29. ^ a b Daniel E Bassuk (1987). Incarnation in Hinduism and Christianity: The Myth of the God-Man. Palgrave Macmillan. p. 30. ISBN 978-1-349-08642-9.
  30. ^ Kisari Mohan Ganguli (1896). "Mahabaratha, Digvijaya yatra of Karna". The Mahabharata. Sacred Texts. Retrieved 11 June 2015.
  31. ^ Lynn Thomas (2014). Julia Leslie (ed.). Myth and Mythmaking: Continuous Evolution in Indian Tradition. Routledge. pp. 66–69 with footnotes. ISBN 978-1-136-77881-0.
  32. ^ Lynn Thomas (2014). Julia Leslie (ed.). Myth and Mythmaking: Continuous Evolution in Indian Tradition. Routledge. pp. 69–71 with footnotes. ISBN 978-1-136-77881-0.
  33. ^ Thomas E Donaldson (1995). Umakant Premanand Shah (ed.). Studies in Jaina Art and Iconography and Allied Subjects in Honour of Dr. U.P. Shah. Abhinav Publications. pp. 174–175. ISBN 978-81-7017-316-8.
  34. ^ L Eck, Diana (27 March 2012). India : A Sacred Geography. Harmony/Rodale. p. 37.
  35. ^ Stanley Wolpert (2006), Encyclopedia of India, Thomson Gale, ISBN 0-684-31350-2, page 80
  36. ^ Chandra, Suresh (1998). Encyclopedia of Hindu Gods & Goddesses. Sarup & Sons. p. 376. ISBN 9788176250399.
  37. ^ a b Thomas E Donaldson (1995). Umakant Premanand Shah (ed.). Studies in Jaina Art and Iconography and Allied Subjects in Honour of Dr. U.P. Shah. Abhinav Publications. pp. 178–180. ISBN 978-81-7017-316-8.
  38. ^ G. Kameshwar (2004). Tulu Tales: A Soota Chronicle. Rupa & Company. p. 31. ISBN 9788129104274. The association of Parasurama, an incarnation of Vishnu, with the Linga, came to be known as Anantheshwara and the place of worship is the present Anantheshwara temple.
  39. ^ "Thousands gather at Parshuram Kund for holy dip on Makar Sankranti". The News Mill. 13 January 2017. Retrieved 13 January 2017.
  40. ^ "70,000 devotees take holy dip in Parshuram Kund". Indian Express. 18 January 2013. Retrieved 29 June 2014.
  41. ^ "Janapav to be developed into international pligrim centre". One India. 8 May 2008. Retrieved 17 November 2019.
  42. ^ Thomas E Donaldson (1995). Umakant Premanand Shah (ed.). Studies in Jaina Art and Iconography and Allied Subjects in Honour of Dr. U.P. Shah. Abhinav Publications. pp. 161–70. ISBN 978-81-7017-316-8.
  43. ^ Madeleine BIARDEAU (1976), Études de Mythologie Hindoue (IV): Bhakti et avatāra, Bulletin de l'École française d'Extrême-Orient, École française d’Extrême-Orient, Vol. 63 (1976), pp. 182–191, context: 111–263
  44. ^ Freda Matchett (2001). Krishna, Lord Or Avatara?. Routledge. pp. 206 with note 53. ISBN 978-0-7007-1281-6.

Bibliography

Regnal titles
Preceded by Dashavatara
Treta Yuga 		Succeeded by
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