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Rhapsody (music)

From Wikipedia, the free encyclopedia
For other uses, see Rhapsody (disambiguation).

A rhapsody in music is a one-movement work that is episodic yet integrated, free-flowing in structure, featuring a range of highly contrasted moods, colour, and tonality. An air of spontaneous inspiration and a sense of improvisation make it freer in form than a set of variations.

The word rhapsody is derived from the Greek: ῥαψῳδός, rhapsōidos, a reciter of epic poetry (a rhapsodist), and came to be used in Europe by the 16th century as a designation for literary forms, not only epic poems, but also for collections of miscellaneous writings and, later, any extravagant expression of sentiment or feeling. In the 18th century, literary rhapsodies first became linked with music, as in Christian Friedrich Daniel Schubart's Musicalische Rhapsodien (1786), a collection of songs with keyboard accompaniment, together with a few solo keyboard pieces.[1] The first solo piano compositions with the title, however, were Václav Jan Tomášek’s fifteen Rhapsodies, the first of which appeared in 1810.[2] Although vocal examples may be found as late as Brahms's Alto Rhapsody, Op. 53 (1869), in the 19th century the rhapsody had become primarily an instrumental form, first for the piano and then, in the second half of the century, a large-scale nationalistic orchestral "epic"—a fashion initiated by Franz Liszt.[1] Interest in Romani violin playing beginning in the mid-19th century led to a number of important pieces in that style, in particular by Liszt, Antonín Dvořák, George Enescu, Ernst von Dohnányi, and Béla Bartók, and in the early 20th century British composers exhibiting the influence of folksong composed a number of examples, including Ralph Vaughan Williams's three Norfolk Rhapsodies, George Butterworth's A Shropshire Lad, and Frederick Delius's Brigg Fair (which is subtitled "An English Rhapsody").[3]

In modern times, several composers have endeavored to feature non-traditional orchestral instruments within the context of the rhapsody. During the post World War II era, John Serry Sr. showcased the chromatic piano accordion within his American Rhapsody (Alpha Music Publishing, 1955).[4][5][6] Decades later, Ney Gabriel Rosauro included the Brazilian berimbau as well as the Brazilian repinique within his Rhapsody for Solo Percussion and Orchestra (1992) while also incorporating an optional section in which the performers are encouraged to include a favorite exotic or folklordic instrument.[7]

In 1975, the British rock band Queen released "Bohemian Rhapsody", a bombastic mock-operatic rock song which is in the form of a four-part suite, but performed with rock instrumentation.[8] Though described by its composer Freddie Mercury as a "mock opera",[9] it has also been characterized as a "sort of seven-minute rock cantata (or 'megasong') in three distinct movements".[10] It became one of the UK's best-selling singles of all time.[11]

Some familiar examples may give an idea of the character of a rhapsody:

See also

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References

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  1. ^ Jump up to: a b Rink 2001.
  2. ^ Randel 2003.
  3. ^ Thompson and Bellingham 2002.
  4. ^ Eastman School of Music - University of Rochester - Sibley Music Library: John J. Serry Sr. Collection "American Rhapsody" score Folder 12 & 19 p. 10 The John J. Serry Sr. Collection archived at the University of Rochester Eastman School of Music
  5. ^ Accordion and Guitar World 1958 Vol. 23, p. 18 "Alpha Music has just released an original work by John Serry: "American Rhapsody" Alpha Music American rhapsody on google books
  6. ^ Accordion & Guitar World 1959, Vol 24 p. 37 John Serry Atlas Accordion American Rhapsody on Google Books
  7. ^ "Rhapsody for Solo Percussion and Orchestra". Rosauro, Ney Gabriel. University of Miami Proquest Dissertations Publishing 1992, p. 1-3 Rhapsody non traditional instruments on Google Scholar]
  8. ^ Erlewine n.d.; Anon. n.d.
  9. ^ Brown 2012, 155.
  10. ^ Taruskin 2009, 328.
  11. ^ Roberts 2012.
  • Who Is Who In Music International 1958. Chicago: Who Is Who International. Biographical File # B11719. See International Biographical Center, Cambridge, England current publisher.
  • Anon. 1968. Accordion World. New York: Bedford Hills.[full citation needed]
  • Anon. n.d. "166: Queen, Bohemian Rhapsody". Rolling Stone Music: 500 Greatest Songs of All Time (Accessed 9 April 2013).
  • Brown, Matthew. 2012. Debussy Redux. Bloomington: Indiana University Press. 9780253357168.
  • Erlewine, Stephen Thomas. n.d. "Queen: Biography". Allmusic website (Accessed 9 April 2013).
  • Kennedy, Michael (ed.). 2006. "Rhapsody". The Oxford Dictionary of Music, second edition, revised. Associate editor, Joyce Bourne. Oxford and New York: Oxford University Press. ISBN 9780198614593.
  • The Library of Congress Copyright Office. 1957. American Rhapsody, Copyright: Alpha Music Co., New York, New York, USA, Composer: John Serry Sr.
  • Randel, Don Michael (ed.). 2003. "Rhapsody". The Harvard Dictionary of Music, fourth edition. Harvard University Press Reference Library. Cambridge: Belknap Press of the Harvard University Press. ISBN 978-0674011632.
  • Rink, John. 2001. "Rhapsody". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
  • Roberts, Emma. 2012. "The UK's Biggest-Selling Singles Ever" MSN Music (14 November), p. 3 "Queen—Bohemian Rhapsody" (Accessed 9 April 2013).[dead link]
  • Salmen, Walter. 1966. Geschichte der Rhapsodie. Atlantis-Musikbücherei. Zürich and Freiburg im Breisgau: Atlantis.
  • Taruskin, Richard. 2009. Music in the Late Twentieth Century. Oxford History of Western Music 6. Oxford and New York: Oxford University Press. ISBN 9780199796007.
  • Thompson, Wendy, and Jane Bellingham. 2002. "Rhapsody". The Oxford Companion to Music, edited by Alison Latham. Oxford and New York: Oxford University Press. ISBN 9780198662129.

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