German Romanticism

German Romanticism (German: Deutsche Romantik) was the dominant intellectual movement of German-speaking countries in the late 18th and early 19th centuries, influencing philosophy, aesthetics, literature, and criticism. Compared to English Romanticism, the German variety developed relatively early, and, in the opening years, coincided with Weimar Classicism (1772–1805).

The early period, roughly 1797 to 1802, is referred to as Frühromantik or Jena Romanticism.^[1] The philosophers and writers central to the movement were Wilhelm Heinrich Wackenroder (1773–1798), Friedrich Wilhelm Joseph Schelling (1775–1854), Friedrich Schleiermacher (1768–1834), Karl Wilhelm Friedrich Schlegel (1772–1829), August Wilhelm Schlegel (1767–1845), Ludwig Tieck (1773–1853), and Friedrich von Hardenberg (Novalis) (1772–1801).^[2]

The early German Romantics strove to create a new synthesis of art, philosophy, and science, by viewing the Middle Ages as a simpler period of integrated culture; however, the German Romantics became aware of the tenuousness of the cultural unity they sought.^[3] Late-stage German Romanticism emphasized the tension between the daily world and the irrational and supernatural projections of creative genius. In particular, the critic Heinrich Heine criticized the tendency of the early German Romantics to look to the medieval past for a model of unity in art and society.^[3]

A major product of the French occupation under Napoleon was a strong development in German nationalism which eventually turned the German Confederation into the German Empire after a series of conflicts and other political developments. German Romanticism was nationalistic and therefore became hostile to the ideals of the French Revolution. Major Romantic thinkers, especially Ernst Moritz Arndt, Johann Gottlieb Fichte, Heinrich von Kleist, and Friedrich Schleiermacher, embraced reactionary politics and were hostile to political liberalism, rationalism, neoclassicism, and cosmopolitanism.^[4]

Literary figures

Philosophical figures

Composers

Ludwig van Beethoven. In his earlier works, Beethoven was a Classicist in the traditions of Mozart and Haydn (his tutor), but his Middle Period, beginning with his third symphony (the 'Eroica'), bridges the worlds of Classical and Romantic music. Because Beethoven wrote some of his greatest music after he became totally deaf, he embodies the Romantic ideal of the tragic artist who defies all odds to conquer his own fate.^{[citation needed]} His later works portray the triumph of the human spirit, most notably his 'Choral' Symphony No. 9; the stirring 'Ode to Joy' from this symphony has been adopted as the anthem of the European Union.^[5]
Johannes Brahms. His works are cast in the formal moulds of Classicism; he had a profound reverence for Beethoven. Brahms was also attracted to the exoticism of Hungarian folk music, and used it in such pieces as his famous Hungarian Dances, the final movement of his Violin Concerto, and the 'Rondo alla zingarese' from his Piano Quartet No. 1, op. 25, in G minor.
Franz Liszt. Liszt was by nationality a Hungarian, but nevertheless he spent many years in Germany, and his first language was German. Credited as the inventor of the tone poem.^{[citation needed]} In his old age, Liszt adopted a more dissonant, ominous flavour, characteristic works being 'la Lugubre Gondola' and 'Die Zelle in Nonnenwerth'—predating Impressionism and 20th-century atonality.
Felix Mendelssohn Bartholdy. A composer of the Early Romantic period, together with such figures as Schumann, Chopin and Liszt. One of the persons responsible for reviving interest in the somewhat neglected music of Johann Sebastian Bach.^{[citation needed]}
Franz Schubert. His body of work consists mainly of song cycles and German Lieder set to poems by his contemporaries, many of which are among the most common repertoire in those categories performed today.
Robert Schumann. His works recall the nostalgia of lost childhood innocence, first love, and the magnificence of the German countryside.^{[citation needed]} As an influential critic, he played a major role in discovering new talents, among them Chopin and Brahms.^{[citation needed]}
Richard Wagner. The most famous composer of German opera; was an exponent of Leitmotif. One of the main figures in the so-called War of the Romantics.
Carl Maria von Weber. Perhaps the very first of Romantic musicians, if we exclude Beethoven, in the sense that Weber was the first major composer to emerge wholly as a product of the Romantic school, as contrasted with Beethoven, who had started off as a Classicist.^{[citation needed]} The emotional intensity and supernatural, folklore-based themes in his operas presented a radical break from the Neoclassical traditions of that time.^{[citation needed]}

Visual artists

Architecture

Karl Friedrich Schinkel

References

^ Beiser, Frederick C., The Romantic Imperative: the Concept of Early German Romanticism (2003), p. ix
^ Beiser, Frederick C., The Romantic Imperative: the Concept of Early German Romanticism (2003), p. 7
^ ^a ^b "German literature – Encyclopædia Britannica". Britannica.com. 7 December 2012. Retrieved 13 January 2014.
^ Siegfried Heit and Otto W. Johnston, "German Romanticism: An Ideological Response to Napoleon." Consortium on Revolutionary Europe 1750–1850: Proceedings (1980), Vol. 9, p187-197.
^ "European anthem | European Union".

Beiser, Frederick C. The Romantic Imperative: the Concept of Early German Romanticism. (Harvard University Press, 2003).
Benz, Ernst. The Mystical Sources of German Romantic Philosophy, translated by Blair R. Reynolds and Eunice M. Paul. London: Pickwick Publications, 2009. ISBN 978-0-915138-50-0. (Original French edition: Les Sources mystiques de la philosophie romantique allemande. Paris : Vrin, 1968.)
Bowie, Andrew. From romanticism to critical theory: The philosophy of German literary theory (Psychology Press, 1997).
Breckman, Warren. "Introduction: A Revolution in Culture," in European Romanticism: A Brief History with Documents. Ed. W. Breckman. New York: Bedford/St Martin's, 2007.

Gossman, Lionel. "Making of a Romantic Icon: The Religious Context of Friedrich Overbeck's 'Italia und Germania.'" American Philosophical Society, 2007. ISBN 0-87169-975-3.
Gossman, Lionel. "Orpheus Philologus: Bachofen versus Mommsen on the Study of Antiquity." American Philosophical Society Transactions, 1983. ISBN 1-4223-7467-X.
Grewe, Cordula. Painting the Sacred in the Age of German Romanticism. Aldershot: Ashgate Books, 2009.[1]
Johnston, Catherine, et al. Baltic Light: Early Open-Air Painting in Denmark and North Germany. New Haven and London: Yale University Press, 1999. ISBN 0-300-08166-9.
Lacoue-Labarthe, Philippe, and Jean-Luc Nancy. The literary absolute: the theory of literature in German romanticism (SUNY Press, 1988).
Nassar, Dalia. The Romantic Absolute: Being and Knowing in Early German Romantic Philosophy, 1795–1804 (U of Chicago Press, 2013).

O'Neill, J, ed. (1981). German masters of the nineteenth century : paintings and drawings from the Federal Republic of Germany. New York: The Metropolitan Museum of Art. ISBN 0-87099-264-3.
Pfau, Thomas. "Conjuring history: Lyric cliche, conservative fantasy, and traumatic awakening in German Romanticism." South Atlantic Quarterly 102.1 (2003): 53–92. online^{[dead link]}

Safrankski, Rüdiger. Romantik. Eine deutsche Affäre. Munich: Carl Hanser Verlag, 2007. ISBN 978-3-446-20944-2.
Seyhan, Azade. Representation and its discontents: The critical legacy of German romanticism (Univ of California Press, 1992).
Siegel, Linda. Caspar David Friedrich and the Age of German Romanticism. Branden Publishing Co, 1978. ISBN 0-8283-1659-7.
Steigerwald, Joan, and J. Fairbairn. "The cultural enframing of nature: environmental histories during the early German romantic period." Environment and History 6.4 (2000): 451–496. online
Stone, Alison. "Alienation from nature and early German romanticism." Ethical Theory and Moral Practice 17.1 (2014): 41–54. online
Stone, Alison. Nature, Ethics and Gender in German Romanticism and Idealism (Rowman & Littlefield, 2018).
Vaughan, William. German Romantic Painting. New Haven and London: Yale University Press, 1980. ISBN 0-300-02387-1.

[1] Beiser, Frederick C., The Romantic Imperative: the Concept of Early German Romanticism (2003), p. ix

[2] Beiser, Frederick C., The Romantic Imperative: the Concept of Early German Romanticism (2003), p. 7

[britannica.com-3] "German literature – Encyclopædia Britannica". Britannica.com. 7 December 2012. Retrieved 13 January 2014.

[4] Siegfried Heit and Otto W. Johnston, "German Romanticism: An Ideological Response to Napoleon." Consortium on Revolutionary Europe 1750–1850: Proceedings (1980), Vol. 9, p187-197.

[5] "European anthem | European Union".

[1]

[2]

[3]

[4]

[5]

v t e Germanic peoples
Ethnolinguistic group of Northern European origin primarily identified as speakers of Germanic languages
History	Nordic Bronze Age Germania Pre-Roman Iron Age Roman Iron Age Romano-Germanic culture Germanic Iron Age Viking Age
Early culture	Architecture Art Calendar Clothing Family Festivals Folklore Proto-Germanic folklore Anglo-Saxon mythology Continental Germanic mythology Norse mythology) Funerary practices Anglo-Saxon Norse Law Anglo-Saxon Norse Literature Anglo-Saxon Norse Names Gothic Numbers Paganism Anglo-Saxon Gothic Norse Rings Scripts Gothic alphabet Runes Symbology Warfare Anglo-Saxon Gothic and Vandal Viking
Languages	Germanic parent language Proto-Germanic language East Germanic languages North Germanic languages West Germanic languages
Groups	Alemanni Brisgavi Bucinobantes Lentienses Raetovari Adrabaecampi Angles Anglo-Saxons Ambrones Ampsivarii Angrivarii Armalausi Auiones Avarpi Baemi Baiuvarii Banochaemae Bastarnae Batavi Belgae Germani cisrhenani Atuatuci Caeroesi Condrusi Eburones Paemani Segni Morini Nervii Bateinoi Betasii Brondings Bructeri Burgundians Buri Cananefates Caritni Casuari Chaedini Chaemae Chamavi Chali Charudes Chasuarii Chattuarii Chatti Chauci Cherusci Cimbri Cobandi Corconti Cugerni Danes Dauciones Dulgubnii Favonae Firaesi Fosi Franks Ripuarian Franks Salian Franks Frisiavones Frisii Gambrivii Geats Gepids Goths Crimean Goths Greuthungi Gutones Ostrogoths Thervingi Thracian Goths Visigoths Gutes Harii Hermunduri Heruli Hilleviones Ingaevones Irminones Istvaeones Jutes Juthungi Lacringi Lemovii Lombards Heaðobards Lugii Diduni Helisii Helveconae Manimi Nahanarvali Marcomanni Marsacii Marsi Mattiaci Nemetes Njars Nuithones Osi Quadi Reudigni Rugii Rugini Saxons Semnones Sicambri Sciri Sitones Suarines Suebi Sunici Swedes Taifals Tencteri Teutons Thelir Thuringii Toxandri Treveri Triboci Tubantes Tulingi Tungri Ubii Usipetes Vagoth Vandals Hasdingi Silingi Vangiones Varisci Victohali Vidivarii Vinoviloth Warini
Christianization	Gothic Christianity Christianization of the Franks Christianisation of Anglo-Saxon England Christianization of Scandinavia Christianization of Iceland
Category

v t e Napoleon
Napoleonic era timeline First French Empire
Family	Wives: Joséphine de Beauharnais Marie Louise Children: Charles Léon Alexandre Walewski Napoleon II Father: Carlo Maria Buonaparte Mother: Letizia Ramolino Brothers: Joseph Bonaparte Lucien Bonaparte Louis Bonaparte Jérôme Bonaparte Sisters: Caroline Bonaparte Pauline Bonaparte Elisa Bonaparte
Life and career	Stay in Auxonne [fr] Coup of 18 Brumaire Consulate Assassination attempts Constitutions 1799 1802 1804 1815 Napoleonic Wars Coronation Sale of Louisiana Planned invasion of the UK Holland Mesures usuelles Looting of art Tactics Weaponry and warfare 1st abdication 1st exile Route Napoléon 2nd abdication 2nd exile [fr] Death [fr] mask
Battles and wars	French Revolutionary Wars Siege of Toulon French Revolution 13 Vendémiaire Battle of Lodi Battle of Bassano Battle of Rivoli French campaign in Egypt and Syria Battle of the Pyramids Siege of Jaffa Battle of Marengo War of the Third Coalition Battle of Austerlitz War of the Fourth Coalition Battle of Eylau War of the Fifth Coalition Battle of Eckmühl French invasion of Russia Battle of Borodino War of the Sixth Coalition Battle of Leipzig Battle of Vauchamps Battle of Arcis-sur-Aube Hundred Days Battle of Ligny Battle of Waterloo
Views	Catholic Church Concordat of 1801 Tiara Jewish people Grand Sanhedrin Infamous Decree Protestants Organic Articles Slavery Law of 20 May 1802 Saint-Domingue expedition Women [fr]
Homes and honours	Arc de Triomphe Column of the Grande Armée Equestrian statue Palace of Fontainebleau Les Invalides Longwood House Maison Bonaparte Napoleon as Mars the Peacemaker Milan Rue de la Victoire Warsaw monument
Legacy and memory	Bank of France Bonapartism Cultural depictions Napoleon complex "China is a sleeping giant" quote German Romanticism Napoleonic Code Propaganda Tomb Retour des cendres Penis Studies Symphony No. 3 (Beethoven)
Category / Commons