Jump to content

Some Velvet Morning

From Wikipedia, the free encyclopedia
This article is about the song. For the band, see Some Velvet Morning (band). For the film, see Some Velvet Morning (film).
"Some Velvet Morning"
West German picture sleeve
Single by Nancy Sinatra & Lee Hazlewood
from the album Movin' With Nancy
B-side"Oh, Lonesome Me"
ReleasedDecember 1967 (1967-12)
RecordedLate 1967
StudioCapitol, Los Angeles
Genre
Length3:39
LabelReprise
Songwriter(s)Lee Hazlewood
Producer(s)Lee Hazlewood
Nancy Sinatra singles chronology
"Tony Rome"
(1967) 		"Some Velvet Morning"
(1967) 		"Things"
(1968)
Audio sample
"Some Velvet Morning"

"Some Velvet Morning" is a song written by Lee Hazlewood and originally recorded by Hazlewood and Nancy Sinatra in late 1967. It first appeared on Sinatra's album Movin' with Nancy, the soundtrack to her 1967 television special of the same name, which also featured a performance of the song. It was subsequently released as a single before appearing on the 1968 album Nancy & Lee.[2]

Composition

[edit]

The male part of the song is in 4
4 time signature whereas the female part is in 3
4. Hazlewood's voice is recorded with more reverberation than is Sinatra's, making it sound bidimensional.

The recording session

[edit]

Sinatra's singing career received a boost in 1967 with the help of songwriter/producer/arranger Hazlewood, who had been making records for ten years, including with Duane Eddy. Hazlewood's collaboration with Sinatra began when her father Frank Sinatra asked Hazlewood to help boost his daughter's career.[2]

In the fall of 1967, Nancy Sinatra joined Hazlewood at Capitol Studios in Los Angeles for a three-hour session. The recording was produced by Hazlewood and arranged by Billy Strange. According to one review, overdubbing was not used. Instead, the duo "recorded the entire song live with the band, the full orchestra and Lee Hazlewood and Nancy Sinatra singing all at the same time."[3]

Interpretation of the lyrics

[edit]

Reviewers have offered a variety of interpretations of the song's lyrics. A British journalist said that "the puzzle of its lyrics and otherworldly beauty of its sound offering seemingly endless interpretations."[2]

Hazlewood's explanation was less definitive than those of some others, saying: "It’s not meant to mean so much. I'm not a druggie, so it was never to do with that." He also confirmed that he was inspired by Greek mythology: "I thought they were a lot better than all those fairy tales that came from Germany that had killings and knifings. There was only about seven lines about Phaedra. She had a sad middle, a sad end, and by the time she was 17 she was gone. She was a sad-assed broad, the saddest of all Greek goddesses. So bless her heart, she deserves some notoriety, so I’ll put her in a song."[3]

In 2003, London's The Daily Telegraph called the song "[O]ne of the strangest, druggiest, most darkly sexual songs ever written — ambitious, beautiful and unforgettable."[4] As with many psychedelic songs, its overall meaning is somewhat obscure. The lyrics consist of the male part describing a mysterious, powerful woman named Phaedra, who "gave [him] life ... and ... made it end''." The male part alternates with the female part, who identifies herself as Phaedra and speaks over ethereal, twinkling music about beautiful nature imagery and about the secrets held by an unknown collective "us”, the chorus lyrics saying “…flowers growing on a hill; dragonflies and daffodils…learn from us, very much; look at us, but do not touch. Phaedra is my name”.

The rhythm noticeably alternates between Hazlewood’s verses and Sinatra’s chorus lines, with the former all in 4/4 (common time) and Sinatra’s parts briefly changing to 3/4 (waltz time), and back again. The end of the song involves a “back-and-forth” between the two singers, highlighting the change in rhythm — every other line switches from 4/4 to 3/4, as Hazlewood and Sinatra each sing a line (in order) from their respective parts, in a pattern. For example:

Hazlewood (4/4): “Some velvet morning when I’m straight…”
Sinatra (3/4): “flowers growing on a hill…”
H: “I’m gonna open up your gate…”
S: “…dragonflies and daffodils…”

Chart performance

[edit]

Although "Some Velvet Morning" is among the more famous duets that Hazlewood and Sinatra recorded, it is considered a departure from their usual fare, as it is decidedly less influenced by country and western music. The single peaked at #26 on the Billboard Hot 100 in January 1968,[1] and #36 in Canada.[5]

Legacy

[edit]
  • In November 2003, music critics for the British newspaper The Daily Telegraph placed the single at the #1 spot on their 50 Best Duets Ever list.[4] According to Nathan Rabin: "These two weirdly complementary sides of Hazlewood’s persona unite on 'Some Velvet Morning,' a standout track from Nancy & Lee. On that track, Hazlewood and Sinatra sound like they don’t inhabit the same universe, let alone the same song. Over loping spaghetti-Western guitar, Hazlewood sings of Greek mythology and “some velvet morning when I’m straight,” while Sinatra coos about flowers and daffodils in a stoned haze against a backdrop of bubblegum psychedelia. “Some Velvet Morning” sounds like two songs spliced together by a madman, or an avant-garde short film in song form."[6]
  • In August 2006, music critic Rob Mitchum placed the song at #49 spot on Pitchfork's list of the 200 greatest songs of the 1960s, saying "Even after thousands of listens, I still don’t know quite what to make of this bizarre, creepy song. A country-outlaw singer drowning in a pool of reverb, constantly interrupted by dazed-hippie interludes, and haunted by a storm cloud orchestra."[7]
  • In December 2015, Rolling Stone ranked the song at #9 in its 20 Greatest Duos of All Time retrospective.[8]
  • In 2017, Britain's Financial Times recalled the recording as "part rugged country, part fey folk, cloaked in psychedelia by Billy Strange’s haunting orchestration, will echo down the years." The article also mentioned that Hazlewood had recorded the song again shortly before his death: "On his 2005 swansong LP Cake or Death, he duets it with his grand-daughter ... Phaedra is her name."[2]

Selective list of cover versions

[edit]

The song has been covered many times, usually as a duet. Among other recordings:

References

[edit]
  1. ^ a b DeRogatis, Jim (December 1, 2003). Turn on your mind: four decades of great psychedelic rock. Hal Leonard Corporation. p. 385. ISBN 978-0-634-05548-5.
  2. ^ a b c d e "Elemental and enigmatic — the mystery of Some Velvet Morning". Financial Times. January 31, 2017. Retrieved November 20, 2023.
  3. ^ a b Kobi, Hayim (May 9, 2016). "Some Velvet Morning, by Lee Hazlewood and Nancy Sinatra". The Music Aficionado. Retrieved November 20, 2023.
  4. ^ a b "50 best duets ever". The Telegraph. November 8, 2003. Archived from the original on December 10, 2008.
  5. ^ "Top Singles". RPM. Vol. 8, no. 26. February 24, 1968. Retrieved November 19, 2023 – via Library and Archives Canada.
  6. ^ Rabin, Nathan (November 3, 2009). "Week 22: Lee Hazlewood, space cowboy/peculiar guy". The A.V. Club. Retrieved November 19, 2023.
  7. ^ "The 200 Best Songs of the 1960s". Pitchfork. August 17, 2006. Retrieved November 19, 2023.
  8. ^ "20 Greatest Duos of All Time". Rolling Stone. December 17, 2015. Archived from the original on May 1, 2023. Retrieved November 19, 2023.
  9. ^ "Top Singles". RPM. Vol. 11, no. 15. June 9, 1969. Retrieved November 19, 2023 – via Library and Archives Canada.
  10. ^ "Listen to Danzig and Cherie Curie's cover "Some Velvet Morning"". August 13, 2013.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Some_Velvet_Morning&oldid=1240543282"