Jump to content

Wendy Red Star

Add links
From Wikipedia, the free encyclopedia
Wendy Red Star
Red Star, left, pictured in her work Ashkaamne (matrilineal inheritance) (2019)
Born1981
Billings, Montana, United States
EducationMontana State University Bozeman, BFA
University of California Los Angeles, MFA
Known forPhotography, installation, sculpture
Awards
  • University of California, Los Angeles Departmental Award
  • Harriet P. Cushman Award, Bozeman Montana
Websitewendyredstar.com

Wendy Red Star (born 1981) is an Apsáalooke contemporary multimedia artist born in Billings, Montana, in the United States. Her humorous approach and use of Native American images from traditional media draw the viewer into her work, while also confronting romanticized representations. She juxtaposes popular depictions of Native Americans with authentic cultural and gender identities. Her work has been described as "funny, brash, and surreal".[1]

Biography and education

[edit]

Red Star was born in 1981 in Billings, Montana. She is of Apsáalooke (Crow) and Irish descent and was raised in Pryor, Montana,[2] on the Crow Reservation, "a rural community that's also a sovereign nation and cultural powerhouse."[1] At age 18, she left the reservation to attend Montana State University - Bozeman.[3] She attended university between 2000 and 2004, and studied art and Native American Studies.[4]

Growing up as biracial,[5] Red Star went through identity issues. At elementary school, she was afraid of her classmates knowing that her grandparents were white. When she left the reservation, she had to deal with "otherness": the responses she received to her identity and identity-based artwork often damaged her confidence.[6] She later learned to embrace the identity and was completely comfortable with it at 26 when she had her daughter. She incorporated her cultural identity into her work, reflecting on her childhood and where she grew up.[5]

Her mother was a public health nurse who encouraged Crow cultural pursuits; though Red Star herself did not speak Crow, her adopted Korean sister spoke fluent Crow as a child. Her father ranched and was a licensed pilot who played in the "Maniacs", an Indian rock band. Red Star's uncle Kevin Red Star and grandmother Amy Bright Wings were big influences to her practice.[1][6]

Red Star's undergraduate and graduate level specialization was in sculpture. Her work also includes photography, fashion design, bead work, fiber art, performance art, and painting. In 2004, Red Star was awarded her Bachelor of Fine Art degree from Montana State University, Bozeman.[7] Red Star furthered her studies at the University of California, Los Angeles where she earned a Master of Fine Art degree in 2006.[7]

In 2012–2013, she was a manager at Chief Plenty Coups State Park, located in Pryor, Montana. In 2014, she moved to Portland, Oregon and worked on Medicine Crow and the 1880 Crow Peace Delegation.[6] As of 2016, it was reported that Red Star works as a full-time artist in Portland.[8]

She has lectured at Yale University, Connecticut; Dartmouth College, New Hampshire; the California Institute of the Arts, and Brown University, Rhode Island.[9][10]

Career

[edit]

Critical reception

[edit]

The Spokesman-Review noted, "Red Star works in a variety of media. Her fiber work blends traditional and contemporary elements, as in her pieces Rez Car Shawl and Basketball Shawl. Her photographs combine stereotypical and authentic images, references to the past and modern day. Many are self-portraits."[11] Red Star's work often includes clichéd representations of Native Americans, colonialism, the environment, and her own family.[12] The Gorman Museum at UC Davis described her work as layering "influences from her tribal background (Crow), daily surroundings, aesthetic experiences, collected ephemera and conjured histories that are both real and imagined."[13] Though she often deals with serious issues of Native American culture, she often employs humor through the inclusion of inflatable animals, fake scenery, and other elements in the work.[14] In her photography, Red Star often depicts herself in traditional elk-tooth dresses that she creates.[15]

Zach Dundas of Portland Monthly noted her "mash-ups of mass-market and Crow culture make perfect sense...Red Star is enjoying a moment in the wider art world. New York's Metropolitan Museum of Art includes her work in a current exhibit of Plains Indian art, and Dartmouth College's Hood Museum is showing her self-portraiture alongside big names like Chuck Close, Cindy Sherman, and Bruce Nauman. Red Star will stage 15 separate exhibitions this year."[1]

According to the description of her APEX exhibit at the Portland Art Museum, her early work "employed gender-focused, political self-imagery...to draw attention to the marginalization of Native Americans."[16] Norman Denizen observed, "Wendy Red Star, Crow Indian cultural activist and performance artist, offers an alternative view, focusing on performances and artworks that contest the images of the vanishing dark-skinned Indian."[17] Her work has been collected at institutions such as the National Museum of the American Indian, the Minneapolis Institute of Arts, and Eiteljorg Museum of American Indians and Western Art.[18]

Advocacy

[edit]

Red Star has advocated for improved opportunities for Native women in the art world. In 2014, she curated Wendy Red Star's Wild West & Congress of Rough Riders of the World, "the first-ever all-Native contemporary art exhibition at Bumbershoot", which took place in Seattle during the annual musical concert.[19] There were 10 artists that exhibited, and most of them were Native artists that primarily worked with identity-based artworks.[5] In 2017, Red Star curated an exhibition at the Missoula Art Museum called Our Side, which featured four contemporary Indigenous female artists: Elisa Harkins, Tanya Lukin Linklater, Marianne Nicolson, and Tanis S'eiltin.[20]

Red Star's advocacy also extends to the concept of indigenous futurism and for the sovereign. She speaks out against colonialism, but there is a sense of speaking in existence in her own right. Her art is tool for resistance as well as an expression to her existence. Her multi-generation collaborations and collaborations with indigenous artists is evident of Red Star’s efforts to amplify nuance within indigenous representation.

Works and publications

[edit]

Thunder Up Above

[edit]

For Walks in the Dark of the Thunder Up Above series, she created a costume with European and Victorian motifs in a Native American design, and photoshopped an interplanetary background. Dundas observes, "The sci-fi results evoke the intrigue and suspicion of first contact with an unknown people—or, as she put it in her artist's statement, 'someone you would not want to mess with'."[1]

Four Seasons

[edit]
Four Seasons: Winter (2006) at the Smithsonian American Art Museum in 2023

For Red Star's Four Seasons series, the Metropolitan Museum of Art catalog noted, "In this four-part photographic work, Wendy Red Star pokes fun at romantic idealizations of American Indians as 'one with nature.'  "[21] Luella Brien of the Native Peoples Magazine wrote the Four Seasons series had an avant-garde quality, with traditional "Native American imagery juxtaposed against authentic imagery".[14] Red Star also uses humor to draw viewers into her work.[14] Blake Gopnik of Artnet News commented, "Posing amid blow-up deer, cut-out coyotes and wallpaper mountains, Red Star uses her series to go after the standard blather about Native American's inevitable 'oneness' with nature."[22] The Saint Louis Art Museum acquired Four Seasons as part of its permanent collection, describing it as among "some of the amazing works of art acquired by the Art Museum in 2014".[23]

White Squaw

[edit]

Red Star characterizes her work as research-based, especially as she investigates and explores clichéd Hollywood images like beautiful maidens or western landscapes.[5] While conducting research on the term squaw, she found a reference to White Squaw, a 1950s movie, and later books with pulp-fiction style covers, published as recently as 1997. Red Star took photographic prints of the covers, substituting her own image in a cheap costume for the character "White Squaw", using all the original taglines, with comical satiric effect.[5]

1880 Crow Peace Delegation

[edit]
1880 Crow Peace Delegation: Peelatchixaaliash/Old Crow (Raven) (2014) at the Portland Art Museum

In 1880, six Crow chiefs traveled to Washington, D.C. to talk with the president because the settlers were about to build a railroad through their hunting territory.[5] She researched Medicine Crow/Peelatchiwaaxpáash (Raven) for her exhibit of the Crow Peace Delegation to Washington in 1880 and discovered the narratives behind elements of the iconic picture. She used a red pen on a print of this famous image to notate his outfit and the symbolism attached to elements such as his ermine shawl, the bows in his hair, and the eagle fan he is holding.[5] Red Star said she wanted to use the details of his clothing, and the ledger drawings he made upon his return to the reservation, to humanize Medicine Crow.[5] What she learns in research emerges in her creative process, which she articulates with visual means.[5]

Circling the Camp

[edit]

Red Star took photographs at the Crow Fair - a large annual event in Central Montana that happens every third week of August.[24] In an effort to focus on the culture and history of the Crow nation, she removed the background of the pictures to bring attention to the Indigenous people and objects in the foreground.

Apsáalooke Feminist

[edit]

Most photographs of Crow women are colorless, so Wendy Red Star took photographs of herself and her daughter Beatrice with colorful Crow clothes to showcase Crow people's everyday fashion. The patterned background is photoshopped to give the images a visual punch.[25]

My Home is Where My Tipi Sits

[edit]

This series of color photographs consists of grids of idiosyncratic, typological elements of life on Crow reservations: government houses, broken down "rez" cars, sweat lodges, signs and churches. The works reference the photographs of German photographers Bernd and Hilla Becher, which inventory industrial buildings and water towers, arranged in grids to create "families of objects."[4]

Let Them Have Their Voice

[edit]

This multimedia installation was made in response to the work of Edward S. Curtis in his 1908 multi-volume book The North American Indian. Red Star altered Curtis' portraits and made the Native subjects voids in the frames, reducing them to anonymous silhouettes. The sitters are made present through a sound installation. Wax cylinder recording of Crow singers performing traditional songs which Curtis recorded between 1907 and 1912. .

Wendy Red Star: A Scratch on the Earth

[edit]
The Soil You See... (2023) on the National Mall

This catalogue was published to coincide with the mid-career survey exhibition by the same name.[26] The exhibition was organized by the Newark Museum of Art and shown from February 23-June 16, 2019.[27] This is currently the most comprehensive publication on Red Star and her work.

Travels Pretty

[edit]

In 2023 the Public Art Fund organized Travels Pretty, a public art exhibition of a series of paintings reproduced on bus stops in New York, Chicago, and Boston.[28]

The Soil You See...

[edit]

In 2023, Red Star was one of six artists commissioned to create a temporary installation for the National Mall in conjunction with Beyond Granite: Pulling Together, the first curated art exhibition in the Mall's history. Commissioned by the Trust for the National Mall, National Capital Planning Commission, and National Park Service, Red Star designed a memorial to the Apsáalooke leaders who had signed - or been made to sign - treaties with the United States. The sculpture, a red glass representation of the artist's fingerprint, embedded in a granite boulder, featured the names of Apsáalooke leaders who had signed treaties and was sited directly next to the Memorial to the 56 Signers of the Declaration of Independence in Constitution Gardens.[29]

Collaborations

[edit]

In 2013, Red Star began collaborating with her daughter Beatrice Red Star Fletcher, who "figures prominently in her work" and participates as a tour guide for their exhibitions.[30][31] Their collaborations have been shown at the Tacoma Art Museum, the Seattle Art Museum, and twice at the Portland Art Museum.

In 2022, Red Star collaborated with Standard University. Wendy Red Star: American Progress is about her experience as a Apsaalooke artist, addressing her lived experiences with belonging and unbelonging in the United States. Red Star engaged with Standford students affiliated with the Center for Comparative Studies in Race and Ethnicity as well as the Institute for Diversity in the Arts by researching and gathering materials for the artworks. One of the artworks is entitled, Lady Columbia, and it is a “wallpaper print based on original paint-by-numbers”.[32] The collaboration created a free public program that amplifies the artist’s voice and story. This is an example of efforts made by Red Star to create public art and space to get people across communities and generations to interact with indigenous stories.

Notable works in public collections

[edit]

Selected exhibitions

[edit]

Red Star has been actively exhibiting her work since 2003.[134] Exhibitions since 2011 include:[18]

  • Parading Culture (Tokens, Gold and Glory) Haw Contemporary Fine Art Gallery, Kansas City, Missouri (2016)
  • The Plains Indian: Artists of Earth and Sky: Metropolitan Museum of Art (2015)[135]
  • Peelatchiwaaxpáash/Medicine Crow (Raven) & the 1880 Crow Peace Delegation: APEX gallery, Portland Art Museum (2015)[136]
  • Tableaux Vivant: Nature's Playground. Seattle Art Fair – Volunteer Park. Seattle, Washington (2015)
  • Circling the Camp: Wendy Red Star: Indianapolis Museum of Contemporary Art (2014)[137]
  • Crow Women's Objects. Saint Louis Art Museum, St. Louis, Missouri. (2014)
  • Wendy Red Star: C.N. Gorman Museum (2014)[138]
  • I.M.N.D.N. — Native Art for the 21st Century: The Art Gym, Marylhurst University (2014)[139]
  • Contemporary American Indian Art: Nerman Museum of Contemporary Art (2014)[140]
  • Making Marks: Prints From Crow's Shadow Press: National Museum of the American Indian (2014)[141]
  • Cross Currents: Metropolitan State, University of Denver (2013-2014)[142]
  • Biennial Contemporary American Indian Arts Series: Native Voices and Identity Narratives: The A.D. Gallery (2013)[143]
  • My Home Is Where My Tipi Sits (Crow Country): Missoula Art Museum (2011)[144]
  • American Spirit: Bockley Gallery (2011)[145]
  • Wendy Red Star: A Scratch on the Earth. The Newark Museum of Art (2019)[146][27]
  • Indelible Ink: Native Women, Printmaking, Collaboration. University of New Mexico Art Museum. (2020)[147]
  • Wendy Red Star: Apsáalooke: Children of the Large-Beaked Bird, MASS MoCA, North Adams, MA (2020-2021)[148][149]

Fellowships and grants

[edit]

See also

[edit]

References

[edit]
  1. ^ a b c d e Dundas, Zach (2 April 2015). "Wendy Red Star Totally Conquers the Wild Frontier". Portland Monthly. Archived from the original on 17 April 2019. Retrieved 1 March 2016.
  2. ^ Snow, Jordyn (27 April 2015). "Wendy Red Star". prezi.com. Retrieved March 7, 2016. Grew up in Pryor Montana on the Crow Indian Reservation
  3. ^ Michelman, Jordan (2018-01-30). "Art In The Cafe: A Conversation With May Barruel Of Stumptown Coffee". Sprudge. Archived from the original on 28 August 2017. Retrieved 24 September 2019. I'm also thinking about Wendy's statement. How she wrote, 'Since leaving my reservation at age 18 to attend college I have often felt alone' 
  4. ^ a b Red Star, Wendy (2019). Wendy Red Star : a scratch on the earth. Nadiah Fellah, Tricia Laughlin Bloom, Newark Museum. Newark, New Jersey. ISBN 978-0-932828-36-1. OCLC 1086609206.{{cite book}}: CS1 maint: location missing publisher (link)
  5. ^ a b c d e f g h i "Interview with artist Wendy Red Star. Episode 19". SoundCloud. 9 November 2014. Retrieved 2016-03-08.
  6. ^ a b c Mentzer, Morgan (2018). "Wendy Red Star: Owning Your Power". Nea Arts Magazine. Retrieved March 7, 2019.
  7. ^ a b "Wendy Red Star" (PDF). Bockley Gallery. Archived from the original on March 6, 2016. Retrieved December 11, 2015.
  8. ^ "Figge Art Museum - Wendy Red Star". figgeartmuseum.org. Archived from the original on 6 March 2016. Retrieved 2016-03-07.
  9. ^ "Trusting Your Instincts". Native Arts & Cultures Foundation. April 15, 2015. Retrieved May 5, 2019.
  10. ^ Hillsbury Auditorium. "Wendy Red Star: "The Insistence of an Apsaalooke Feminist"". Friends of the Institute. Retrieved May 5, 2019.
  11. ^ Rogers, Adrian. "Artist views Native life with modern lens". Spokesman Review. Retrieved March 1, 2016.
  12. ^ "Projects/Exhibitions". Wendy Red Star. Archived from the original on September 22, 2015. Retrieved December 11, 2015.
  13. ^ "Humanities Institute » Artist Lecture by Wendy Red Star". dhi.ucdavis.edu. 16 April 2014. Archived from the original on 17 April 2019. Retrieved March 1, 2016.
  14. ^ a b c Brien, Luella (December 2014). "Wendy Red Star on the Rise". Native Peoples Magazine. Retrieved December 11, 2015.
  15. ^ Ostrowitz, Judith (March 9, 2015). "The Plains Indians Exhibition: A Milestone for the Met". The Metropolitan Museum of Art. Retrieved December 11, 2015.
  16. ^ "APEX: Wendy Red Star - Portland Art Museum". Portland Art Museum. Retrieved March 1, 2016.
  17. ^ Denzin, Norman K. (September 30, 2015). Indians in Color: Native Art, Identity, and Performance in the New West. Left Coast Press. ISBN 9781629582788.
  18. ^ a b "Wendy Red Star Resume" (PDF). Bockley Gallery. Archived from the original (PDF) on March 6, 2016. Retrieved December 11, 2015.
  19. ^ Graves, Jen (August 20, 2014). "Maybe Don't Wear a Warbonnet to the First-Ever All-Native Art Exhibit at Bumbershoot". The Stranger. Retrieved December 11, 2015.
  20. ^ "Exhibitions : Our Side: Elisa Harkins, Tanya Lukin Linklater, Marianne Nicolson, and Tanis S'eiltin". Missoula Art Museum. February 24, 2018. Retrieved May 6, 2019.
  21. ^ "Wendy Red Star - Four Seasons". The Metropolitan Museum of Art, i.e. The Met Museum. Retrieved March 1, 2016.
  22. ^ "At the Met, Wendy Red Star Pops Indian Cliches – artnet News". artnet News. 7 April 2015. Retrieved March 1, 2016.
  23. ^ "New in 2014: Four Seasons by Wendy Red Star |". www.slam.org. Retrieved March 1, 2016.
  24. ^ Rogers, Adrian (April 19, 2019). "Artist views Native life with modern lens". The Spokesman-review. Retrieved April 19, 2019.
  25. ^ "DWP Main Stage 2017: Wendy Red Star & Beatrice Red Star Fletcher". Design Week Portland. April 19, 2019. Retrieved April 19, 2019.
  26. ^ Red Star, Wendy; Fellah, Nadiah; Bloom, Tricia Laughlin; Newark Museum (2019). Wendy Red Star: a scratch on the earth. Newark Museum Association. ISBN 978-0-932828-36-1. OCLC 1086609206.
  27. ^ a b "Wendy Red Star Newark Museum". www.newarkmuseumart.org. Retrieved 2020-10-23.
  28. ^ Dafoe, Taylor (2022-08-25). "Rising Artist Wendy Red Star on Why She's Bringing Lost Native American Histories to Light on Bus Stops in Three U.S. Cities". Artnet News. Retrieved 2023-04-24.
  29. ^ Gopnik, Blake (17 August 2023). "On Our National Mall, New Monuments Tell New Stories". The New York Times. Archived from the original on 19 August 2023. Retrieved 20 August 2023.
  30. ^ Sarson, Katrina. "Multi Media Artist Wendy Red Star". www.opb.org. Retrieved March 9, 2016.
  31. ^ "Watch now: Oregon Art Beat, Season 17, Episode 9". PBS Video. February 16, 2016. Retrieved March 8, 2016.
  32. ^ "Apsáalooke artist Wendy Red Star creatively engages with the Stanford community". news.stanford.edu. Retrieved 2024-05-16.
  33. ^ "Wendy Red Star". Albuquerque Museum of Art and History. Retrieved 21 August 2023.
  34. ^ "Wendy Red Star". Allentown Art Museum. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  35. ^ "Wendy Red Star". Asheville Art Museum. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  36. ^ "Four Seasons Series". Boise Art Museum. Archived from the original on 20 August 2023. Retrieved 20 August 2023.
  37. ^ "Wendy Red Star". Des Moines Art Center. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  38. ^ "Summer, from the Four Seasons series". Hood Museum of Art. Dartmouth College. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  39. ^ "Fall, from the Four Seasons series". Hood Museum of Art. Dartmouth College. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  40. ^ "Winter, from the Four Seasons series". Hood Museum of Art. Dartmouth College. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  41. ^ "Spring, from the Four Seasons series". Hood Museum of Art. Dartmouth College. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  42. ^ "The Four Seasons". JSMA. University of Oregon. Retrieved 21 August 2023.
  43. ^ "Spring". MIA. Minneapolis Institute of Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  44. ^ "Indian Summer". MIA. Minneapolis Institute of Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  45. ^ "Fall". MIA. Minneapolis Institute of Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  46. ^ "Winter". MIA. Minneapolis Institute of Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  47. ^ "Four Seasons: Summer, Fall, Winter, Spring". National Museum of the American Indian. Smithsonian Institution. Archived from the original on 20 August 2023. Retrieved 20 August 2023.
  48. ^ "Fall". Nelson-Atkins Museum of Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  49. ^ "Winter". Nelson-Atkins Museum of Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  50. ^ "Spring". Nelson-Atkins Museum of Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  51. ^ "Indian Summer". Nelson-Atkins Museum of Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  52. ^ "Photography Collection". Nerman Museum of Contemporary Art. Johnson County Community College. Archived from the original on 20 August 2023. Retrieved 20 August 2023.
  53. ^ "Four Seasons: Fall". NMSU. New Mexico State University. Retrieved 21 August 2023.
  54. ^ "Four Seasons: Winter". NMSU. New Mexico State University. Retrieved 21 August 2023.
  55. ^ "Four Seasons: Spring". NMSU. New Mexico State University. Retrieved 21 August 2023.
  56. ^ "Four Seasons: Indian Summer". NMSU. New Mexico State University. Retrieved 21 August 2023.
  57. ^ "Spring, from the series Four Seasons". Portland Art Museum. Retrieved 21 August 2023.
  58. ^ "Indian Summer, from the series Four Seasons". Portland Art Museum. Retrieved 21 August 2023.
  59. ^ "Fall, from the series Four Seasons". Portland Art Museum. Retrieved 21 August 2023.
  60. ^ "Winter, from the series Four Seasons". Portland Art Museum. Retrieved 21 August 2023.
  61. ^ "Fall, from the series Four Seasons". SLAM. Saint Louis Art Museum. Archived from the original on 20 August 2023. Retrieved 20 August 2023.
  62. ^ "Indian Summer, from the series Four Seasons". SLAM. Saint Louis Art Museum. Archived from the original on 20 August 2023. Retrieved 20 August 2023.
  63. ^ "Winter, from the series Four Seasons". SLAM. Saint Louis Art Museum. Archived from the original on 20 August 2023. Retrieved 20 August 2023.
  64. ^ "Spring, from the series Four Seasons". SLAM. Saint Louis Art Museum. Archived from the original on 21 August 2023. Retrieved 20 August 2023.
  65. ^ "Wendy Red Star". SFMoMA. San Francisco Museum of Modern Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  66. ^ "Wendy Red Star". SAM. Seattle Art Museum. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  67. ^ "Wendy Red Star". Tacoma Art Museum. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  68. ^ "Wendy Red Star". Tang Teaching Museum. Skidmore College. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  69. ^ "Wendy Red Star". VMFA. Virginia Museum of Fine Arts. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  70. ^ "Wendy Red Star works added to Art Museum of WVU collection". WVU. West Virginia University. 18 September 2020. Archived from the original on 20 August 2023. Retrieved 20 August 2023.
  71. ^ "Last Thanks". Beach Museum of Art. Kansas State University. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  72. ^ "The Last Thanks". Kruizenga Art Museum. Hope College. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  73. ^ "The Last Thanks". MCAChicago. Museum of Contemporary Art, Chicago. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  74. ^ "The Last Thanks". Philbrook Museum of Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  75. ^ "The Last Thanks". University of San Diego. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  76. ^ "Wendy Red Star". Eiteljorg Museum of American Indians and Western Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  77. ^ "enit". Gorman Museum of Native American Art. University of California, Davis. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  78. ^ "enit". WillametteArt. Willamette University. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  79. ^ "The (HUD)". Gorman Museum of Native American Art. University of California, Davis. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  80. ^ "The (HUD)". WillametteArt. Willamette University. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  81. ^ "The (HUD)". LOC. Library of Congress. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  82. ^ "2022 List of Acquisitions" (PDF). Solomon R. Guggenheim Museum. March 2023. Archived (PDF) from the original on 21 August 2023. Retrieved 21 August 2023.
  83. ^ "Hoop in the Cloud". MMAA. Minnesota Museum of American Art. Archived from the original on 22 August 2023. Retrieved 22 August 2023.
  84. ^ "Sits With The Stars". Portland Art Museum. Retrieved 21 August 2023.
  85. ^ "Stands To The Sun". Portland Art Museum. Retrieved 21 August 2023.
  86. ^ "Walks In The Dark". ArtsMIA. Minneapolis Institute of Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  87. ^ "Nine Crow Clowns". Nelson-Atkins Museum of Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  88. ^ "síkahpoyíí / bishée / baleiíttaashtee (Motor Oil Buffalo Dress)". Portland Art Museum. Retrieved 21 August 2023.
  89. ^ "Wendy Red Star". ArtBMA. Baltimore Museum of Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  90. ^ "Wendy Red Star". ArtsBMA. Birmingham Museum of Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  91. ^ "Wendy Red Star". Brooklyn Museum. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  92. ^ "Wendy Red Star". MetMuseum. Metropolitan Museum of Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  93. ^ "Medicine Crow & The 1880 Crow Peace Delegation". Nasher Museum of Art. Duke University. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  94. ^ "1880 Crow Peace Delegation". Portland Art Museum. Retrieved 21 August 2023.
  95. ^ "Wendy Red Star". Whitney Museum. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  96. ^ "Accession". Amon Carter Museum of American Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  97. ^ "Wendy Red Star". British Museum. Retrieved 21 August 2023.
  98. ^ "Accession". MoMA. Museum of Modern Art. Archived from the original on 4 July 2022. Retrieved 21 August 2023.
  99. ^ "Wendy Red Star". Rockwell Museum. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  100. ^ "Wendy Red Star". SAAM. Smithsonian Institution. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  101. ^ "Accession". Hamilton College. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  102. ^ "Apsáalooke Roses". Eiteljorg Museum of American Indians and Western Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  103. ^ "Apsáalooke Roses". WillametteArt. Willamette University. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  104. ^ "Apsáalooke Roses". MFAH. Museum of Fine Arts, Houston. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  105. ^ "Apsáalooke Roses". Portland Art Museum. Retrieved 21 August 2023.
  106. ^ "iilaalée = car (goes by itself) + ii = by means of which + dáanniili = we parade". Eiteljorg Museum of American Indians and Western Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  107. ^ "iilaalée=car (goes by itself) + ii=by means of which + dáanniili=we parade". WillametteArt. Willamette University. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  108. ^ "iilaalée = car (goes by itself) + ii = by means of which + dáanniili = we parade". MFAH. Museum of Fine Arts, Houston. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  109. ^ "Yakima or Yakama - Not For Me To Say". Eiteljorg Museum of American Indians and Western Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  110. ^ "Yakima or Yakama - Not for Me To Say". WillametteArt. Willamette University. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  111. ^ "Yakima or Yakama—Not For Me To Say". MFA. Museum of Fine Arts, Boston. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  112. ^ "Apsáalooke Feminist #1". Crocker Art Museum. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  113. ^ "Apsáalooke Feminist #2". Weisman Art Museum. University of Minnesota. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  114. ^ "Apsáalooke feminist series #3". LOC. Library of Congress. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  115. ^ "Crow Masquerade Dance". Nelson-Atkins Museum of Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  116. ^ "Light Blue Rez House on Peach Background". SLAM. Saint Louis Art Museum. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  117. ^ "Silver Rez Car on Electric Blue Background". SLAM. Saint Louis Art Museum. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  118. ^ "Pendleton Suit 4". Crystal Bridges Museum of American Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  119. ^ "Dust". Chazen. University of Wisconsin–Madison. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  120. ^ "Dust". WillametteArt. Willamette University. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  121. ^ "Four Generations". Chazen. University of Wisconsin–Madison. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  122. ^ "Four Generations". WillametteArt. Willamette University. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  123. ^ "Four Generations". MFA. Museum of Fine Arts, Boston. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  124. ^ "Her Dreams Are True (Julia Bad Boy)". Chazen. University of Wisconsin–Madison. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  125. ^ "Her Dreams Are True (Julia Bad Boy)". WillametteArt. Willamette University. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  126. ^ "Her Dreams Are True (Julia Bad Boy)". LOC. Library of Congress. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  127. ^ "Her Dreams Are True (Julia Bad Boy)". MOCP. Columbia College Chicago. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  128. ^ "Amnía (Echo)". San Antonio Museum of Art. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  129. ^ "Bi' nneete (No Water)". MAGart. University of Rochester. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  130. ^ "Work by Wendy Red Star on View in Los Angeles". Joslyn Art Museum. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  131. ^ "Áakiiwilaxpaake (People of the Earth)". SAM. Seattle Art Museum. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  132. ^ Pontone, Mary (18 August 2023). "Reimagined Monuments Take Over DC's National Mall". Hyperallergic. Archived from the original on 18 August 2023. Retrieved 21 August 2023.
  133. ^ "A New Artwork by Wendy Red Star and the 2023 Concert Season". Tippet Rise Art Center. 17 August 2023. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
  134. ^ "Wendy Red Star". PDX Contemporary Art. Retrieved March 1, 2016.
  135. ^ "Art Object". The Metropolitan Museum of Art, i.e. The Met Museum. Retrieved March 1, 2016.
  136. ^ "Contemporary Native Photographers and the Edward Curtis Legacy - Portland Art Museum". Portland Art Museum. Retrieved March 8, 2016.
  137. ^ "Circling The Camp: Wendy Red Star – iMOCA". indymoca.org. Retrieved March 1, 2016.
  138. ^ "C.N. Gorman Museum Events!". gormanmuseum.ucdavis.edu. Retrieved March 1, 2016.
  139. ^ House, Phinney/Bischoff Design (13 January 2014). "I.M.N.D.N. — Native Art for the 21st Century • Marylhurst University". www.marylhurst.edu. Archived from the original on 11 September 2015. Retrieved March 1, 2016.
  140. ^ "Contemporary American Indian Art • The Nerman Museum Collection". www.nermanmuseum.org. Retrieved March 1, 2016.
  141. ^ "Making Marks: Prints from Crow's Shadow". Smithsonian Institution. Retrieved March 3, 2016.
  142. ^ Hamel, Ken. "CVA: Cross Currents". denverarts.org. Retrieved March 1, 2016.
  143. ^ "The A.D. Gallery > On View". www2.uncp.edu. Retrieved March 1, 2016.
  144. ^ Museum, Missoula Art. "Missoula Art Museum - free expression free admission". www.missoulaartmuseum.org. Retrieved March 1, 2016.
  145. ^ "Bockley Gallery - Exhibitions - Wendy Red Star - American Spirit". bockleygallery.com. Retrieved March 1, 2016.
  146. ^ Steinhauer, Jillian (2019-06-05). "Wendy Red Star at the Newark Museum: A Powerful Portrait of the Crow Nation (Published 2019)". The New York Times. ISSN 0362-4331. Retrieved 2020-10-23.
  147. ^ "Indelible Ink: Native Women, Printmaking, Collaboration – UNM Art Museum". Retrieved 2021-03-31.
  148. ^ "Wendy Red Star | MASS MoCA". massmoca.org. 2019-11-07. Retrieved 2023-07-04.
  149. ^ Chernick, Karen (2020-08-06). "Wendy Red Star Is Teaching Children About the Crow Nation With Her Art". Hyperallergic. Retrieved 2023-07-04.
  150. ^ "Eiteljorg Fellowship for Native American Fine Art". www.fellowship.eiteljorg.org. Retrieved March 7, 2016.
  151. ^ Russeth, Andrew (2018-02-15). "Here Are the 2017 Tiffany Foundation Grant Recipients". ARTnews. Retrieved 2018-03-03.
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Wendy_Red_Star&oldid=1232845145"