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Homa (ritual)

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For other uses, see Yagya.
A homa fire ritual
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In Indic religions, a homa (Sanskrit: होम) also known as havan, is a fire ritual performed on special occasions by a Hindu priest usually for a homeowner ("grihastha": one possessing a home). The grihasth keeps different kinds of fire including one to cook food, heat a home, among other uses; therefore, a Yajna offering is made directly into the fire.[1][2] A homa is sometimes called a "sacrifice ritual" because the fire destroys the offering, but a homa is more accurately a "votive ritual".[1] The fire is the agent, and the offerings include those that are material and symbolic such as grains, ghee, milk, incense, and seeds.[1][3]

It is rooted in the Vedic religion,[4] and was adopted in ancient times by Buddhism and Jainism.[1][3] The practice spread from India to Central Asia, East Asia, and Southeast Asia.[1] Homa rituals remain an important part of many Hindu ceremonies, and variations of homa continue to be practiced in current-day Buddhism, particularly in parts of Tibet and Japan.[4][5] It is also found in modern Jainism.[4][6]

A homa is also called yajna in Hinduism, sometimes for larger public fire rituals, or jajnavidhana or goma in Buddhism.[3][7] In modern times, a homa tends to be a private ritual around a symbolic fire, such as those observed at a wedding.[8]

Etymology

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The Sanskrit word homa (होम) is from the root hu, which refers to "pouring into fire, offer, sacrifice".[9][10][11]

History

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A homa being performed during Kartikeya puja, Bengal.

Homa traditions are found across Asia, from Samarkand to Japan, over a 3000-year history.[4] A homa, in all its Asian variations, is a ceremonial ritual that offers food to fire and is ultimately linked to the traditions contained in the Vedic religion.[4] The tradition reflects a reverence for fire and cooked food (pākayajña) that developed in Asia, and the Brahmana layers of the Vedas are the earliest records of this ritual reverence.[12]

Inner Homa, body as temple

Therefore the first food which a man may take,
is in the place of Homa.
And he who offers that first oblation,
should offer it to Prana, saying svaha!
Then Prana is satisfied.
If Prana is satisfied, the eye is satisfied.
If eye is satisfied, the sun is satisfied.
If sun is satisfied, heaven is satisfied.

— Chandogya Upanishad 5.19.1–2
Transl: Max Muller[13][14]

The yajñā or fire sacrifice became a distinct feature of the early śruti rituals.[4] A śrauta ritual is a form of quid pro quo where through the fire ritual, a sacrificer offered something to the gods and goddesses, and the sacrificer expected something in return.[15][16] The Vedic ritual consisted of sacrificial offerings of something edible or drinkable,[17] such as milk, clarified butter, yoghurt, rice, barley, an animal, or anything of value, offered to the gods with the assistance of fire priests.[18][19] This Vedic tradition split into śrauta (śruti-based) and Smarta (Smṛti-based).[4]

The homa ritual practices were observed by different Buddhist and Jaina traditions, states Phyllis Granoff, with their texts appropriating the "ritual eclecticism" of Hindu traditions, albeit with variations that evolved through medieval times.[4][6][20] The homa-style Vedic sacrifice ritual, states Musashi Tachikawa, was absorbed into Mahayana Buddhism and homa rituals continue to be performed in some Buddhist traditions in Tibet, China, and Japan.[5][21]

Hinduism

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A homa altar with offerings
Homa in progress

The homa ritual grammar is common to many samskara (rite of passage) ceremonies in various Hindu traditions.[22][23][24] The Vedic fire ritual, at the core of various homa ritual variations in Hinduism, is a "bilaterally symmetrical" structure of a rite.[25] It often combines fire and water, burnt offerings, and soma; fire as masculine, earth and water as feminine, the fire vertical and reaching upward while the altar, offerings, and liquids being horizontal.[25] The homa ritual's altar (fire pit) is itself a symmetry, most often a square, a design principle that is also at the heart of temples and mandapas in Indian religions.[26] The sequence of homa ritual events similarly, from beginning to end, are structured around the principles of symmetry.[25] ).[25]

The fire-altar (vedi or homa/havan kunda) is generally made of brick or stone or a copper vessel, and is almost always built specifically for the occasion, being dismantled immediately afterward. This fire-altar is invariably built in square shape. While very large vedis are occasionally built for major public homas, the usual altar may be as small as one foot square and rarely exceeds three feet square.[citation needed]

A ritual space of homa, the altar is temporary and movable.[1] The first step in a homa ritual is the construction of the ritual enclosure (mandapa), and the last step is its deconstruction.[1] The altar and mandapa is consecrated by a priest, creating a sacred space for the ritual ceremony, with recitation of mantras. With hymns sung, the fire is started, offerings collected. The sacrificer enters, symbolically cleanses himself or herself, with water, joins the homa ritual, gods invited, prayers recited, conch shell blown. The sacrificers pour offerings and libations into the fire, with hymns sung, to the sounds of svaha.[27] The oblations and offerings typically consist of clarified butter (ghee), milk, curd, sugar, saffron, grains, coconut, perfumed water, incense, seeds, petals, and herbs.[28][29]

The altar and the ritual is a symbolic representation of the Hindu cosmology, a link between reality and the worlds of gods and living beings.[10] The ritual is also a symmetric exchange, a "quid pro quo", wherein humans offer something to the gods through the medium of fire, and in return expect that the gods will reciprocate with strength and that which they have power to influence.[10][16]

Buddhism

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Shingon homa
Conch shell for Japanese homa
Shingon Buddhist priests practice homa ritual, which sometimes includes beating drums and blowing horagai (lower, conch).[30][31]

The homa (護摩, goma) ritual of consecrated fire is found in some Buddhist traditions of Tibet, China, and Japan.[5][21] Its roots are the Vedic ritual, it evokes Buddhist deities, and is performed by qualified Buddhist priests.[5][32] In Chinese translations of Buddhist texts such as Kutadanta Sutta, Dighanikaya, and Suttanipata, dated to be from the 6th to 8th century, the Vedic homa practice is attributed to Buddha's endorsement along with the claim that Buddha was the original teacher of the Vedas in his previous lives.[32]

In some Buddhist homa traditions, such as in Japan, the central deity invoked in this ritual is usually Acalanātha (Fudō Myōō, 不動明王, lit. "Immovable Wisdom King"). Acalanātha is another name for the god Rudra in the Vedic tradition, for Vajrapani or Chakdor in Tibetan traditions, and of Sotshirvani in Siberia.[33][34] The Acala Homa ritual procedure follows the same Vedic protocols found in Hinduism, with offerings into the fire by priests who recite mantras being the main part of the ritual and the devotees clap hands as different rounds of hymns have been recited.[35] Other versions of the Vedic homa (goma) rituals are found in the Tendai and Shingon Buddhist traditions as well as in Shugendō and Shinto in Japan.[36][37][38]

In most Shingon temples, this ritual is performed daily in the morning or the afternoon, and is a requirement for all acharyas to learn this ritual upon entering the priesthood.[39] The original medieval era texts of the goma rituals are in Siddham Sanskrit seed words and Chinese, with added Japanese katakana to assist the priests in proper pronunciation.[40] Larger scale ceremonies often include multiple priests, chanting, the beating of Taiko drums and blowing of conch shell (horagai) around the mandala with fire as the ceremonial focus.[30][31] Homa rituals (sbyin sreg) widely feature in Tibetan Buddhism and Bön and are linked to a variety of Mahayana Buddhas and tantric deities.[41]

Jainism

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A havan at puja
Example of traditional wooden homa and yajna implements used during rituals

Homa rituals are also found in Jainism.[4][6] For example, the Ghantakarn ritual is a homa sacrifice, which has evolved over the centuries, and where ritual offerings are made into fire, with pancamrit (milk, curd, sugar, saffron, and clarified butter) and other symbolic items such as coconut, incense, seeds, and herbs.[42][43] The mantra recited by Jains include those in Sanskrit, and the 16th-century Svetambara text Ghantakarna Mantra Stotra is a Sanskrit text which describes the homa ritual dedicated to Ghantakarna Mahavira in one of the Jaina sects.[42][44]

The Adipurana of Jainism, in section 47.348, describes a Vedic fire ritual in the memory of Rishabha.[45] Traditional Jaina wedding ceremonies, like among the Hindus, is a Vedic fire sacrifice ritual.[43][46]

Sikhism

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The Homa ritual (pronounced Havan) is also found within the Namdhari community (page 127).[47] They observe a conduct of Sodh maryada in which every participant (total of 7 people perform one Havan) must shower from head to toe and must sit on a clean cloth while wearing a Kamarkasa with a Safajang. The havan must be performed at ground level where it is connected to the earth. The area where the Havan is to be performed must be cleaned with water and only a certain type of wood is to be used (Ber or Plah), a coconut (wrapped in a clean cloth) is to be placed into the Havan following a prayer (ardaas). Clarified butter along with 21 other elements are mixed and offered into the fire while 5 people recite Gurbani. The 6th member of the group is tasked with splashing a small amount of water into the fire once the Ghee mixture has been poured onto the fire.

When starting the fire, it must not be blown onto. On completion, a prayer for the wellbeing of humanity is recited.

The following scriptures from the Adh Sri Guru Granth Sahib and the Sri Dasam Granth Sahib (Page 7)[48] are recited as part of the Havan ceremony:

  1. Jap
  2. Jaap
  3. Chopai
  4. Akaal Ustat
  5. Chandi Critar Doosra
  6. Chandi Di Vaar
  7. Ugardanti

See also

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References

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  1. ^ Jump up to: a b c d e f g Richard Payne (2015). Michael Witzel (ed.). Homa Variations: The Study of Ritual Change Across the Longue Durée. Oxford University Press. pp. 1–3. ISBN 978-0-19-935158-9.
  2. ^ Hillary Rodrigues (2003). Ritual Worship of the Great Goddess: The Liturgy of the Durga Puja with Interpretations. State University of New York Press. pp. 329 with note 25. ISBN 978-0-7914-8844-7.
  3. ^ Jump up to: a b c Axel Michaels (2016). Homo Ritualis: Hindu Ritual and Its Significance for Ritual Theory. Oxford University Press. pp. 237–248. ISBN 978-0-19-026263-1.
  4. ^ Jump up to: a b c d e f g h i Timothy Lubin (2015). Michael Witzel (ed.). Homa Variations: The Study of Ritual Change Across the Longue Durée. Oxford University Press. pp. 143–166. ISBN 978-0-19-935158-9.
  5. ^ Jump up to: a b c d Musashi Tachikawa (2015). Michael Witzel (ed.). Homa Variations: The Study of Ritual Change Across the Longue Durée. Oxford University Press. pp. 126–141. ISBN 978-0-19-935158-9.
  6. ^ Jump up to: a b c Laughlin, J. (2000). "Other people's rituals: Ritual Eclecticism in early medieval Indian religious". Journal of Indian Philosophy. 28 (4): 399–424. doi:10.1023/A:1004883605055. S2CID 171077173.
  7. ^ Richard Payne (2015). Michael Witzel (ed.). Homa Variations: The Study of Ritual Change Across the Longue Durée. Oxford University Press. pp. 30, 51, 341–342. ISBN 978-0-19-935158-9.
  8. ^ Axel Michaels (2016). Homo Ritualis: Hindu Ritual and Its Significance for Ritual Theory. Oxford University Press. p. 246. ISBN 978-0-19-026263-1.
  9. ^ Wilhelm Geiger (1998). Culavamsa: Being the More Recent Part of Mahavamsa. Asian Educational Services. p. 234 with footnotes. ISBN 978-81-206-0430-8.
  10. ^ Jump up to: a b c Axel Michaels (2016). Homo Ritualis: Hindu Ritual and Its Significance for Ritual Theory. Oxford University Press. p. 231. ISBN 978-0-19-026263-1.
  11. ^ [1], Monier-Williams Sanskrit-English Dictionary, 1899, via Koeln University, Germany
  12. ^ Timothy Lubin (2015). Michael Witzel (ed.). Homa Variations: The Study of Ritual Change Across the Longue Durée. Oxford University Press. pp. 143–145, 148. ISBN 978-0-19-935158-9.
  13. ^ Friedrich Max Muller (2004) [1879]. The Upanishads. Oxford University Press. p. 89. ISBN 978-1-177-07458-2.
  14. ^ Paul Deussen, Sixty Upanishads of the Veda, Volume 1, Motilal Banarsidass, ISBN 978-8120814684, page 153, for context see pages 143–155
  15. ^ Richard Payne (2015). Michael Witzel (ed.). Homa Variations: The Study of Ritual Change Across the Longue Durée. Oxford University Press. pp. 2–3. ISBN 978-0-19-935158-9.
  16. ^ Jump up to: a b Witzel, Michael (2008). Gavin Flood (ed.). The Blackwell Companion to Hinduism. John Wiley & Sons. p. 78. ISBN 978-0-470-99868-7.
  17. ^ Michael Witzel (2008). Gavin Flood (ed.). The Blackwell Companion to Hinduism. John Wiley & Sons. p. 79. ISBN 978-0-470-99868-7.
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  19. ^ M. Dhavamony (1974). Hindu Worship: Sacrifices and Sacraments. Studia Missionalia. Vol. 23. Gregorian Press, Universita Gregoriana, Roma. pp. 107–108.
  20. ^ Christian K. Wedemeyer (2014). Making Sense of Tantric Buddhism: History, Semiology, and Transgression in the Indian Traditions. Columbia University Press. pp. 163–164. ISBN 978-0-231-16241-8.
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  22. ^ Frazier, Jessica (2011). The Continuum companion to Hindu studies. London: Continuum. pp. 1–15. ISBN 978-0-8264-9966-0.
  23. ^ Sushil Mittal; Gene Thursby (2006). Religions of South Asia: An Introduction. Routledge. pp. 65–67. ISBN 978-1-134-59322-4.
  24. ^ Niels Gutschow; Axel Michaels (2008). Bel-Frucht und Lendentuch: Mädchen und Jungen in Bhaktapur, Nepal. Otto Harrassowitz Verlag. pp. 54–57. ISBN 978-3-447-05752-3.
  25. ^ Jump up to: a b c d Holly Grether (2016). Homo Ritualis: Hindu Ritual and Its Significance for Ritual Theory. Oxford University Press. pp. 47–51. ISBN 978-0-19-026263-1.
  26. ^ Titus Burckhardt (2009). Foundations of Oriental Art and Symbolism. Routledge. pp. 13–18. ISBN 978-1-933316-72-7.
  27. ^ John Stratton Hawley; Vasudha Narayanan (2006). The Life of Hinduism. University of California Press. p. 84. ISBN 978-0-520-24914-1.
  28. ^ Hillary Rodrigues (2003). Ritual Worship of the Great Goddess: The Liturgy of the Durga Puja with Interpretations. State University of New York Press. pp. 224–231. ISBN 978-0-7914-8844-7.
  29. ^ Natalia Lidova (1994). Drama and Ritual of Early Hinduism. Motilal Banarsidass. pp. 51–52. ISBN 978-81-208-1234-5.
  30. ^ Jump up to: a b Stephen Grover Covell (2005). Japanese Temple Buddhism: Worldliness in a Religion of Renunciation. University of Hawaii Press. pp. 2–4. ISBN 978-0-8248-2856-1.
  31. ^ Jump up to: a b Paul Loren Swanson; Clark Chilson (2006). Nanzan Guide to Japanese Religions. University of Hawaii Press. pp. 240–242. ISBN 978-0-8248-3002-1.
  32. ^ Jump up to: a b Charles Orzech (2015). Michael Witzel (ed.). Homa in Chinese Translations and Manuals from the Sixth through Eighth Centuries, in Homa Variations: The Study of Ritual Change Across the Longue Durée. Oxford University Press. pp. 266–268. ISBN 978-0-19-935158-9.
  33. ^ John Maki Evans (2011). Kurikara: The Sword and the Serpent. North Atlantic. p. xvii. ISBN 978-1-58394-428-8.
  34. ^ Charles Russell Coulter; Patricia Turner (2013). Encyclopedia of Ancient Deities. Routledge. p. 1113. ISBN 978-1-135-96397-2.
  35. ^ Musashi Tachikawa (2015). Michael Witzel (ed.). The Structure of Japanese Buddhist Homa, in Homa Variations: The Study of Ritual Change Across the Longue Durée. Oxford University Press. pp. 134–138, 268–269. ISBN 978-0-19-935158-9.
  36. ^ Richard Payne (2015). Michael Witzel (ed.). Homa Variations: The Study of Ritual Change Across the Longue Durée. Oxford University Press. pp. 3, 29. ISBN 978-0-19-935158-9.
  37. ^ Ryûichi Abé (2013). The Weaving of Mantra: Kukai and the Construction of Esoteric Buddhist Discourse. Columbia University Press. pp. 347–348. ISBN 978-0-231-52887-0.
  38. ^ Helen Josephine Baroni (2002). The Illustrated Encyclopedia of Zen Buddhism. The Rosen Publishing Group. pp. 100–101. ISBN 978-0-8239-2240-6.
  39. ^ Richard Payne (2015). Michael Witzel (ed.). Homa Variations: The Study of Ritual Change Across the Longue Durée. Oxford University Press. p. 338. ISBN 978-0-19-935158-9.
  40. ^ Michael R. Saso (1990). Tantric Art and Meditation: The Tendai Tradition. University of Hawaii Press. pp. xv–xvi. ISBN 978-0-8248-1363-5.
  41. ^ Halkias, Georgios T (2016). "Fire Rituals by the Queen of Siddhas". In Halkias, Georgios T (ed.). Homa Variations. pp. 225–245. doi:10.1093/acprof:oso/9780199351572.003.0008. ISBN 9780199351572. {{cite book}}: |journal= ignored (help)
  42. ^ Jump up to: a b John E. Cort (2001). Jains in the World: Religious Values and Ideology in India. Oxford University Press. pp. 165–166. ISBN 978-0-19-803037-9.
  43. ^ Jump up to: a b Natubhai Shah (1998). Jainism: The World of Conquerors. Motilal Banarsidass. pp. 205–206. ISBN 978-81-208-1938-2.
  44. ^ Kristi L. Wiley (2009). The A to Z of Jainism. Scarecrow. p. 90. ISBN 978-0-8108-6821-2.
  45. ^ Helmuth von Glasenapp (1999). Jainism: An Indian Religion of Salvation. Motilal Banarsidass. p. 452. ISBN 978-81-208-1376-2.
  46. ^ Helmuth von Glasenapp (1999). Jainism: An Indian Religion of Salvation. Motilal Banarsidass. p. 458. ISBN 978-81-208-1376-2.
  47. ^ Mcleod, W H (1984). Sikhism Textual Sources.
  48. ^ Singh, Harkirat (2020-02-06). "ਨਾਮਧਾਰੀ ਨਿਤਨੇਮ Namdhari Nitnem". Sri Bhaini Sahib. Retrieved 2023-06-18.
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