16 Blocks
16 Blocks | |
---|---|
Directed by | Richard Donner |
Written by | Richard Wenk |
Produced by |
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Starring | |
Cinematography | Glen MacPherson |
Edited by | Steven Mirkovich |
Music by | Klaus Badelt |
Production companies | |
Distributed by | Warner Bros. Pictures |
Release date |
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Running time | 102 minutes |
Country | United States |
Language | English |
Budget | $52 million[1] |
Box office | $65.7 million[2] |
16 Blocks is a 2006 American action thriller film directed by Richard Donner and starring Bruce Willis, Mos Def, and David Morse. The film unfolds in the real time narration method. It marked the final directed film for Donner during his lifetime[3][4] in addition to the last acting role for his cousin and frequent collaborator Steve Kahan.
Plot
[edit]Jack Mosley is an alcoholic, burned-out NYPD detective. Despite a late shift the night before, his lieutenant orders him to escort a witness, Eddie Bunker, from local custody to the courthouse 16 blocks away to testify on a police corruption case before a grand jury at 10 a.m. Bunker tries to be friendly with Mosley, telling him of his aspirations to move to Seattle to become a cake baker with his sister who he has never met, but Mosley is uninterested and stops at a liquor store. They are suddenly ambushed by a gunman, and Mosley drags Bunker to a local bar to take shelter and call for backup. Mosley's former partner, Frank Nugent, and several other officers arrive. Nugent and his men are part of the corruption scheme, and he tells Mosley that Bunker is not worth defending as his testimony will likely expose several corrupt officers, including Nugent. The corrupt cops try to frame Bunker for firing at an officer before they try to kill him. Mosley intervenes, rescuing Bunker and fleeing.
Mosley briefly stops at his sister Diane's apartment to retrieve guns and ammo and learns the police have already approached her about his activities earlier that day. He and Bunker take steps to further elude the police, and Mosley is wounded in the process. They become cornered in a run-down apartment building as Nugent and his men search floor by floor. Mosley calls the district attorney to arrange for help, but purposely gives the wrong apartment number, suspecting there is a mole involved. Mosley and Bunker escape onto a passenger bus and as the police follow them, Mosley is forced to treat the passengers as hostages. The bus crashes into a construction site and is soon surrounded by the ESU. Aware that Nugent will likely order the ESU to storm the bus, risking the safety of the passengers, Mosley allows the passengers to go free, using their cover to allow Bunker to sneak off the bus in the confusion. Mosley finds a tape recorder in the discarded possessions on the bus, and prepares a farewell message to Diane.
To his surprise, Bunker returns to the bus; while Nugent is ready to fire on him, Nugent is made to stand down by a superior officer. Bunker has come to see Mosley as an ally, and wants to be there for him to see this through. Bunker's tenacity convinces Mosley to get to the courthouse, and he manages to drive the bus into an alley, temporarily blocking the police from following them. He finds that Bunker has been wounded, and calls Diane, a paramedic, to bring an ambulance around to help, despite knowing she will be followed. Diane tends Mosley and Bunker's wounds, though Bunker still needs further treatment at a hospital. As Diane's ambulance drives away, the police stop her but discover the ambulance is empty; she had a second ambulance pick up Mosley and Bunker that would not be under similar surveillance. Meanwhile, Mosley reveals to Bunker that should he testify, not only will Nugent be convicted but so would Mosley as one of the corrupt cops. Mosley gets off a block from the courthouse and wishes Bunker luck with his bakery, instructing the paramedic to take Bunker to the Port Authority and put him on a bus for Seattle. Bunker promises to send him a cake on his birthday.
Mosley continues to the courthouse, where the police and ESU are waiting for him as well as the district attorney. Mosley enters the courthouse building through the underground garage, encountering Nugent alone, who tries unsuccessfully to dissuade him from testifying in Bunker's place. Mosley enters the courthouse proper, where one of Nugent's men tries to shoot Mosley but is killed by one of the ESU snipers. Mosley informs the district attorney that he will testify in exchange for Bunker having his record expunged, also revealing that he had recorded the conversation with Nugent in the garage on the tape recorder, which he submits as evidence.
Two years later, Mosley is freed from prison. He celebrates his birthday with Diane and other friends and is surprised to find that the cake had indeed come from Bunker, who has been successful in starting "Eddie & Jack's Good Sign Bakery" in Seattle.
Cast
[edit]- Bruce Willis as Detective Jack Mosley
- Mos Def as Edward "Eddie" Bunker
- David Morse as Detective Frank Nugent
- Jenna Stern as Diane Mosley
- Casey Sander as Captain Dan Gruber
- Cylk Cozart as Detective Jimmy Mulvey
- David Zayas as Detective Bobby Torres
- Robert Racki as Detective Jerry Shue
- Patrick Garrow as Detective Touhey
- Sasha Roiz as Detective Kaller
- Conrad Pla as Detective Ortiz
- Hechter Ubarry as Detective Edward Maldonado
- Richard Fitzpatrick as Deputy Commissioner Wagner
- Peter McRobbie as Mike Sheehan
- Mike Keenan as Ray Fitzpatrick
- Robert Clohessy as Sergeant Cannova
- Jess Mal Gibbons as Pederson
- Tig Fong as Briggs
- Brenda Pressley as Assistant District Attorney MacDonald
- Kim Chan as Sam
- Carmen Lopez as Gracie
- Scott McCord as Lieutenant Kincaid
- Steve Kahan as Restaurant Owner
- Tom Wlaschiha as Bus Passenger
- Toni Ellwand as Subway Commuter
- Rob Wiethoff as Court Officer
Willis originally wanted rapper Ludacris to play the part of Eddie Bunker.[citation needed] 16 Blocks is the second film in which David Morse plays the villain to Bruce Willis as the protagonist; the first was 12 Monkeys.
Release
[edit]Theatrical
[edit]The film, released by Warner Bros., opened in the United States on March 3, 2006.
Alternate ending
[edit]The film was shot with the ending written for the screenplay (as described by Donner and writer Richard Wenk), but they realized during filming that there was "a better opportunity to have a little more empathy and wrap the picture up in a different way." The ending written for the film changed the scenario in which Frank after watching Jack get in the elevator, instructs Bobby to stand down, saying it's over. But Bobby's radio is off and he is still planning on ambushing Jack. In the lobby, Jack is approached by District Attorney McDonald who says he will testify in Eddie's place in return for Eddie's record being expunged. As Jack reaches into his pocket, Bobby appears and Frank, having run upstairs to stop Bobby, leaps in front of Jack to protect him and gets shot, causing them both to fall down the stairs. When they land at the bottom it's discovered the bullet went through Frank and fatally hit Jack. The tape recorder with Jack and Frank's conversation on it is heard playing in Jack's pocket. Frank tearfully listens and looks at Jack with sorrow. The tape is taken to the jury, Frank and Bobby are led away and a blanket is placed over Jack's body. Sometime later Diane receives a cake from Eddie, supposed to be for Jack's birthday along with a letter saying he sent the cake, hoping to hear from Jack but never did. He was then informed of what happened, he acknowledges Jack and wishes him a happy birthday.
Reception
[edit]Box office
[edit]In its opening weekend, the film grossed $12.7 million, which was the second-highest-grossing film of the weekend. As of its May 15, 2006 closing date, the film grossed a total of $36.895 million in the U.S. box office. It made $65.7 million worldwide.[2] According to Box Office Mojo, production costs were around $55 million.[5] The film made $51.53 million on rentals and remained on the DVD top 50 charts for 17 consecutive weeks.
Critical response
[edit]On Rotten Tomatoes, the film received an approval rating of 56% approval rating from 162 critics, with an average rating of 5.9/10. The site's consensus reads: "Despite strong performances from Bruce Willis and Mos Def, 16 Blocks barely rises above being a shopworn entry in the buddy-action genre."[6] On Metacritic, it has a weighted average score of 63 out of 100, based on 34 reviews, which indicates "generally favorable reviews".[7] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[8]
Michael Atkinson of The Village Voice commented that "the clichés come thick on the ground" and called it "a small movie trying to seem epic, or a bloated monster trying to seem lean."[9] Peter Travers of Rolling Stone gave the film two-and-a-half out of four stars and called Willis and Mos Def "a terrific team," concluding that "Until Richard Wenk's script drives the characters into a brick wall of pukey sentiment, it's a wild ride."[10] Chicago Sun-Times critic Roger Ebert gave it three out of four stars and commended Mos Def for his "character performance that's completely unexpected in an action movie," while calling the film "a chase picture conducted at a velocity that is just about right for a middle-age alcoholic."[11] Wesley Morris of The Boston Globe described the film as admirably old fashioned, praising Donner for his direction, but criticized the film for lacking originality, saying it feels like a remake of The Gauntlet directed by Clint Eastwood.[12]
Remake
[edit]In May 2013, Original Entertainment confirmed to have sealed a five-picture deal with Millennium Films to produce Bollywood remakes of Rambo, The Expendables, 16 Blocks, 88 Minutes, and Brooklyn's Finest, with the productions for Rambo and The Expendables expected to start at the end of that year.[13]
References
[edit]- ^ "16 Blocks (2006): Director Richard Donner Slams Alcon". Archived from the original on 2021-08-17. Retrieved 2021-08-17.
- ^ a b "16 Blocks (2006)". Archived from the original on 2009-05-14. Retrieved 2009-06-07.
- ^ Hipes, Patrick (2021-07-05). "Richard Donner Dies: 'Superman', 'Lethal Weapon' And 'The Goonies' Director Was 91". Deadline Hollywood. Retrieved 2021-07-13.
- ^ Gates, Anita (July 5, 2021). "Richard Donner, Director of 'Superman' and 'Lethal Weapon' Films, Dead at 91". The New York Times.
- ^ Brandon Gray (March 6, 2006). "'16 Blocks' Gets Clocked by 'Madea'". Box Office Mojo. Archived from the original on April 18, 2018. Retrieved February 13, 2007.
- ^ "16 Blocks". Rotten Tomatoes. Archived from the original on September 25, 2013. Retrieved July 31, 2020.
- ^ "16 Blocks Reviews, Ratings, Credits, and More". Metacritic. CBS Interactive. Archived from the original on April 10, 2018. Retrieved July 31, 2011.
- ^ "CinemaScore". Archived from the original on February 6, 2018.
- ^ Atkinson, Michael (February 21, 2006). "Aging Hollywood Hack Attempts Clumsy B Movie". The Village Voice. Village Voice Media. Archived from the original on October 22, 2012. Retrieved July 31, 2011.
- ^ Travers, Peter (March 7, 2006). "16 Blocks". Rolling Stone. Wenner Media. Retrieved July 31, 2020.
- ^ Ebert, Roger (March 3, 2006). "16 Blocks". Chicago Sun-Times. Sun-Times Media. Archived from the original on June 9, 2021. Retrieved July 31, 2020.
- ^ Wesley Morris (March 3, 2006). "16' blandly goes where films have gone before". The Boston Globe. Archived from the original on 2017-12-13. Retrieved 2018-05-17.
- ^ McNary, Dave (May 15, 2013). "Original Ent. Plans Bollywood Remakes of 'Rambo,' 'Expendables' (EXCLUSIVE)". Variety. Archived from the original on July 25, 2018. Retrieved May 20, 2017.
External links
[edit]- 2006 films
- 2006 action thriller films
- 2006 crime thriller films
- 2000s buddy cop films
- 2000s police procedural films
- Alcon Entertainment films
- American action thriller films
- American buddy cop films
- American crime thriller films
- American police detective films
- 2000s English-language films
- Films about corruption in the United States
- Films about the New York City Police Department
- Films about police misconduct
- Films about witness protection
- Films directed by Richard Donner
- Films scored by Klaus Badelt
- Films set in New York City
- Films with screenplays by Richard Wenk
- MoviePass Films films
- Nu Image films
- Warner Bros. films
- 2000s American films