Jump to content

A.A.A. Massaggiatrice bella presenza offresi...

From Wikipedia, the free encyclopedia
A.A.A. Massaggiatrice bella presenza offresi...
Directed byDemofilo Fidani
Screenplay by
  • Demofilo Fidani
  • Mila Vitelli
Story byDemofilo Fidani[1]
StarringPaola Senatore
CinematographyAldo Giordani[2]
Edited byPiera Bruni[2]
Music byCoriolano Gori[2]
Production
company
Tarquinia Internazionale Cinematografica[1]
Release date
  • 1972 (1972)
CountryItaly
LanguageItalian

A.A.A. Massaggiatrice bella presenza offresi... (lit.'A.A.A. Masseuse, Good-Looking, Offers Her Services...') is a 1972 Italian giallo film directed by Demofilo Fidani.

Plot

[edit]

Cristina is working as a call-girl. Her clients are mysteriously and brutally murdered one after another.

Cast

[edit]
  • Paola Senatore as Cristina Graziani
  • Simonetta Vitelli (credited as Simone Blondell) as Paola[2])

Production

[edit]

Film historian and critic Roberto Curti described A.A.A. Massaggiatrice bella presenza offresi... as being part of a minor wave of low-budget giallo films in second run and third-run venues.[3]

The film"s script was written by director Demofilo Fidani and his wife Mila Vitelli.[4] Unlike most of Fidani's films (predominantly Westerns) in which he is credited under an English alias, the director is credited by his (real) Italian name.[5]

Genre

[edit]

The Italian database Cinematografo defines the film's subgenre as erotic thriller.[2] The film contains elements of horror[6] and slasher.[3]

Release

[edit]

A.A.A. Massaggiatrice bella presenza offresi... was released in 1972.[7][8] For its release in France the same year, the film's version and its title (Caresses à domicile) are noted as "very daring",[9] the film being presented as a mere "erotic film" by La Revue du cinéma[10] or a 'porn third-rate production' by Écran'[11]

Reception

[edit]

From retrospective reviews, Roberto Curti described the film as containing elements of Demofilo Fidani's typical style, specifically Western-type revolvers and villains falling in slow motion in "unlikely acrobatic manners."[7] Antonio Bruschini, of the Italian genre magazine Nocturno, found the ending of the film and the culprit predictable but noted that A.A.A. Massaggiatrice reflected the Argentinean atmosphere of the period.[5]

References

[edit]
  1. ^ a b "A.A.A. Massaggiatrice bella presenza offresi... (1972)". Archivio del cinema Italiano (in Italian). Archived from the original on July 31, 2023. Retrieved July 31, 2023.
  2. ^ a b c d e "A.A.A. Massaggiatrice bella presenza offresi...", Cinematograf.it (in Italian), archived from the original on April 19, 2023, retrieved July 31, 2023
  3. ^ a b Curti 2022, p. 224.
  4. ^ Curti 2022, p. 226.
  5. ^ a b Bruschini.
  6. ^ Palmerini & Mistretta 1996, p. 171.
  7. ^ a b Curti 2022, p. 225.
  8. ^ Curti 2022, p. 9.
  9. ^ Gomarasca, Manlio; Pulici, Davide (2013-07-24). La piccola cineteca degli orrori: Tutti i FILM che i fratelli Lumière non avrebbero mai voluto vedere (in Italian). Bureau. ISBN 978-88-586-5486-6.
  10. ^ La Revue du cinéma: image et son (in French). Ligue française de l'enseignement et de l'éducation permanente. 1974.
  11. ^ Ecran (in French). Editions de l'Atlante. 1974.

Sources

[edit]