Dokufest
 | |
 Kino Kalaja | |
| Location | Prizren, Kosovo |
|---|---|
| Founded | 2002 |
| Awards | Stone Award |
| Directors | Linda Llulla-Gashi |
| Producers | Alba Çakalli |
| Artistic director | Veton Nurkollari |
| Website | Official website |
DokuFest is an international documentary and short film festival held in the Kosovo city of Prizren, held annually during early August. It was founded in 2002 by a group of friends. It has since grown into a cultural event that attracts international and regional artists and audiences. Films are screened throughout the eight-day festival and accompanied by programs, activities, and workshops.
In 2022, DokuFest became a nominating film festival for the European Film Awards in two categories, short film and documentary film.[1]
Background
[edit]DokuFest was established as a volunteer-based organization in 2002 with almost no funding at the beginning and continues to draw support from the community and agencies within Kosovo. However, its path has often been associated with major difficulties due to the unique context that organization operated in (such as the post-war situation, lack of similar referent events, lack of trust from institutions and potential donors etc.).[2]
It was run by volunteers until the introduction of full-time and part-time contracts came into place in 2008 and led to the employment of a small number of staff. The need for an organizational structure arose when the organization became involved in implementation of yearly-based projects, in addition to organizing the festival. This led to the establishment of a core team that took over the design, planning and implementation of many initiatives resulting in successful implementation of several projects.
As well as organizing large-scale cultural events, DokuFest also concerns culture, education and activism for sound cultural policies and alternative education system in Kosovo.
Per a 2015 GAP Institute report, roughly 14,000-15,000 visitors from across the world went to Prizren during DokuFest (increasing from 2011's estimate of 10,000 visitors),[3] bringing the festival's economic impact up to over 4.7 million euros.[4][5]
Today, DokuFest is also a non-governmental organization which works to help foster media literacy through film across Kosovo, in addition to its duties as a festival.
Program structure
[edit]The festival that includes the screening of films in seven improvised cinemas in the city of Prizren, the photographic exhibition "DokuPhoto", Workshops, master classes and debates, amongst others.[6]
The festival's creative director is one of its founding members, Veton Nurkollari.
- Film training initiative called "Human Rights Film Factory - Stories from Kosovo’s Margins" that includes series of workshops for filmmakers, production of six documentaries on Human Rights coupled with series of human rights debates throughout Kosovo.
- Promotion of Human Rights and Democratic Values through Film that includes usage of human rights documentary films as educational tools and establishment of Kino Clubs in Highs Schools as well as Documentary film school guiding high school students from Kosovo throughout the process of transforming their film ideas into a finished documentary.
- Travelling Cinema “Cinema at Your Door” aiming at documentary film screenings in rural areas of Prizren region coupled with discussions focusing on the difficulties that rural communities experience in their everyday life and the lack of the cultural activities in their surroundings.
- Part of larger NGO network working actively on environmental related issues and promotion of renewables in Kosovo.
- Active participation and contribution on national and regional networks, aimed at development of sound cultural policies and organization of debates with relevant stakeholders, both in Kosovo and the region.
Cinema experience
[edit]
The festival's roots lie at Prizren's oldest cinema Lumbardhi Cinema, where its first edition was held. DokuFest continues to hold a strong relationship with the cinema's parent NGO Lumbardhi Foundation as the host of its two primary venues, Lumbardhi Indoor (used during the day) and Lumbardhi Outdoor (used during the night, aka "Lumbardhi Bahçe").[7] DokuFest also uses its native cinema DokuKino (located at the Europa Complex, next to the festival headquarters) with an indoor and outdoor silver screen (aka DokuKino Plato/Plateau).
Multiple spots of cultural and historical significance across Prizren are used as makeshift venues. These include:
- River Cinema (Kino Lum) is built on a platform directly over the Lumbardhi river.
- Sonar Cinema is built on a platform just outside the Prizren Fortress.
- Lunar Cinema is built inside the Fortress, often also the venue for musical acts.
- Kino Klubi, a film club/pub near the Remzi Ademaj High School, often the venue for talks.
Festival sections
[edit]DokuNights
[edit]DokuFest brings top international and local music acts to perform at DokuNights every year.[8] DokuNights has become Kosovo's premiere music event featuring international and local singers, bands and DJs past performances have including acts such as PJ Harvey. It is regularly held at the Andrra Stage in the Marash Park.
DokuTech
[edit]Runs simultaneous to DokuFest and concentrates on technical innovation and creativity.
DokuFest Productions
[edit]DokuFest was awarded the British Academy Film Award for Home in 2017.
DokuKids
[edit]A program of films and workshops designed especially for young guests.
Theme and slogan
[edit]Every year the festival is programmed and created around a theme that forges a unique annual identity.
| Year | Theme | Slogan | Artist/Designer |
|---|---|---|---|
| 2011 | 10 (X) | DokuFest | |
| 2012 | Punk Protest | Punk Protest Prizren | Bardhi Haliti |
| 2013 | Borders | You Brake Mine, I'll Brake Yours | Daniel Mulloy |
| 2014 | Change | Don't Hide | Daniel Mulloy |
| 2015 | Migration | But We Do Not Have Wings To Fly Free | Daniel Mulloy |
| 2016 | Corruption | Daniel Mulloy | |
| 2017 | Future | Is Not Dead | Aneta Nurkollari |
| 2018 | Reflection | I'll Be Your Mirror / Come As You Are | Veton Nurkollari |
| 2019 | Truth | Truth Lies Here | DokuFest |
| 2020 | Transmission | Transmission, Transmission, Transformation | Aneta Nurkollari |
| 2021 | Twenty Years | Re:set Re:mix Re:act | DokuFest |
| 2022 | Survival | How To Survive...? | DokuFest |
| 2023 | I Am AI Am I | I Contain Human Stories | DokuFest |
Awards
[edit]- Best National Competition
- Best International Feature Documentary
- Best International Short Documentary
- Best International Shorts
- Best Balkan Dox
- Best Human Rights
- Best Green
- Audience Award
- Best Procredit EKO Video
In 2010 DokuFest was voted as one of the 25 best international documentary festivals.[by whom?][9]
Winner
[edit]| Prizes | 2012 | 2013 | 2014 | 2015[10] |
|---|---|---|---|---|
| Best national competition | Portreti i Humbur (Lulzim Zeqiri) | The Stone on the Shore (Jonada Jashari) | SILENCE (HESHTJE) (Bekim Guri) | TË PAFAJSHMIT (Amir Vitija) |
| Best Balkan Dox | Letter to Dad by Srdjan Keca | When I Was a Boy I Was a Girl (Ivana Todorović) | EVAPORATING BORDERS (Iva Radivojevic) | FLOTEL EUROPA
(Vladimir Tomic) |
| Best international Dox shorts | Out of Reach (Jakup Stozek) | Belleville Baby (Mia Engberg) | EMERGENCY CALLS (Hannes Vartiainen and Pekka Veikkolainen) | THINGS (Ben Rivers) |
| Best international feature Dox | PEOPLE I COULD HAVE BEEN AND MAYBE AM (Boris Gerrets) | Belleville Baby by Mia Engberg | DOMINO EFFECT (Elwira Niewiera and PiotrRosolowski) | MACHINE GUN OR TYPEWRITER (Travis)
Wilkerson |
| Best international shorts | Gardfrend (Cuneyt Karaahmetoglu) | A Society by Jens Assur | SUBTOTAL (Gunhild Enger) | LISTEN (Hamy Ramezan and Rungano Nyoni) |
| Best Human Rights | You Don't Like The Truth – 4 days Inside Guantanamo (Luc Cote and Patricio Henriquez) | Dance of Outlaws by Mohamed El Aboudi | JUDGMENT IN HUNGARY (Eszter Hajdu ) | DEMOCRATS (Camilla Nielsson) |
| Best Green Dox | Kingdom of Coal (Antoneta Kastrati) | Future My Love (Maja Borg) | METAMORPHOSEN (Sebastian Mez) | VIRUNGA (Orlando von Einsiedel) |
| Audience Award | The Black Power Mix Tapes 1967-1975Â (Göran Hugo Olsson) | Kolona (Ujkan Hysaj) | PËRQAFIMI (THE HUG) (Lulzim Guhelli) | REMAKE, REMIX, RIP-OFF (Cem Kaya) |
| Best PROCREDIT EKO VIDEO | ---- |
|
|
|
In 2014 DokuFest won Best Poster, and Best Festival Identity at the Jihlava International Documentary Film Festival for its poster and its immersive campaign, respectively, both designed by Daniel Mulloy.[11][12]
References
[edit]- ^ "DOKUFEST BECOMES EFA NOMINATING FESTIVAL". DokuFest. DokuFest. Retrieved 4 June 2022.
- ^ Willis, Kim (2014-08-02). "Moving pictures: a film festival in Kosovo". The Guardian. ISSN 0261-3077. Retrieved 2023-08-04.
- ^ "Economic Impact of DokuFest for the period of 2011-2014" (PDF). Institute for Advanced Studies - GAP. 2011-02-01. Archived (PDF) from the original on 2022-08-11. Retrieved 2023-08-04.
- ^ "The Economic Impact of DokuFest 2015: forecasts for 2016-2018" (PDF). Institute for Advanced Studies - GAP. 2016-02-01. Archived (PDF) from the original on 2022-08-11. Retrieved 2023-08-04.
- ^ Bami, Xhorxhina; Isufi, Antigonë (2022-08-12). "Against Bleak Global Backdrop, Kosovo's Dokufest Ponders 'How to Survive?'". Balkan Insight.
- ^ "DokuFest | About DokuFest". DokuFest. Archived from the original on 2019-09-23. Retrieved May 17, 2020.
- ^ "Lumbardhi Cinema". Lumbardhi. Archived from the original on 2022-08-12. Retrieved 2022-08-12.
- ^ "DokuFest". FilmFreeway. Retrieved 2022-07-22.
- ^ "International Success of DOKUFEST". FINCA International. 2010-03-03. Retrieved 2023-08-04.
- ^ Final Narrative Report. Dokufest
- ^ Migena Camniqi, "DokuFest wins best festival poster awards at Jihlava International Documentary Film Festival" Archived November 12, 2014, at the Wayback Machine, Albanian Telegraphic Agency, 1 Nov 2014, (Retrieved 12 November 2014)
- ^ "Best Festival Poster & Identity Audience Award", http://www.dokument-festival.com/, 1 Nov 2014, (Retrieved 12 November 2014)
External links
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