Amritavarshini
| Carnatic music |
|---|
 |
| Concepts |
| Compositions |
| Instruments |
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| Arohanam | S G₃ M₂ P N₃ Ṡ |
|---|---|
| Avarohanam | Ṡ N₃ P M₂ G₃ S |
Amr̥tavarṣiṇi is a rāgam in Carnatic music (musical scale of South Indian classical music), created in the early nineteenth century by Muthuswami Dikshitar. It is an audava rāgam (meaning pentatonic scale) in which only five of the seven swaras (musical notes) are used. It is a janya rāgam (derived scale), fairly popular in Carnatic music. There is a belief that Amr̥tavarṣiṇi causes rain ( The name of the rāgam is derived from the Sanskrit words Amrita: meaning Nectar and Varshini: meaning one who causes a shower or rain, and hence the association with rain ), and that the Carnatic composer Muthuswami Dikshitar brought rain at Ettayapuram, Tamil Nadu, India by singing his composition, Aanandaamrutakarshini amrutavarshini.[1][2]
Structure and Lakshana
[edit]
Amr̥tavarṣiṇi is a rāgam that does not contain rishabham and dhaivatam. It is a symmetric pentatonic scale (audava-audava ragam[1][2] in Carnatic music classification). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
The notes used in this scale are shadjam, antara gandharam, prati madhyamam, panchamam and kakali nishādam)
Amr̥tavarṣiṇi is considered a janya rāgam of Chitrambari, the 66th Melakarta rāgam, although it can be derived from other melakarta rāgams, such as Kalyani, Gamanashrama or Vishwambari, by dropping both rishabham and dhaivatam. There is another scale that has the same name but is less practiced in current performances. This scale is associated with the 39th melakarta Jhalavarali.[1][2]
Popular compositions
[edit]Amr̥tavarṣiṇi rāgam lends itself for extensive elaboration and exploration due to the symmetric and pentatonic scale. It has many compositions in both classical music and film music. Here are some popular kritis and film music composed in Amr̥tavarṣiṇi.
- Ennai Nee Maravate of Dandapani Desikar
- Sarasiruhanayane of Thyagaraja (usually said misattributed)
- Sarasijaasani of Muthuswami Dikshitar
- Vani Parama Kalyani By Vadiraja Tirtha
- Eesabeku Iddu By Purandara Dasa
- Aanandaamrutakarshini amritavarshini of Muthuswami Dikshitar (The most popular song sung today in Amritavarshini)
- Aadi Varuvai Guhane of Punitasri
- Siddhi Nayakena of M. Balamuralikrishna
- Sthirata Nahi Nahi Re of Sadashiva Brahmendra
- Aadinateppadiyo Nadanam, anonymous
- Sudhamayee Sudhanidi by Muthiah Bhagavatar
In addition to these, Anni Mantramuli Inde Avahinchenu of Annamacharya has been set to music in the Amr̥tavarṣiṇi.
Film Songs
[edit]| Song | Movie | Composer | Singer(s) |
|---|---|---|---|
| Azhagiya Megangal | Ganga Gowri | M. S. Viswanathan | S. Janaki |
| Sivagami Ada Vandhaal | Paattum Bharathamum | T. M. Soundararajan, P. Susheela | |
| Thoongadha Vizhigal Rendu | Agni Natchathiram | Ilaiyaraaja | K.J. Yesudas, S. Janaki |
| Kaathiruntha Malli Malli | Mallu Vetti Minor | P. Susheela | |
| Mazhaikku Oru Devaney | Sri Raghavendrar | K. J. Yesudas | |
| Ippothu Ena Thevai | Makkal Aatchi | Lekha | |
| Vaanin Devi Varuga | Oruvar Vaazhum Aalayam | S. P. Balasubrahmanyam, S. Janaki | |
| Kuthuvilakkaga | Cooliekkaran | T. Rajendar | |
| Puthiya Kalai | Sasanam | Balabarathi | K.S. Chitra |
| Mella Sirithai | Kalyana Samayal Saadham | Arrora | Haricharan, Chinmayi |
| Naanthana Naanthana | Ninaithale | Vijay Antony | Sadhana Sargam, Rahul Nambiar |
| Yennuyire | Annaatthe | D. Imman | K. S. Chithra (Female Version), Sid Sriram (Male Version) |
| Anney Yaaranney | Udanpirappe | Shreya Ghoshal | |
| Nee Nee | Anandhapurathu Veedu | Ramesh Krishna | Vineeth, Shweta Mohan, Rithika, Master Aryan |
- Oru dalam matram from Jalakam, composed by M G Radhakrishnan, sung by K.J. Yesudas
- Manam pon Manam from Idavelakku Sesham, composed by Raveendran, sung by K.J. Yesudas
- Aashadham padumbol from Mazha, composed by Raveendran, sung by K.J. Yesudas
- Neela lohita hitakarini from Kaveri, composed by Ilayaraja, sung by M. Balamuralikrishna
- Devi ni en pon veena nadam from Oru Mutham Mani Mutham, composed by Raveendran, sung by K.J. Yesudas
- Anupallavi of Vilikkatirunnalum virunninettum from Ishtamanu Pakshe, composed by G. Devarajan, sung by K.J. Yesudas
- Pallavi of Sharatkala megham from Dhruvasangamam, composed by Raveendran, sung by K.J. Yesudas
- Parts of charanam in Kasturi Gandhikal from Sethubandhanam, composed by G. Devarajan, sung by Ayiroor Sadasivan
- Pallavi of Aadi parashakti from Ponnapuram Kotta, composed by G. Devarajan, sung by P.B. Sreenivas and P. Leela
- Cheluveya andada mogake from Devara Gudi, composed by Rajan–Nagendra, sung by S. P. Balasubrahmanyam
- Naguve snehada haadu from Mugdha Manava, composed by Vijaya Bhaskar, sung by S.P. Balasubrahmanyam
- Chaitrada kusumanjali from Anandabhairavi, composed by Ramesh Naidu, sung by S.P. Balasubrahmanyam (anupallavi and charanam include other ragas too).
- Charanam of Devaru beseda premada hara from Muttina Hara, composed by Hamsalekha, sung by M. Balamuralikrishna
- Virahe Thavarihe from Aavesha, composed by Hamsalekha, sung by S. Janaki
Language: Telugu
[edit]- Aanati neeyara hara from Swati Kiranam, composed by K.V. Mahadevan, sung by Vani Jayaram
- Jeevana vahini, a ragamalika from Gangotri, composed by M.M. Keeravani, sung by M.M. Keeravani, Ganga, Kalpana and Srivardhini
- Kurisenu Virijallule, from Gharshana (Old), composed by Ilaiyaraaja, sung by S.P. Balasubrahmanyam, Vani Jairam
Raga relationships
[edit]Graha bhēdham
[edit]Amritavarshini's notes when shifted using Graha bhedam, yields 1 popular pentatonic rāgam, Karnataka Shuddha Saveri. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For more details and illustration of this concept refer Graha bhedam on Amr̥tavarṣiṇi.
Scale similarities
[edit]- Hamsadhvani is a rāgam which has chatushruti rishabham in place of the prati madhyamam. See table below for more details
- Gambhiranata is a rāgam which has shuddha madhyamam in place of the prati madhyamam. See table below for more details
| Rāgam | Śruti Tonic |
C | D | E | F | G | A | B | C | |||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Amr̥tavarṣiṇi | C | S | G₃ | M₂ | P | N₃ | Ṡ | |||||||
| Hamsadhvani | C | S | R₂ | G₃ | P | N₃ | Ṡ | |||||||
| Gambhiranata | C | S | G₃ | M₁ | P | N₃ | Ṡ |
