Barbara Kolb
 | This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these template messages)
|
Barbara Kolb | |
|---|---|
| Born | Barbara Kolb 10 February 1939 Hartford, Connecticut, U.S. |
| Education | Hartt College of Music |
| Occupation | Composer |
Barbara Kolb (born February 10, 1939) is an American composer. Her music uses sound masses and often creates vertical structures through simultaneous rhythmic or melodic units (motifs or figures). Kolb's musical style can be identified by her use of colorful textures, impressionistic touch, and atonal vocabulary, with influences stemming from literary and visual arts.
Life and music
[edit]Kolb was born in Hartford, Connecticut. She received her B.M. (cum laude, 1961) and M.M. degrees (1964) from the Hartt College of Music (now The Hartt School) at the University of Hartford, where she studied with Arnold Franchetti, Lukas Foss and Gunther Schuller.[1] Following her graduation, Kolb relocated to Vienna, Austria, from 1966 to 1967 with a Fulbright Fellowship grant. She was the first female American composer to win the Rome Prize [Prix de Rome], in 1969.[2] From 1979 to 1982, Kolb served as the artistic director of contemporary music at the Third Street Music School Settlement, where she presented the "Music New to New York" concert series.[3] Additionally, she has had a teaching career teaching at Rhode Island College and at Eastman School of Music as a visiting professor in composition, as well as an association with The MacDowell Colony.[2] A selection of Kolb's compositions were featured at the Kennedy Center, performed by the "Theatre Chamber Players" as part of the Boston Modern Orchestra Project. She has received multiple commissions from The Fromm Foundation at Harvard University.[4] However, Kolb was not only known as a composer; she was also proficient at the clarinet.[citation needed]
Her compositions include All in Good Time (1993), commissioned for the 150th Anniversary of the New York Philharmonic, and Voyants (1991), a concerto for piano and chamber orchestra dedicated to the memory of Aaron Copland.[3] Voyants was most recently performed by Kathleen Supové with the Rhode Island College Symphony Orchestra under the direction of Dr. Edward Markward on October 16, 2006, in Providence, RI. Discs devoted solely to Kolb's music have been released to the general public by CRI and New World Records. Her orchestral composition All in Good Time was recorded by the Grant Park Symphony Orchestra, under the direction of Carlos Kalmar, along with works by John Corigliano, Aaron Jay Kernis, John Harbison and Michael Hersch on a CD released by Cedille Records in the summer of 2006. Her music is published exclusively by Boosey and Hawkes.
Selected compositions
[edit]- Millefoglie, for chamber orchestra and computer generated tape
- Extremes, duo for flute and cello
- Chromatic Fantasy, for narrator and six instruments
- Solitaire, for piano and two-channel tape and vibraphone
- Looking for Claudio for solo guitar and tape (1975)
- Cavatina for violin or viola solo (1983, revised 1985)
- Related Characters for viola and piano (1982)
- Umbrian Colors for violin and guitar (1986)
- Virgin Mother Creatrix a cappella choral work inspired by the mysticism of Hildegard von Bingen
Discography
[edit]All Barbara Kolb discs
- Barbara Kolb: Millefoglie and Other Works (1992). Music Today and Nouvel Ensemble Moderne. Includes Kolb's Millefoglie for orchestra & tape (1985), Extremes for cello & flute (1989), Chromatic Fantasy for narrator and six instruments (1979), and Solitaire for piano and pre-recorded tape (1971) (New World Records 80422–2).
- Barbara Kolb: Soundings and Other Works (1990). Ensemble InterContemporain conducted by Arthur Tamayo; Igor Kipnis, harpsichord; Jay Gottlieb, piano, etc.; includes Kolb's Soundings (1971–72), Toccata (1971), Apello (1976), Looking for Claudio (1975), and Spring River Flowers Moon Night (1974–75) (Composers Recordings Inc. CD 576, available from New World Records).
Others
- Related Characters – featuring Bill Perconti, James March, and Iowa Brass Quintet – includes Kolb's Related Characters for alto saxophone and piano (1982) (Centaur).
- American Orchestra Works – featuring the Grant Park Orchestra conducted by Carlos Kalmar – includes Kolb's All in Good Time (1993) (Cedille).
Bibliography
[edit]- Julie C. Dunbar: Women, Music, Culture. An introduction (London: Routledge, 2011).
References
[edit]- ^ Ammer, Christine (2001). Unsung: A History of Women in American Music. Amadeus Press. pp. 224.
- ^ a b "Barbara Kolb - Artist". The MacDowell Colony Artist Fellows Database. Retrieved 2024-07-10.
- ^ a b ""Barbara Kolb"". New Music USA Online Library. Retrieved 2024-07-10.
- ^ "Barbara Kolb". Fromm Music Foundation Commissions Database. Retrieved 2024-07-10.
External links
[edit]- Barbara Kolb's page on the New Music USA Online Library
- Barbara Kolb's page on the Boosey & Hawkes website
- Barbara Kolb's page on the Boston Modern Orchestra Project website
- A short essay written by Barbara Kolb in response to the question, "When did first you know that you would be a composer and what is the earliest work that you still acknowledge?" from July 2001, published on NewMusicBox
| International | |
|---|---|
| National | |
| Artists | |
| Other | |
- 1939 births
- 20th-century American composers
- 20th-century classical composers
- 20th-century American women composers
- 21st-century American composers
- 21st-century classical composers
- 21st-century American women composers
- American classical composers
- American women classical composers
- American women in electronic music
- Living people
- Musicians from Hartford, Connecticut
- University of Hartford Hartt School alumni