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Rob Inglis

Robert Inglis (born March 1933, died before 9 September 2021) was an Australian-British actor, playwright, dramatist, journalist, critic and producer. He was the narrator of the unabridged audiobook editions of J. R. R. Tolkien's The Lord of the Rings and The Hobbit.

Life and career

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Inglis was born in Australia in 1933,[1] but later moved to England.

His plays included Voyage of the Endeavour (1965), based on the journal of Captain James Cook; Canterbury Tales (1968), dramatised readings from Chaucer; Erf (1971), a one-actor play about the twenty-first century; A Rum Do (1970), a musical based on the governorship of Lachlan Macquarie; and Men Who Shaped Australia, for Better or for Worse (1968), a one-actor play dealing with significant historical figures.[1]

For the Australian Museum in Sydney, as the theatrical producer in 1979, Inglis worked with secondary school students to direct an ecological drama "What are you doing, strange creature?" The creation of this drama from initial idea to final performance - script, songs, staging, programmes - engaged some sixty "Discoverers" for months, translating ideas on conservation of the environment into visual forms.[2]

His more recent works include a play about Lisa Pontecorvo, the daughter of geneticist Guido Pontecorvo, it played in small theatres and community centres around England in 2010 and 2011.[3] In 2012, he was awarded a £16,000 Arts Council grant to write Regent's Canal, a Folk Opera, a musical that celebrates the 200th anniversary of the digging of the eight-mile Regent's Canal.[4]

Inglis adapted works to stage for one-man performances of A Christmas Carol (1983),[5] and Dr Jekyll and Mr Hyde, for which Inglis was called "one of the wonders of the Fringe."[6] He has also adapted Chaucer, Shakespeare, Tolkien and Orwell to one act performances.[7] Inglis has appeared with the Royal Shakespeare Company and the Royal Court Theatre, playing characters such as the Ghost and Claudius in Hamlet and Mr. Bumble in Oliver!.[7]

Inglis' television appearances include as Ned Kelly in The Stringybark Massacre (short, 1968); as Chief sub in Play for Today (TV series, 1978/79); as Professor Doom in Wizbit (TV series, 1986); as Alan Clark in Casualty (TV series, 2002).

Inglis narrated audiobooks by Tolkien (described below), and the first three books by Ursula K. Le Guin in the Earthsea Cycle.[8]

As of 2012, Inglis lived in Somers Town, a district in central London.[4] His death was announced by performing arts union Equity on 25 May 2023.[9]

Tolkien works

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In the 1970s and 80s, Inglis wrote, produced and acted in one-man stage dramatisations of The Hobbit and The Lord of the Rings.[10][11] The performances have been described as "award winning".[12]

It was through his one-man stage adaptations that he was noticed by Recorded Books and asked to narrate an unabridged edition of Lord of the Rings (1990) and soon after The Hobbit (1991).[13][14] It was one of Recorded Books best-selling titles[15] however prior to 2012 it was only available on physical media (CD-ROM or tape) at which point it was released in digital format.[16] Laura Miller of Salon.com said

"Inglis strikes precisely the right note in his narration. It is an old-fashioned audiobook narration, one that feels more read than performed, although the voices of the many characters are all well-developed. It's ever so slightly prosy, and the sensation conveyed is exactly like listening to a favourite relative read to a beloved child the same book he (beautifully) read to you when you were a child."[16]

Until Andy Serkis' 2020 recording,[17] Inglis' reading of The Hobbit was the first commercially available unabridged edition of the book.[18][19] The J.R.R. Tolkien Encyclopedia (2006) called it a "remarkable performance in which he provides distinctive voices for the various characters and sings the songs in the story".[19] It further says of The Lord of the Rings narration, "his voices for the characters are less dramatic and there are no sound effects".[19]

In a 2001 AudioFile interview, Inglis says they recorded Lord of the Rings in an "intense" six-week period in 1990 at the New York studio of Recorded Books.[20] They then recorded The Hobbit about a year later. Inglis prepared with guidance from acting colleges in dramatic societies to perfect the many character voices.[20] Inglis says, "There is much in the original writing that suggests how a character should be brought to life. It's quite strange. At times it felt like Tolkien himself was talking to me through his prose, telling me how things should be."[20] Inglis says he composed some of the music for the songs himself, some music was composed by Tolkien, and Claudia Howard of Recorded Books composed the rest.[20]

References

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  1. ^ a b "Inglis, Rob (1933– )". The Oxford Companion to Australian Literature (2 ed.). Retrieved 8 January 2014.
  2. ^ McDonald, Patricia (1979). "Education". In Strahan, Ronald (ed.). Rare and Curious Specimens: An Illustrated History of the Australian Museum, 1827-1979 (PDF). Australian Museum. p. 159.
  3. ^ Gruner, Peter (5 February 2010). "Lisa the musical – a dramatic tribute to Ms Pontecorvo". CamdenNewJournal. Archived from the original on 10 January 2014. Retrieved 9 January 2014.
  4. ^ a b Gruner, Peter (23 August 2012). "Musical writer Rob Inglis finishes off folk opera script from hospital bed". CamdenNewJournal. Archived from the original on 9 January 2014. Retrieved 9 January 2014.
  5. ^ Kronenberger, Louis (1984). The Best Plays. Dodd, Mead. p. 408. ISBN 9780396083474.
  6. ^ Edwards, Owen Dudley (1991). City of a thousand worlds: Edinburgh in festival. Mainstream Publishing. pp. 189–190. ISBN 9781851583980.
  7. ^ a b "Rob Inglis". Recorded Books. Archived from the original on 9 January 2014. Retrieved 8 January 2014.
  8. ^ Tierney, Mark Phillips (1 March 1995). "Audiovisual Review: Recordings". School Library Journal. 41 (3): 175. Archived from the original on 9 January 2014. Retrieved 8 January 2014.
  9. ^ "In Memoriam". Equity: 45. Spring–Summer 2023. Retrieved 30 May 2023 – via Issuu.
  10. ^ Scull, Christina; Hammond, Wayne G. (2006). JRR Tolkien Companion & Guide. Houghton Mifflin. pp. 9, 23. ISBN 9780618391028.
  11. ^ "Book Week 1997: Rob Inglis performed during Book Week as a one-man show (photos)". Elanora Heights Primary School Library. NSW Australia. 16 August 1997. Archived from the original on 15 June 2008.
  12. ^ Mythprint: The Monthly Bulletin of the Mythopoeic Society. Vol. 29–30. Mythopoeic Society. 1992. pp. 90, 144, 146.
  13. ^ Wolf, Mark J. P. (2013). Building Imaginary Worlds: The Theory and History of Subcreation. Routledge. p. 247. ISBN 978-1136220807.
  14. ^ Carr, Jo (March 1994). "Producing audiobooks: How do they do it?". Horn Book Magazine. 70 (2): 181. Archived from the original on 9 January 2014.
  15. ^ Pederson, Jay P. (2007). International Directory of Company Histories. Vol. 84. Gale. p. 181. ISBN 9781558625884.
  16. ^ a b Miller, Laura (18 October 2013). ""The Hobbit" uncut, at last". Salon.com. Retrieved 8 January 2014.
  17. ^ Beck, Kellen (5 July 2020). "'The Hobbit' is getting a new audiobook edition read by Andy Serkis". Mashable. Retrieved 28 December 2023.
  18. ^ The Library of Congress, which produces recorded books exclusively for use by the blind or physically handicapped, has produced three recordings of The Hobbit, two of which predate the Inglis recording. See Adaptations of The Hobbit.
  19. ^ a b c Drout, Michael D.C. (2006). J.R.R. Tolkien Encyclopedia: Scholarship and Critical Assessment. Routledge. p. 131. ISBN 1135880344.
  20. ^ a b c d Menta, Joseph P. (December 2001 – January 2002). "Talking With Rob Inglis". AudioFile. Archived from the original on 8 January 2014. Retrieved 8 January 2014.
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