There But For The
Author | Ali Smith |
---|---|
Cover artist | Rachel Whiteread |
Language | English |
Publisher | Hamish Hamilton (UK) Pantheon (US) |
Publication date | June 2011 (UK) Sep 2011 (US) |
Publication place | United Kingdom |
Media type | |
Pages | 357 |
ISBN | 978-0375424090 |
There But For The is a 2011 novel by Scottish author Ali Smith, first published in the UK by Hamish Hamilton and in the US by Pantheon,[1] and set in 2009 and 2010 in Greenwich, London. It was cited by both The Guardian book review and the Publishers Weekly as one of the best books of the year.[2][3] and was also longlisted for the 2012 Orange Prize for Fiction.[4]
Plot introduction
[edit]The story revolves around Miles Garth, an 'ethical consultant' who attends an ‘annual alternative dinner party’ at an upper-middle class household in Greenwich. After the main course Miles goes upstairs, locks himself in the spare bedroom and refuses to leave indefinitely. Eventually becoming a minor celebrity when crowds gather outside the window, Miles highlights the effects of a consumerist and celebrity-based culture as various attempts are made to capitalise on his presence within the room. The name 'Miles' is replaced by 'Milo' as Garth is henceforth positioned as some form of new spiritual leader for the 'disenfranchised'.
The book is divided into four main narrative parts:
- There : Tells of Anna Hardie, a recently unemployed Scottish woman who has quit her job working with asylum seekers, of whom she 'had to make not matter so much'. The hosts of the party (Gen and Eric Lee) find her name and address in Garth's wallet and contact her in the hope that she can persuade Miles to leave. Anna recalls her contact with Miles when in 1980 as a 17-year-old she and Miles travelled together on a coach tour of Europe as winners in a short-story competition.
- But : In which Mark, a gay photo-researcher who invited Miles to the party mourns an old lover and hears his dead mother speaking to him in rhymes.
- For : Is set in the head of May Young, an elderly lady in a care home suffering from dementia, who has annual contact with Miles on the date of her daughter (and Miles' girlfriend) Jennifer's death.
- The : Revolves around Brooke, the daughter of two post-graduate researchers who, like Miles, attends the Lees' infamous dinner party as an unexpected guest. At the novel's close Brooke finds the door of the spare room unlocked and goes inside to chat to Miles. Brooke asks Miles to write her a story in which his younger self and older self meet. She asks him 'what story would you tell your self and what story would your self tell you?' Miles' completed short story is positioned at the very beginning of Smith's novel.
Reception
[edit]Upon release, There But For The was generally well-received among the British press. On The Omnivore, in an aggregation of British critic reviews, the book received a score of 3.5 out of 5. [5] Culture Critic gave it an aggregated critic score of 94 percent based on British press reviews. [6]
References
[edit]- ^ "There but for the by Ali Smith".
- ^ "Books of the year 2011". the Guardian. 25 November 2011. Retrieved 1 December 2022.
- ^ "Best Books 2011 | Publishers Weekly Publishers Weekly".
- ^ "Orange Prize 2012 longlist announced". 10 June 2021.
- ^ "There But For The". The Omnivore. Archived from the original on 18 August 2016. Retrieved 12 July 2024.
- ^ "Ali Smith - There but for the". Culture Critic. Archived from the original on 11 April 2013. Retrieved 12 July 2024.
External links
[edit]Reviews
[edit]- The story of a dinner guest who refuses to leave develops into a satire on the way we live now in Ali Smith's enjoyably playful new novel review by Sarah Churchwell for The Observer
- Lucy Daniel marvels at There But For The, Ali Smith’s agile, funny new novel review from The Daily Telegraph
- After Hiding, He Becomes a Celebrity review from The New York Times
- There But For The By Ali Smith review from The Independent
- Ali Smith's There But For The is a seriously playful puzzle of a novel review by Alex Clark for The Guardian
- Ali Smith is a master of stylistic daring, writes Nicholas Lezard review by Nicholas Lezard for The Guardian