Самбхаджи Кадам
Достижения
[ редактировать ]Получил награды, включая конкурс Долли Курсетджи в 1956 году в качестве студента. Получил несколько призов на выставке Бомбейского художественного общества и государственных художественных выставок Махараштры.
Выставки
[ редактировать ]Галерея Оазис, Мумбаи-1969. Академия визуальных искусств Чамараджендры, Майсур - 1985. Художественная галерея Chetana, Мумбаи-1988. Художественная галерея Джехангира, Мумбаи-1997.
Картины в коллекции
[ редактировать ]- Музей Нагпур, Нагпур .
- Правительство Карнатаки .
- Ларсен и Тубро.
- Гадкари Рангайтан, чем .
- Доктор MD Deshmukh.
Портретные демонстрации
[ редактировать ]Nootan Kala Mandir, Mumbai- 1958. Raheja School Of Art, Bandra, Mumbai- 1959, 1977, 1982. Dept. of English, Mumbai University, 1971, 1973. Kala Niketan, Kolhapur- 1978. Dalvi's Institute of Art, Kolhapur- 1978. Dept. of Painting, Udaipur University, 1977. Rajasthan school of art, Jaipur- 1978. Indira Kala Sangit Vishwavidyalaya, Khairagarh. M.P – 1975, 1977, 1978. Chitrakala MAhavidyalaya, Nagpur- 1979. Abhinav Kala Mahavidyalaya, Pune- 1977, 81, 82, 86, 87, 88, 91. Chamarajendra Academy of Visual Arts, Mysore – 1985.
Achievements as art critic.
[edit]- Started writing Art-criticism, under the pen-name "Virupaksha" in tha "Mauj", a prestigious weekly in Marathi, Since, 1958.which was considered as the most unbias and illuminating.
- He started writing by his own name since, 1961, in the "Satyakatha" and other periodicals in Marathi, Devoted Seriously to Literature and Art.
Literature
[edit]"Palasban" book of poems in Marathi, published by "Mouj". He has directed a play " Aarsa Bolto", in Marathi, the first one-act play by the Marathi Play Writer & poet Shri. C.T. Khanolkar, Where the dramatic talent of Shri. Amol Palekar, the then student of Sir. J.J School of Art, was discovered for the first time.
Achievements as a musician and musicologist
[edit]Known as a Harmonium soloist. He has written articles on music, discussing the musicological and aesthetic problems. He has also studied Musicology, especially the "Shruti" intervals or the micro-tonic intervals in Indian music.