И гитары Theiya Sansap.
И гитары Theiya Sansap. | |
---|---|
![]() Статуя Ания Ла Гитана в Ронде, Испания. | |
Рожденный | Ана Амайя Молина 1855 |
Умер | 1933 Барселона , Испания | (в возрасте 77–78)
Nationality | Spanish |
Other names | Anilla la de Ronda |
Occupation(s) | Flamenco guitarist, singer, dancer |
Aniya La Gitana (Aniya the Gypsy) была названием сцены, используемой Ana Amaya Molina, также известной как Anilla La De Ronda (1855-1933). Она была испанской гитаристом, певцом и танцором Flamenco.
Биография
[ редактировать ]Молина родилась в 1855 году в Ронде , на юге Испании . Она начала свою художественную карьеру, играя в кафе в своем родном регионе на юге Испании, где она пела и сопровождала себя своей гитарой. [ 1 ]
Она познакомилась с певицей Антонио Чаконом и певицей Пакой Агилерой, еще одной цыганкой из Ронды, Испании , с которой она выступила в 1890 году в кафе Чинитас в Малаге, Испания , которая в то время стала горячей точкой для Фламенко . [ 2 ]
Анекдоты свидетельствуют о ее известности. [ 1 ] [ 3 ]
- Sevillian Flamenco Tancer Pastora Imperio настаивал на встрече с ней, и на этом предложил ей костюм Flamenco Dance; [ 4 ]
- Queen Victoria Eugenia, on the occasion of an intimate party for the royal family, gave her a Manila shawl;[4]
- Federico García Lorca quoted her, along with other singers, at a conference entitled "Historical and artistic importance of the unspoiled primitive Andalusian song called Cante Jondo," read in Granada, Spain in 1922.[1][4]
- José Carlos de Luna dedicated a poem to her in his book El Cristo de los Gitanos (The Christ of the Gypsies).[4]
In 1930, then aged 75, she was one of the main attractions of Andalusian Week at the Barcelona Exhibition. She sang and danced there, accompanied on guitar by Ramón Montoya.[1]
Accolades
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Gaspar Núñez de Prado in his work Cantaores Andaluces dedicated a chapter to her. Among the comments he published about Aniya's flamenco personality, these stand out:[1]
"She feels art as the heart that feels it the most; she conceives beauty as the brain constituted to conceive it better; she feels the generosities of that art, as the soul that can feel it most intensely; but her heart, her brain and her soul absolutely human, in every meaning of the word; they only see in their art a vehicle to send from their bowels to infinity all the expression of their exquisite tenderness...” "That is what has made her more sympathetic, even more than her own qualities for cante (song), and that is due, in the first place, to the artistic triumphs she has achieved and the applause she has obtained." (Núñez de Prado, 1904)[1]
In a 24 June 1930 article by D. José Benavides that appeared in Estampa, he called Aniya "the queen of the gypsies" and said:
“The house where Anita Amaya lives in Ronda is a place of pilgrimage. The judge, the mayor, the pharmacist, the notary, the ladies of high and low conditions, all parade in front of her home, archive of popular knowledge. Daily, from Barcelona, a telegram is sent to the town hall secretary in Ronda, to say that the old gypsy woman eats well, sleeps little and drinks a lot. Telegrams are also sent to the gypsies who, already impatient, are demanding her return. But she does not want to leave."[1][4][5]
Death
[edit]She died in 1933 in Barcelona at about 78 years of age. In her memory, the City of Ronda dedicates an annual flamenco song contest to her.[5]
References
[edit]- ^ Jump up to: a b c d e f g "Ana Amaya Molina | Real Academia de la Historia". dbe.rah.es. Retrieved 2020-04-01.
- ^ "Ana Amaya Molina - Ateneo de Córdoba". ateneodecordoba.com. Retrieved 2020-04-01.
- ^ Leblon, Bernard; Shuinear, Sinead Ni; Descartes), Centre de recherches tsiganes (Université René (2003). Gypsies and Flamenco: The Emergence of the Art of Flamenco in Andalusia. Univ of Hertfordshire Press. ISBN 978-1-902806-05-1.
- ^ Jump up to: a b c d e "ANIYA LA GITANA - CANTAORES/AS - El Arte de Vivir el Flamenco". elartedevivirelflamenco.com. Retrieved 2020-04-02.
- ^ Jump up to: a b "Ana Amaya Molina | Mosaico Flamenco". mosaicoflamenco.com. 30 July 2018. Retrieved 2020-04-02.