Кристина де Смедт
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Кристина де Смедт - бельгийская танцовщица и хореограф . Ее художественные работы расположены на границе между танцами / исполнением, хореографией, художественной координацией и художественными проектами различных видов.
Ранняя жизнь и образование
[ редактировать ]После окончания учебы в криминологии Кристина де Смедт заинтересовалась танцами и выступлением и начала изучать различные методы исследования движения. [ 1 ] [ Цитация необходима ]
Карьера
[ редактировать ]Балеты C de la b
[ редактировать ]С 1991 по 2012 год де Смедт был членом Les Ballets C De La B , танцевальной компании Ghent, основанной Аленом Платом , которая также долгое время находилась домом для Ханса Ван Ден Бройк, Сиди Ларби Черкауи и Коэна Августинена. [ 2 ] Она танцевала в Муссене (Alain Platel, 1991) и была помощником директора о том, как приблизиться к собаке (Hans Van Den Broeck, 1992). С 2003 по 2005 год она была художественным координатором Les Ballets C De La B. [3] In 2010 she initiated the first Summer Intensive, a residence in studio 3 at les ballets C de la B.[4]
Meg Stuart / Damaged Goods
[edit]In 1992, De Smedt was part of the interdisciplinary SKITE project (laboratoire de nouvelles formes chorégraphiques) in Paris, where her first artistic encounter with the American choreographer Meg Stuart took place.[1] She also collaborated with Meg Stuart and her company Damaged Goods between 1995 and 1999. In 1996, she danced in the remake of Stuart's debut choreography Disfigure Study (Meg Stuart / Damaged Goods, 1991), and assisted the choreographer as a coach for this remake.[5] In addition, she worked as a dancer on No One's Watching (Meg Stuart / Damaged Goods, 1995)[6] and Splayed Mind Out (Meg Stuart / Damaged Goods and Gary Hill, 1997) ).[7] Together with Meg Stuart and choreographer / dancer David Hernandez, she initiated the multi-disciplinary improvisation project Crash Landing (1996-1999).[8]
Own choreography
[edit]De Smedt started her own work in the period when she was a member of les ballets C de la B. Her debut was the dance solo La force fait l'union fait la force (1994). One of her best-known projects from that period is 9x9 (2000), a large-scale choreographic project that was realized in 15 different cities in Europe and Canada.[1] The starting point for the project, in which the choreographer was working with participants of diverse backgrounds such as elderly, young people and photographers, was the human mass. Another well-known production by De Smedt is Untitled 4 (2012), based on four interviews with the choreographers and dancers Alain Platel, Jonathan Burrows, Eszter Salamon and Xavier Le Roy, and in which she increasingly becomes at the same time the portrayed persons themselves.[9] For the festival Dansand! II in Ostend, she created in 2010 together with Mette Edvardsen the mass choreography The Long Piece. Together with Eszter Salamon, she created the duet dance#2 (2012),[10] and with Myriam Van Imschoot PickUpVoices (2008),[11] that mixed historical research with performance.
Other collaborations as a dancer
[edit]As a dancer, she also collaborated on Gerhard Richter, une pièce pour le théâtre (Mårten Spångberg, 2017), Oidipous, my foot (Jan Ritsema, 2011), Artificial Nature Project (Mette Ingvartsen, 2012), Project (Xavier Le Roy, 2003), Low Pieces (Xavier Le Roy, 2011), Temporary Title (Xavier Le Roy, 2015), nvsbl (Eszter Salamon, 2006) and dance#1/Driftworks (Eszter Salamon, 2008). Furthermore, she collaborated on the video installation Dead Reckoning (2008) [12] by Philipp Gehmacher and Vladimir Miller.
Research
[edit]With Eszter Salamon, De Smedt developed in 2009 Transformers, a research project for a group choreography through workshops and artists' residences in Brussels, Madrid, PAF-St. Erme, Mexico City, Vienna, Tokyo and Stockholm. In May 2014, she collaborated on Spatial Confessions, a four-day program of Bojana Cvejic in Tate Modern, which examined through choreographic experiments publicness in places exhibiting contemporary art.[13]
Teaching
[edit]De Smedt was Pedagogical Coordinator of the Training Cycle 2013-2016 at P.A.R.T.S., the International School of Contemporary Dance in Brussels.[14]
Productions
[edit]Own work:
- Weibliche Bewegungsfigur 094210 (Christine De Smedt and Damien Deceuninck, 1989)[15]
- La force fait l’union fait la force (Christine De Smedt, 1993)[16]
- Crash Landing (Christine De Smedt, David Hernandez and Meg Stuart / Damaged Goods, 1996-1999)[17]
- Escape Velocity (Christine De Smedt in collaboration with Els Opsomer, Germaine Kruip and Vincent Malstaf, 1998)[18]
- Untitled 4 (Christine De Smedt, 2010)[19]
- 9 x 9 (Christine De Smedt, 2010)[20]
- The Long Piece (Christine De Smedt and Mette Edvardsen, 2010)[21]
- dance#2 (Christine De Smedt and Eszter Salamon, 2016)[22]
With others:
- Mussen (Alain Platel / les ballets C de la B, 1991)[23]
- How to approach a dog (Hans Van den Broeck / les ballets C de la B, 1992)[24]
- Disfigure Study (Meg Stuart / Damaged Goods, restaging in 1996)[25]
- No One Is Watching (Meg Stuart / Damaged Goods, 1995)[26]
- Splayed Mind Out (Meg Stuart / Damaged Goods en Gary Hill, 1997)[27]
- Schreibstück - Version Christine De Smedt, Gent (BE) (Thomas Lehmen, 2002-2004)[28]
- Project (Xavier Le Roy, 2003)[29]
- nvsbl (Eszter Salamon, 2006)[30]
- dance#1/Driftworks (Eszter Salamon, 2008)[31]
- The Mirror Points (Gary Hill, 2009)[32]
- Oidipous, my foot (Jan Ritsema, 2011)[33]
- Low Pieces (Xavier Le Roy, 2011)[34]
- The Artificial Nature Project (Mette Ingvartsen, 2012)[35]
- Temporary Title (Xavier Le Roy, 2015)[36]
- Gerhard Richter, une pièce pour le théâtre (Mårten Spångberg, 2017)[37]
Videography
[edit]- La force fait l’union fait la force (Johan Grimonprez, 1994, 3min) [38]
- 'UNDER INFLUENCE' (Sidney Leoni, 2016, Hiros, 1H13min) [39]
References
[edit]- ^ Jump up to: a b c Biography of Christine De Smedt[permanent dead link] on the website of les ballets C de la B
- ^ Pieter T’Jonck, Alain Platel / les ballets C de la B, in: Dans & Publiek - Een Dossier van Kunstenpunt
- ^ Biography of Christine De Smedt on the website of ImPulsTanz - Vienna International Dance Festival
- ^ Page about Summer Intensive on the website of les ballets C de la B
- ^ Page about Disfigure Study (Meg Stuart / Damaged Goods, 1991) on the website of Meg Stuart / Damaged Goods
- ^ Page about No One Is Watching (Meg Stuart / Damaged Goods, 1995) on the website of Meg Stuart / Damaged Goods
- ^ Page about Splayed Mind Out (Meg Stuart / Damaged Goods and Gary Hill, 1997) on the website of Meg Stuart / Damaged Goods
- ^ Page about Crash Landing (1996-1999) on the website of Meg Stuart / Damaged Goods
- ^ Page about Untitled 4 (Christine De Smedt, 2012) on the website of the Kaaitheater
- ^ Page about dance#2 Archived 2017-06-11 at the Wayback Machine on the website of Eszter Salamon
- ^ Page about PickUpVoices (Myriam Van Imschoot and Christine De Smedt, 2008) Archived 2017-07-29 at the Wayback Machine on the website Oral Site
- ^ Page about Dead Reckoning (Philipp Gehmacher and Vladimir Miller, 2008) on the website of Philipp Gehmacher
- ^ "BMW Tate Live: Spatial Confessions (On the question of instituting the public)- A four-day programme in moving and speaking parts". Archived from the original on 27 March 2017. Retrieved 29 July 2017.
- ^ Biography of Christine De Smedt Archived 2017-07-29 at the Wayback Machine on the website of Beursschouwburg
- ^ Hildegard De Vuyst, De omgekeerde redenering, in: Etcetera, 1989-12, Volume 7, Issue 28, p. 38-41
- ^ Hildegard De Vuyst and Alain Platel, Les Ballets C. de la B., Lannoo, 2006, p. 270
- ^ Page about Crash Landing (Christine De Smedt, David Hernandez and Meg Stuart / Damaged Goods, 1996-1999) on the website of Damaged Goods
- ^ Hildegard De Vuyst and Alain Platel, Les Ballets C. de la B., Lannoo, 2006, p. 274
- ^ Page about Untitled 4 (Christine De Smedt, 2010) on the website of les ballets C de la B
- ^ Hildegard De Vuyst and Alain Platel, Les Ballets C. de la B., Lannoo, 2006, p. 277
- ^ Page about The Long Piece (Christine De Smedt and Mette Edvardsen, 2010) on the website of Mette Edvardsen
- ^ Page about dance#2 (Christine De Smedt and Eszter Salamon, 2016) on the website of the Kaaitheater
- ^ Hildegard De Vuyst and Alain Platel, Les Ballets C. de la B., Lannoo, 2006, p. 269
- ^ Hildegard De Vuyst and Alain Platel, Les Ballets C. de la B., Lannoo, 2006, p. 269
- ^ Page about Disfigure Study (Meg Stuart / Damaged Goods, restaging in 1996) on the website of Damaged Goods
- ^ Page about No One Is Watching (Meg Stuart / Damaged Goods, 1995) on the website of Damaged Goods
- ^ Page about Splayed Mind Out (Meg Stuart / Damaged Goods en Gary Hill, 1997) on the website of Damaged Goods
- ^ Page about Schreibstück - Version Christine De Smedt, Gent (BE) (Thomas Lehmen, 2002-2004) Archived 2018-02-11 at the Wayback Machine on the website of Thomas Lehmen
- ^ Page about Project (Xavier Le Roy, 2003) on the website of Xavier Le Roy
- ^ Page about nvsbl (Eszter Salamon, 2006) Archived 2018-04-27 at the Wayback Machine on the website of Eszter Salamon
- ^ Page about dance#1/Driftworks (Eszter Salamon, 2008) Archived 2017-09-08 at the Wayback Machine on the website of Eszter Salamon
- ^ Page about The Mirror Points (Gary Hill, 2009) on the website of the Louvre
- ^ Page about Oidipous, my foot (Jan Ritsema, 2011) on the website of the Kaaitheater
- ^ Page about Low Pieces (Xavier Le Roy, 2011) on the website of Xavier Le Roy
- ^ Page about The Artificial Nature Project (Mette Ingvartsen, 2012) on the website of Mette Ingvartsen
- ^ Страница о временном названии (Ксавье Ле Рой, 2015) на веб -сайте Ксавье Ле Роя
- ^ Page Aroud Dradard Righter, Ae Piree Pour Lef Lef эти держащие (Må squargbergg, 2017) на Knbsitistry of the Knbsitist of the Bathse -Conting от конкурса от
- ^ Страница о силе - это сила (Йохан Гимонпрез, 1994) на веб -сайте Аргоса, Центр искусства и медиа
- ^ Страница о «под влиянием» (Sidney Leoni, 2016) на веб -сайте Hiros
Внешние ссылки
[ редактировать ]- Беллон, Михаэль. Christine de Smedt & Eszter Salamon - De Deed at the Word , Брюссель на этой неделе /повестка дня, №. 16
- Кристина де Смедт, Les Ballets C De La B: 9x9 , в: Программа коллективного органа конференции . Теория и выступление в Шаубюне на Lehniner Platz, Берлин, 8 - 10 июня 2001 г.
- Кристина де Смедт на Artspunt (KSP)