Замок Дона Чика
| Замок Дона Чика | |
|---|---|
Замок Дона Чика | |
 Нео-романтическая резиденция Дона Чика , демонстрирующая смесь влияний, стилизованных для создания эстетики, общей для начала 20-го века | |
 | |
| General information | |
| Type | Manor house (Solar) |
| Architectural style | Northern Portuguese manorial |
| Location | Braga |
| Country |  Portugal |
| Coordinates | 41°35′19.64″N 8°25′41.47″W / 41.5887889°N 8.4281861°W |
| Opened | c. 1915 |
| Owner | Private|Private |
| Technical details | |
| Material | Granite |
Замок Дона Чика ( Португальский : Кастело-да Дона Чика )-это неоромантический замок расположенная в гражданском приходе Пальмара и/или резиденция , , муниципалитет Браги , в северном регионе Португалии . Первоначально спроектированный Эрнесто Корроди , проект страдал от недостатка средств на раннем этапе, в конечном итоге переключив руки и попадая во владение кредиторами.
История
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Проект был задумано и выполнен в 1915 году швейцарским архитектором (а затем натурализованным португальцем) Эрнесто Корроди , заключенным в контракте с Жоозе Феррейрой Рего, затем замужем за бразильской женщиной по имени Франциска Пейссото Рего. [ 1 ] [ 2 ] Имя замка пришло от покровительницы, миниатюрная форма , была происхождением ее популярного имени; Francisca Peixoto Rego активно участвовала в импорте многих видов древесных растений из Бразилии, используемых для ландшафта собственности. [1][2] Korrodi's project was based on his idealized concept of the Habitação Nobre de Província (Provincial Nobles' House), a typology that the architect was dedicated to at the beginning of the 20th century, and which "...evoked, across diverse inspirational sources, one of the art of the Middle Ages and one from a determined social lifestyle, of the triumphal burgers of the 19th century, while grounded in tradition and progress..."[2][3]
The construction was suspended in 1919, at a time when the interior of the home, was still in a state of basic comforts.[1][2] Incomplete, its budget rounded 370 contos.
In 1938, it was sold for 165 contos to an English nobleman, who later sold the building to the librarian of the Count of Vizela, Alberto Torres de Figueiredo. Francisco Joaquim Alves de Macedo acquired the palace and restarted the work on the building, without recuperating the already damaged exterior and interior.[1] This project was fruitless and in vain, as multiple divergences developed during the construction and conflicts with the local government authority ensued.[1] In the course of the debacle many of the decorative elements of the interior, principally the ceramics (such as the azulejos, floor-tiles and roofing) were damaged.[1] There remained no vestiges of these elements to assist future work and many of the tiles of artistic value were destroyed, as was the interior woods.
In the second half of the 20th century, the building was acquired directly by the Junta de Freguesia de Palmeira (the civil parish council) which concesstioned the property to IPALTUR Investimentos Turísticos, S.A., under a renewable long-term contract.[1]
In 1992, there was a formal proposal to transform the residence into a cultural and recreative space, with restaurant and other social services, under the direction of architect Paulo Tonet.[1] In November, Joaquim Costa, manager of IPALTUR, transferred title of the palace to the company Veloso - Empreendimentos Turísticos e Residenciais, with the intention of paying alleged debits, which was not acceptable to the remaining creditors.[1]
On 20 February 1985, the property was classified as a Imóvel de Interesse Público (Property of Public Interest).
In 1993, the Caixa Geral de Depósitos, as principal creditor of IPALTUR, petitioned the liquidation of IPALTUR, resulting in an uncertain future for the property, as it mortgaged at the time.[1] Ultimately, it was bought the CGD in 1998, and placed up for sale by 2006. Before being placed up for sale, the local Junta de Freguesia for Palmeira tried to come to an accord with the CGD, offering 165,000 contos for the property, to which the bank refused.[1]
Architecture
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The castle is located in a rural property, four kilometres (2.5 mi) from the centre of Braga, on an ample property encircled by wall and dense vegetation.
The four-storey structure and its spaces are a mixture of popular styles and materials, using a diverse palette of styles.[1] Isolated, the spaces have specific aesthetics, connected using bridging elements (materials and decorative themes).[1] From the analysis of the constructive details, one can descern the importance that image had in its construction.[1] The windows are wood or iron, or still, executed with both materials, making it difficult to determine whether their treatment was part of the building's construction or if they were part of the architectural design of the architect Korrodi.[1] In contrast, the roof tiles are signed by the designer, while their colour (green) integrates into the landscape, something the rest of the building refuse to do.[1]
The surrounding forest, includes several exotic species (such as the medicinal plant Pau Santo, Brazilian almond and pine trees), in addition to various national species (like palm, eyucalyptus, maple, wild pine, chestnut, Portuguese cedar, camellia, Mimosa), with pedestrian trails.[1] Also, the site includes a small lake with grotto, that includes fake stalagtities following the Romantic-style, attempting to mimic the medieval era. The space is the logical consequence of a romantic attitude that aimed to emulate the medieval, in pursuit of a language of national purity, as well as emulating nature, preferring the 'woodland' to the geometrical Baroque garden.[1]
Although the structure shows a few solutions that differ from the Korrodi original design, this "evolution" marked "...a persistence of taste, that permitted the materialization of the Korrodi's Habitação Nobre ideal, which were referenced in the Neo-Gothic elements.[2][4] In fact, the residence has influences from not only the Founders' Chapel in Batalha, but also mixed elements from Art Nouveau, Renaissance and Romanesque.[2]
References
[edit]Notes
[edit]- ^ Jump up to: a b c d e f g h i j k l m n o p q r Sereno, Silvia Isabel; Santos, João (1993), SIPA (ed.), Castelo da D. Chica/Castelo de Palmeira/Castelo Villa-Rego (v.PT010303310052) (in Portuguese), Lisbon, Portugal: SIPA – Sistema de Informação para o Património Arquitectónico, archived from the original on 5 September 2014, retrieved 26 April 2012
- ^ Jump up to: a b c d e f Oliveira, Catarina (2011). "Castelo da D. Chica" (in Portuguese). Lisbon, Portugal: IGESPAR - Instituto de Gestão do Património Arquitectónico e Arqueológico. Archived from the original on 3 March 2012. Retrieved 26 April 2012.
- ^ Lucília Verdelho da Costa (1997), p. 235
- ^ Lucília Verdelho da Costa (1997), p. 241
Sources
[edit]- "Palácio de D, Chica em Palmeira: Passado, Presente e Futuro", Diário do Minho (in Portuguese), 22 October 1984
- "Paulo Tonet, Memória Descritiva do Projecto de Recuperação do "Palácio da D. Chica"", O Público (in Portuguese), 5 November 1993
- "Adiada hasta pública do Palácio Dona Chica", O Comércio do Porto (in Portuguese), 27 September 1996
- Costa, Lucília Verdelho da (1997), Ernesto Korrodi 1889-1944: arquitectura, ensino e restauro do património (in Portuguese), Lisbon, Portugal
{{citation}}: CS1 maint: location missing publisher (link) - Costa, Lucília Verdelho da (1986), "Um palácio burguês: do imaginário ao real", Colóquio Artes (in Portuguese), Lisbon, Portugal
{{citation}}: CS1 maint: location missing publisher (link)