Энтони де С (актер)
Энтони его | |
|---|---|
 Портрет de sa в юности | |
| Рожденный | 1 марта 1915 г. |
| Умер | 10 июля 1969 г. (в возрасте 54 лет) Дхобиталао , Бомбей (ныне Мумбаи), Махараштра, Индия |
| Национальность | Индийский |
| Other names | Anthony D'Sa |
| Occupations |
|
| Years active | 1933–1969 |
| Notable work |
|
Энтони де Са (1 марта 1915 г. - 10 июля 1969 года) был индийским актером, драматургом, театральным режиссером , певцом и композитором, известным своими работами в Konkani Films и Tiatr Productions.
Карьера
[ редактировать ]Де Са начал свою актерскую карьеру в возрасте 18 лет в 1933 году в Бомбее (ныне Мумбаи). Его страсть к сцене заставила его написать свой первый тиатр , форму театра Конкани , в том же молодом возрасте. Несмотря на его ранний энтузиазм по поводу актерского мастерства и пения, де Са столкнулся с семейным сопротивлением из -за их пребывания в отношении тиатров и тиатристов . Его семья, принадлежащая к аристократическому происхождению, рассматривала выступление на конкани -стадии под их социальным положением . [ 1 ] Следовательно, Де Са был вынужден скрывать свою любовь к сцене Конкани на данный момент. Тем не менее, его привязанность к пению и актерскому мастерству заставила его принять меры. Возможность появилась, когда де Са приехал в Бомбей для обучения и проживал в деревенском клубе. Члены клуба в совокупности решили поставить тиатр и, признавая превосходное образование и интеллектуальные возможности De Sa, обратились к нему, чтобы написать сценарий. [2]
Despite being a mere 18-year-old student, De Sa readily accepted the challenge, driven by his deep-seated passion for singing and acting. Thus, he composed his debut tiatr script titled Zhuz Mogachem (Battle for Love). However, numerous obstacles hindered the staging of this tiatr at the Princess Theatre in Bhangwadi, Bombay. Initially, the Hindu-Muslim riots erupted, resulting in a citywide curfew that prohibited the staging of dramas.[1] Consequently, the performance had to be postponed. Additionally, De Sa encountered difficulties in obtaining permission from the City Police Commissioner due to concerns about potential disturbances. Undeterred, De Sa confronted these challenges and successfully convinced the City Police Commissioner to grant special permission. Finally, the tiatr was staged and received favorable reception from the audience. Konkani tiatr directors Saib Rocha and J.P. Souzalin were among the spectators, appreciating De Sa's talents.[2]
Impressed by De Sa's singing abilities, J.P. Souzalin promptly recruited him to perform the opening song in his next tiatr. De Sa, a singer with a distinctive style, appeared before the director in his finest attire, complete with gloves and a hat reminiscent of English actors. Despite feeling initially overwhelmed by the director's approach, De Sa accepted the offer. However, he had no predetermined idea about the type of song he would perform for the director. Consequently, he composed an English song with a translated Konkani version for the opening act.[1] This innovative style secured De Sa a regular place as the opening song performer in subsequent tiatrs. Previously, the prerogative of singing the opening song had belonged to established singers such as Patrick Fireman, Luis Borges, Emidio Sailor, Anthony Vaz, Souza Ferrão, and Dioginho de Mello. However, De Sa's debut in J.P. Souzalin's tiatr disrupted this tradition. From then on, he became the exclusive performer of the opening song in every tiatr. De Sa's higher level of education distinguished him from his fellow singers on stage, enabling him to effortlessly compose and perform English and Konkani songs for the opening act.[2]
De Sa's musical compositions were known for their quality, surpassing those of his contemporaries. Author Sharon Mazarello writes, his compositions resonated with the audience, eliciting applause and showcasing his depth as a composer. With a pleasant and powerful voice, De Sa's performances on stage captivated listeners. He held the position of the opening singer in tiatrs for many years. As his career progressed, De Sa also ventured into acting, starting with smaller roles and gradually honing his skills. Konkani historian Wilson Mazarello writes, with time, he emerged as an accomplished actor, taking on more significant and challenging roles.[2] His meticulous approach involved studying each character in detail and bringing them to life on stage. De Sa earned the admiration of J.P. Souzalin, who frequently entrusted him with main roles in his tiatrs. De Sa's portrayal of Jesus Christ in religious tiatrs was highly favored by Souzalin. One of his most memorable performances was as Jesus in J.P. Souzalin's Sat Dukhi (Seven Sorrows), which left an impression on the audience.[1]
After establishing himself as an actor, De Sa delved into the realm of playwriting, penning a total of 17 original tiatrs. Additionally, he undertook the task of revising and directing 24 tiatrs written by various playwrights. Some of his works include Rogtachi Bhett (The Blood Sacrifice), Ghatkem Kumsar, Vingans, Maim ti Maim (Mother is Mother), Soddtam Devache Nitik, Farikponn (Debt), Dotor Fottas, Nirbhag Axechem, Nores Fonddpi, Patok Dubavachem (The Sin of Doubt), Inam Zolmancho, Goemkarancheo Sonvoleom, Nisontton Fuddarachem, Inam Patkacho, Ayah and Lojechem Boglantt (Shameful Calumny). De Sa's talents extended beyond the stage. He has had several of his songs recorded by HMV Records, including "Ankvar Dovortolem", "Irene Mhaka Rabta", and "Kai Borem Tem Mannkulem".[1] He has also appeared in two Konkani films, Amchem Noxib and Nirmon, where his portrayal of a villain in the latter film received particular acclaim. De Sa has been a regular artist in plays organized by All India Radio (Bombay), with some of his recorded songs broadcast by All India Radio (Bombay) and Panaji.[2]
Wilson Mazarello further writes, De Sa initially began his career as a singer in J. P. Souzalin's tiatr, but he ultimately made a significant impact, earning similar levels of popularity, respect, and dedication to the Konkani stage as his director. While not reaching the same level of acclaim as a writer as J. P. Souzalin, De Sa played a pivotal role in upholding the honor and prestige of the Konkani tiatr during the first half of the 20th century. His contributions were instrumental in bringing respect and dignity to the Konkani stage, as noted by Mazarello. De Sa has been involved in over 300 tiatr performances, both in his own productions and in collaborations with others. He has also recorded music for numerous HMV Records and has toured various locations including Bombay, Poona, Goa, and East Africa.[2] His final self-produced work, Ghatkem Kumsar, was staged at Tejpal Hall in Bombay on 12 February 1969. Sharon Mazarello further writes, known for his meticulous approach to direction and his pursuit of excellence from his performers, De Sa earned the respect of his peers and collaborators. His last appearance was in M. Boyer's Atam Konn Ghatki? at Damodar Hall in Parel, Bombay on 28 February 1969. Despite starting his career as a singer, De Sa's impact as an actor and director has been widely recognized, as noted by Mazarello.[1]
Personal life
[edit]Anthony De Sa was born on 1 March 1915, in Dandora ward in the town of Cuncolim, Goa, which was part of Portuguese India during the Portuguese Empire. He was the son of Marcus Antonio Benedicto de Sa and Agatha Ernestina Gracias. De Sa had a brother who was a priest and known for his oratory skills.[3] On July 10, 1969, De Sa died in Dhobitalao, Bombay, at the age of 54.[1]
Legacy
[edit]In February 2015, the Indian Postal Service announced its plans to commemorate the birth centenary of De Sa. As part of the celebration, they planned to release a special postal cover with a unique cancellation mark. The honor of applying the cancellation mark was bestowed upon Charles Lobo, the Post Master General of Goa. The unveiling ceremony and cancellation mark application were scheduled to take place on 1 March at the Municipal hall in Cuncolim. In addition to the postal cover release, a tribute was planned for De Sa in his hometown. The road leading to De Sa's residence in Dandora, Cuncolim, was to be officially named "Anthony De Sa Rosto," signifying its association with the individual. The event was jointly organized by the Tiatr Academy of Goa (TAG) and the Cuncolim Municipal Council (CMC).[4]
On 1 March 2015, the Department of India Post fulfilled its commitment by officially launching the special postal cover in Cuncolim. Charles Lobo, along with several dignitaries, presided over the ceremony. These dignitaries included Landry Mascarenhas, the Chairperson of the Cuncolim Municipal Council, Prince Jacob, the President of TAG, and Fr Manuel Fernandes from the Our Lady of Health Church in Cuncolim.[5] During the event, Fr Manuel shared his personal connection with De Sa's brother, who was well known for his sermons. Landry expressed his pride in having the road named after Anthony De Sa, particularly since he himself hailed from the same ward in Dandora, Cuncolim. Joe Rose, the Vice President of TAG, delivered a vote of thanks and reminisced about his early encounters with De Sa when they both embarked on their tiatr journeys as young individuals.[3]
Selected stage works
[edit]| Year | Title | Role | Notes | Ref |
|---|---|---|---|---|
| 1933 | Zhuz Mogachem | Writer | Professional debut | [2] |
| 1960s | Saibinnicheo Sat Dukhi | Jesus Christ | [1][6] | |
| 1969 | Ghatkem Kumsar | Writer/producer | [1] | |
| Atam Konn Ghatki | Actor/performer | Final production |
References
[edit]- ^ Jump up to: a b c d e f g h i Мазарелло, Шарон (2019). ТИАТР 125 -й годовщина памятного объема . Панаджи, Гоа : Академия Тиатр Гоа . С. 23–24.
- ^ Jump up to: а беременный в дюймовый и фон глин Мазарелло, Уилсон (2000). 100 лет конкани Тиатро . Правительство Гоа, Управление искусства и культуры. С. 46–50. Архивировано из оригинала 2024-01-07 . Получено 2024-02-20 .
- ^ Jump up to: а беременный Times, Navhind (2015-03-18). «India Post выпускает специальную почтовую обложку Энтони де Са на его столетнем гонке - The Navhind Times» . Архивировано из оригинала 2024-02-21 . Получено 2024-02-20 .
- ^ «SPL Postal Cover, дорога, названная в честь тиатриста Энтони де Са» . The Times of India . 2015-02-28. ISSN 0971-8257 . Архивировано из оригинала на 2024-02-20 . Получено 2024-02-20 .
- ^ «Дорога, названная в честь Тиатриста де Са в Кункулиме» . Oheraldo . Архивировано из оригинала 2024-02-21 . Получено 2024-02-20 .
- ^ « Dhol Mhojea Bai» будет сохранять Шалини живым » . The Times of India . 2013-01-09. ISSN 0971-8257 . Получено 2024-06-28 .