Мохаммед ленивый
Мохаммед ленивый | |
|---|---|
Мухаммед Малас | |
 | |
| Рожденный | 1945 (возраст 78–79) |
| Годы активны | 1970– |
| Награды | Фестиваль кино Карфагена - Tanit d'Or 1984 Ахлам аль-Мадина Берлинский международный кинофестиваль - Artfilm Award - почетное упоминание 1985 Ахлам аль-Мадина Фестиваль кино Карфагена - Tanit d'Or 1992 Al-Lail Fribourg International Film Festival – Distribution Help Award 1993 al-Lail Marrakech International Film Festival – Special Jury Award 2005 Bab Al-Makam |
Мохаммад Малас ( арабский : محمد ملص ; родился в 1945 году) является выдающимся сирийским режиссером . Малас снял несколько документальных и художественных фильмов, которые получили международное признание. Он является одним из первых создателей эфир в сирийском кино . [ 1 ]
Ранний период жизни
[ редактировать ]Малас родился в Кунетре на Голанских высотах. [ 2 ] Он работал учителем школы в период с 1965 по 1968 год, а затем переехал в Москву, чтобы изучать кинопроизводство в Институте кинематографии Герасимова (VGIK). Во время своего пребывания в VGIK MALAS снял несколько короткометражных фильмов. После возвращения в Сирию он начал работать на сирийском телевидении . [ 1 ] Там он снял несколько короткометражных фильмов, включая Quneitra 74 , в 1974 году и «Аль-Зхакира» («Память») в 1977 году. [ 3 ] Вместе с Омаром Амиралай он стал соучредителем Cinema Club Damascus. [ 1 ]
Кинопроизводственная карьера
[ редактировать ]Between 1980–81 Malas shot a documentary film, al-Manam (Arabic: المنام, lit. 'The Dream'), about the Palestinians living in the refugee camps in Lebanon during the civil war.[ 4 ] The film was composed of interviews with the refugees in which he asked them about their dreams. Filming took place between the Sabra, Shatila, Bourj el-Barajneh, Ain al-Hilweh and Rashidieh refugee camps. During filming Malas lived in the camps and conducted interviews with more than 400 people.[4] However, the Sabra and Shatila massacre of 1982, which claimed the lives of several people he interviewed, shocked Malas and he stopped working on the project.[5] He finally returned to it after five years,[1] and the film was released in 1987. Al-Manam won first prize at the 1987 Cannes International Audio Visual Festival (FIPA) but was not widely distributed.[5]
Malas directed his first feature film, Ahlam al-Madina (Arabic: أحلام المدينة, lit. 'Dreams of the City'), in 1983. The autobiographical coming-of-age film set in Damascus in the 1950s was co-written with Samir Zikra and received first prize at the Valencia and Carthage film festivals.[1][6][7] In 1990 Malas shot Nur wa Zilal ("Chiaroscuro"), a documentary film about Nazih Shahbandar whom he described as "Syria's first filmmaker."[5] The film was banned by Syrian authorities and was only allowed to be screened once in 1993 at the American Cultural Center in Damascus.[8]
Malas's second feature film, al-Lail (Arabic: الليل, lit. 'The Night'), was realized in 1992. The autobiographical film was set in Quneitra in the years between 1936 and the Arab–Israeli War of 1948. It forms, along with Ahlam al-Madina, the first and second parts of an unfinished trilogy project of Malas's.[9] Al-Lail received international recognition and won first prize at the 1992 Carthage Film Festival. However, the film was banned in Syria and was only screened for the first time in 1996.[6] Malas also collaborated with Omar Amiralay on the 1996 documentary film, Moudaress, about the Syrian pioneer painter Fateh Moudarres. Bab al-Makam (Arabic: باب المقام, lit. 'Passion'), released in 2005, was Malas's third feature film.[10]
Filmography
[edit]- A Dream of a Small City (1970)
- Quneitra 74 (1974)
- The Memory (1977)
- Dreams of the City (1983)
- The Dream (1987)
- Chiaroscuro (1990)
- The Night (1992)
- Moudaress (1996)
- Passion (2005)
- Ladder to Damascus (2013)
See also
[edit]References
[edit]Notes
[edit]- ^ Jump up to: a b c d e Ginsberg; Lippard, 2010, p. 264.
- ^ "Biography". mecfilm. Retrieved 18 February 2019.
- ^ "MOHAMMAD MALAS (SYRIA)". Dancing on the Edge Festival. 2011. Archived from the original on 22 February 2013. Retrieved 26 November 2012.
- ^ Jump up to: a b Cooke, 2007, p. 116.
- ^ Jump up to: a b c Cooke, 2007, p. 117.
- ^ Jump up to: a b Wedeen, 1999, p. 203.
- ^ Alkassim, Samirah (2018). The Cinema of Muhammad Malas : Visions of a Syrian Auteur. Nezar Andary. Cham: Palgrave Macmillan UK. ISBN 978-3-319-76813-7. OCLC 1043658062.
- ^ Cooke, 2007, p. 118.
- ^ Armes, 2010, p. 12.
- ^ Ginsberg; Lippard, 2010, p. 265.
Bibliography
[edit]- Ginsberg, Terri; Lippard, Chris (2010). Historical Dictionary of Middle Eastern Cinema. Scarecrow Press. ISBN 9780810860902.
- Cooke, Miriam (2007). Dissident Syria: Making Oppositional Arts Official. Duke University Press. ISBN 9780822340164.
- Wedeen, Lisa (1999). Ambiguities of Domination: Politics, Rhetoric, and Symbols in Contemporary Syria. University of Chicago Press. ISBN 9780226877877.
- Armes, Roy (2010). Arab Filmmakers of the Middle East: A Dictionary. Indiana University Press. ISBN 9780253355188.
External links
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