Гандхарва Махавидьялая, Нью -Дели

Гандхарва Махавидьялая, Нью -Дели, является учреждением, созданным в 1939 году для популяризации индийской классической музыки и танца. Махавидьялая (школа) стал, чтобы увековечить память о Пандит Вишну Дигамбар Парускар , великого режиссера классической музыки Хиндустани , и поддерживать идеалы, установленные им. Первая Гандхарва Махавидьялая была создана им 5 мая 1901 года в Лахоре . Школа Нью -Дели следует за учебными программами, установленными Ахилом Бхаратия Гандхарва Махавидьялая Мандал .

История

Гандхарва Махавидьялая, Нью -Дели, была основана в 1939 году Пандит Винай Чандра Маудгалья , ученик Пандит Винаякрао Патерхан , экспонент из Гвалиор Гараны . Сегодня это самая старая музыкальная школа в Дели, возглавляющая его сын и известный хиндустанский классический певец, Пандит Мадхуп Мудгал . ^{[ 1 ]}

Курсы

The institution imparts theoretical and practical training in the following branches of music and dance:

Hindustani Music: Vocal
Hindustani Music Instrumental: Sitar, Bansuri (Lateral bamboo flute), Tabla, Harmonium and Violin
Indian Classical Dance: Kathak, Bharatanatyam and Odissi

The courses of study followed by the Mahavidyalaya are those approved by the Akhil Bharatiya Gandharva Mahavidyalaya Mandal. It has nearly 1200 affiliated institutions and 800 Exam Centers across India. In 2007, the number of students enrolled exceeded 100,000.

Branches

Gandharva Mahavidyalaya, New Delhi was established in 1939 by Padma Shri Pt. Vinay Chandra Maudgalya from the Gwalior gharana. It was Initially established in Prem House, Connaught Place, New Delhi and also branched out in old Delhi at Kamla Nagar near Delhi University. In 1972 The new building in Deen dayal Upadhyaya Marg was established and it now headed by Pt. Vinay Chandra Maudgalaya's son Pt. Madhup Mudgal since 1995. It has over 1,200 students and a faculty of 60 teachers. Gandharva Mahavidyalaya has also been organizing the annual "Vishnu Digamber Festival" in Delhi, for many years now.^[1]^[2] There is no branch of Gandharva Mahavidyalaya, New Delhi elsewhere in Delhi. It is affiliated to Akhil Bhartiya Gandharva Mahavidyalaya, Miraj.

The Mahavidyalaya is guided by a Music Advisory Board composed of top ranking learned and veteran musicians of India.

Admission

The following Certificates / Diplomas of ABGMM are awarded to the successful students:

Sangeet Praveshika (2 years course) i.e., equivalent to matriculation

i.e., equivalent to senior secondary

Sangeet Madhyama (2 years course) i.e., equivalent to Diploma
Sangeet Visharad (3 years course) i.e., equivalent to Degree (Bachelor of Music)
Sangeet Alankar (2 years course) i.e., equivalent to M.A. (Masters of Music)

Admission to Gandharva Mahavidyalaya is open to persons of all ages, castes, creeds and religions. Male and female students are trained separately.

There is one session in a year - in July. Applicants are required to undergo a Music Syllabus preliminary test. Only those who clear this test are granted admission.

Syllabus

Official Music Syllabus is available at Gandharva Mandal Website Information Page Archived 16 February 2010 at the Wayback Machine

1. Prarambhik (elementary): Pre-matric. Knowledge of Shudha Swaras, Vadi, Samvadi, Audav-Shadav and one Chhota Khayal in each raga of the first year course.

2. Praveshika (first year): Knowledge of Shudha and Vikrit Swaras, Alankar, Nad, Saptak, Mela, Raga, Jati, Alap, Tan and Pakar.

Ragas: asavari (shuddha rishabh), Bibhas, Vridavani Sarang, Bhimpalas, Durga, Des

3. Praveshika (second year): Matric Music Knowledge of Alankars of more than four swaras including Vikrit Swara.

Additional Ragas: Alhaiya Bilawal, Kedar, Bihag, Bhairav, Malkauns, Bageshri, Khamaj

Tala: Ektal Vilambit, Chautal, Dhamar, Rupak, Dugun of all Tals. Knowledge of systems of Hindustani and Carnatic music; specialities of Nad, Varna, Swaralipi of Vishnu Digambar and Bhatkhande paddhati.

Definitions: Khayal, Dhrupad, Dhamar, Tappa, Thumri, Bhajan, Ghazal, Shruti, Janak and Janya Raga, Grah Ansha, Nyas, Meend, Kana Swara, Poorvang, Uttarang, Sankeerna Ragas, Gat, Tora, Sparsh, Krintan, Mizrab. Biography of Pt. Vishnu Digambar Paluskar.

4. Madhyama (Third year): Tuning of Tanpura, Division of 22 Shrutis in seven Swaras.

Madhya Laya Khayals with improvisations in Jaunpuri, Malkauns, Hamir, Patdeep, Tilang, Deshkar, and Kalingda,^[3] Vilambit and Drut Khayals with improvisations in Bhupali, Yaman (Kalyan) Bageshri and Bihag.

Tala: Jhumra, Sul, Tilwada and Deepchandi; detailed knowledge of Laya; practical knowledge of Meend, Sut, Ghasit, Murki. Tanas: Saral, Kut, Mishra, Sapat, Zamzama, Gamak, Uthav, Chalan, Nad and Shruti; writing Dugun and Chaugun of Dhrupad and Dhamar; detailed knowledge of Swaralipi of Vishnu Digambar and Bhatkhande paddhati.

5. Madhyama (Fourth year): Madhyam Laya Khayals with improvisations in Chhayanat, Kamod, Gaud Sarang, Jaijaoiwanti, Pooriya dhanashree, Shankara; Vilambit and Drut Khayals with improvisations in Alhaiya Bilawal, Bhairav, Bhimpalasi, Brindavani Sarang and Kedar, appropriate knowledge of Dhvani, Kampan, Andolan; comparison between Hindustani and Karnatak systems of music; Guna (merits) and Dosha (demerits) in a musician. Definition of Alpatva, Bahutva, Avirbhav, Tirobhav, Prabandh, Chaturang and Trivat; Anulom, Vilom, Veend, Zamzama, Chikari, Jhala, Dillibaaj, Poorabbaaj and knowledge of Vyankatamakhis 80 melakartas.

6. Visharad (Fifth year):

Madhya Laya Khayals with improvisations

Vilambit and Drut Khayals with improvisations in ragas Todi, shudha sarang, multani, yaman, bihag, puriadhanashri, rageshri, jog, shankara knowledge of singing from written Swaralipi; knowledge of Ada Chautal, Adha, Punjabi Dhumali, Chacher and Sul.

Dhrupad-Dhamar in Dugun, Tigun, Chaugun and Chhagun.

Chhagun and Athgun Tana with Jod, Alap Jhala, Maseetkhani knowGat.

Styles of Alap; detailed description of varieties of Tanas; Vidari, Ragalakashan, Jatigayan, Vinyas, Apanyas, Gayaki, Nayaki, Ladant. Writing in Swaralipi (notation); Classification of Ragas; Biographies of ancient musicians.

7. Visharad (Sixth year)

Madhya Laya Khayals with improvisations in and Vilambit and Drut Khayals with improvisations in Bhairav, Komalrishabha Asawari, Deshkar, Madhamad Sarang, Puria kalyan, Hamir, Bhupali, Kalavati, Gorakh Kalyan, Bahar. Detailed knowledge of these Ragas and also of Dhrupad, Dhamar, Maseetkhani and Razakhani Gat, Trivat, Chaturang; Vilambit and Drut Khayal, Thumri, Pad Kavita; knowledge of different kinds of Layakaris of the talas: Matta, Sawari, Brahma, Laxmi, Rudra; appropriate knowledge of the divisions of Shruti-Swar as in ancient, medieval and modern times; comparison of Hindustani and Karnatak tala systems. Knowledge of Gram, Moorchhana, Kalawant, Pandit, Vaggeyakar, Khandarbani Nauharbani, etc. Varieties of Gamak, Rag-ragini paddhati, That paddhati and Raga paddhati. Biographies of Jaidev, Gopal Nayak, Khusro, Tansen, Swami Haridas, Baiju, Sadarang, Bhaskarbua, Vazhebua, Alladiya Khan, Balkrishnabua, Maseet Khan, Faiyaz Khan and Inayat Khan. Knowledge of Staff Notation; history of the instrument, importance of Jhankar in instrument; necessity of Tarab; application of Chikari.

8. Visharad Tritiya (as per syllabus changes in April/May 2013)- ragas are Lalit, Bilaskhani Todi, Jaunpuri, Marubihag, Nand, Miyanmalhar, Hansdhwahni, Darabari, Basant, Tilakkamod.

9. Sangeet Alankar (Seventh & Eighth year): M. Music

Любой из следующих трех, которые нужно взять:

(а) Композиция исполнения и музыки

(б) практическая музыка

(в) Наука и история музыки

Детали в Патьякрам-Наямавали из Ахил Бхаратия Гандхарва Махавидьялая Мандал (Мумбаи), Гандхарва Никетан Брахман Пури, Мирадж 416410 (Махараштра).

Для получения подробной информации о курсах обучения и экзаменов по инструментальной музыке и танцам вы можете относиться к проспекту и программе всей Индии Гандхарва Махавидьялая Мандал, Мумбаи Гандхарва Махавидьялая имеет некоторые экзамены Bharatnatyam.

Смотрите также

Ссылки

^ Jump up to: ^а ^{беременный} «Мадхуп Мудгал и мир Хаяла» . Индийский экспресс . 8 января 2006 г. ^{[ мертвая ссылка ]}
^ «Вкус качества: Madhup Mudgal обеспечивает немного пищи для размышлений». Индус . 12 января 2006 г. Получено 3 декабря 2018 года .
^ Деодхар, проф. BR (2010). Рааг -Бодх - Махама Пратэм . Мумбаи: KauSthub Art. п. 185.

Внешние ссылки

Ахил Бхаратия Гандхарва Махавидьялая Мандал , Мумбаи, веб -сайт]
Гандхарва Махавидьялая, Нью -Дели, веб -сайт
http://gandharvapune.com/

[ex-1] Jump up to: ^а ^{беременный} «Мадхуп Мудгал и мир Хаяла» . Индийский экспресс . 8 января 2006 г. ^{[ мертвая ссылка ]}

[2] «Вкус качества: Madhup Mudgal обеспечивает немного пищи для размышлений». Индус . 12 января 2006 г. Получено 3 декабря 2018 года .

[3] Деодхар, проф. BR (2010). Рааг -Бодх - Махама Пратэм . Мумбаи: KauSthub Art. п. 185.

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