Аканэ Такада
Аканэ Такада | |
|---|---|
| Такада Аканэ | |
 Такада как принцесса Флорин в 2017 году | |
| Рожденный | 18 апреля 1990 г. Токио , Япония |
| Занятие | Балетный танцор |
| Годы активны | 2008 - Present |
Акане Такада ( 高田 茜 茜 , Такада Аканэ , родилась 18 апреля 1990 года) - японская балерина и главная танцовщица в Королевском балете в Лондоне. Ее главные роли включали главную роль в Жизель , Никия в Ла -Баядере , Китри в Дон Кихоте и Авроре в Спящей красавице .
Ранняя жизнь и образование
[ редактировать ]Акане Такада родилась 18 апреля 1990 года в Токио . [ 1 ] Она из района Higashishinkoiwa в Кацусике и начала обучение балета в балетной студии Hiromi Takahashi в соседней Эдогаве в возрасте трех лет. [ 2 ] Когда ей было двенадцать лет, серьезная травма коленной связки вывихнула ее надколенник и прервала ее тренировку более года, в то время как она физически выросла, чтобы сделать возможной корректирующую операцию. [ 3 ] После победы в стипендии от компании Ballet Equipment Company Chacott на конкурсе Национальной балетной ассоциации, она училась в Академии Ballet Ballet с 2006 по 2008 год, первоначально посещая занятия для международных танцоров, но в конечном итоге присоединившись к российским классам. [ 4 ] [ 5 ] Она выиграла стипендию и любимый приз аудитории на Международном конкурсе балета Prix de Lausanne в 2008 году. [ 6 ]
Карьера
[ редактировать ]2008–2015 гг.: Ученик первого солиста
[ редактировать ]Такада присоединилась к Королевскому балету в качестве ученика в 2008 году, а затем в качестве художника в 2009 году. [ 7 ] Хореограф Уэйн МакГрегор бросил ее в свой новый балет 2009 года . [ 8 ] Она также выступила в возрождении Фредерика Эштона балетной рапсодии , получив похвалу от Сары Кромптон из Telegraph за ее выступление в качестве солиста. [ 9 ] Ее выступление в качестве осенней феи в Золушке было менее хорошо принято, с Зоей Андерсон из «Независимого», отметив, что «рискованное, небалансированное качество соло пропало». [ 10 ] В 2011 году она повторно пострадала то же колено, которое она получила, когда ей было двенадцать лет, снова прерывая свою карьеру. [ 3 ] In the 2013 production of Onegin, Takada performed the role of Olga, providing "strong support" to the main dancers.[11]
In 2014, Takada was promoted to first soloist.[12] Writing for dance magazine DanceView, Jane Simpson contrasted Takada's less exciting performance as Princess Florine in The Sleeping Beauty to her more assertive performance as Aurora, calling Takada's dancing "clear and unornamented" and predicting future success.[13] In December of that year, after dancing the role of Kitri in an afternoon performance of Don Quixote, Takada stepped into the lead role that evening as a mid-performance substitute for Natalia Osipova, who had been injured during the first act.[3] Her performance was praised by Zoë Anderson in The Independent, with the critic observing that Takada's qualities suited "Kitri's mischievous nature".[14] As a first soloist Takada also danced the principal role in Frederick Ashton's The Two Pigeons in 2015.[15]
2016–present: Principal dancer
[edit]Takada was promoted to principal dancer in 2016 at the age of 26.[5] Vogue Japan named her one of its 2016 Women of the Year.[16] Takada debuted in the lead role in Giselle later that year alongside Thiago Soares, with Clement Crisp of the Financial Times describing her as a "Giselle of subtle power".[17] Takada paired with Steven McRae to dance the roles of Titania and Oberon in the Frederick Ashton ballet The Dream in 2017, with Judith Mackrell of The Guardian commending the pair for their footwork and their distinctively dark portrayal of the characters.[18] Takada performed in another Wayne McGregor piece, titled Infra, in 2018, but her performance was criticized for lacking emotional power and weight despite its technical quality.[19] Later that year, as Nikiya in a production of La Bayadère, Takada again danced with McRae, drawing praise from Laura Freeman of The Spectator for her "air of otherworldly detachment and exquisite lightness of line" but criticism for an ineffective pairing.[20]
Writing for the Evening Standard, Emma Byrne described Takada in 2019 as "one of the Royal’s most elegant dancers".[21] Takada missed the Royal Ballet's 2019 summer tour of Japan, in which she was scheduled to perform the role of Kitri in the Japanese premiere of Don Quixote, due to injury.[22] In November 2019, during a performance of The Sleeping Beauty, Takada was injured during the first act, and was replaced in the rest of the performance by Yasmine Naghdi.[23]
Recognition
[edit]- 2008: Prix de Lausanne scholarship, Audience Favorite prize[6]
- 2022: Dance Critics Society of Japan Award[24]
References
[edit]- ^ 加瀬, アンジェラ (10 September 2012). "新シーズンには舞台に復帰します". Dance Cube (in Japanese). Chacott. Archived from the original on 26 July 2014. Retrieved 13 January 2020.
- ^ "高田茜さんが国際バレエコンクールで入賞！". 東京町 (in Japanese). Tōto Yomiuri. 29 February 2008. Archived from the original on 28 July 2014. Retrieved 13 January 2020.
- ^ Jump up to: a b c Craine, Debra (11 April 2017). "Akane Takada: 'I thought it was the end of my career. I was terrified'". The Times. Retrieved 15 January 2020.
- ^ 加瀬, アンジェラ (24 March 2010). "高田茜インタビュー". Dance Cube (in Japanese). Chacott. Archived from the original on 26 July 2014. Retrieved 14 January 2020.
- ^ Jump up to: a b Tarmy, James (6 December 2016). "Meet the Royal Ballet's Newest Star". Bloomberg News. Retrieved 13 January 2020.
- ^ Jump up to: a b "Prize Winners: Akane Takada". Prix de Lausanne. Retrieved 13 January 2020.
- ^ Snow, Georgia (15 March 2016). "Akane Takada: 'Creating a role is a very different experience to doing classical ballet'". The Stage. p. 37. Retrieved 8 September 2016.
- ^ Duchen, Jessica (31 October 2019). "Life in the fast lane: Steven McRae". The Independent. Archived from the original on 3 November 2009. Retrieved 14 January 2020.
- ^ "Three Short Ballets, Royal Opera House, review". The Telegraph. 17 March 2011. Retrieved 14 January 2020.
- ^ Anderson, Zoē (11 April 2011). "Cinderella, Royal Opera House, London". The Independent. Archived from the original on 12 April 2011. Retrieved 14 January 2020.
- ^ Levene, Louise (30 January 2013). "Onegin, Royal Ballet, at Covent Garden, review". The Telegraph. Retrieved 14 January 2020.
- ^ "Britain's Royal Ballet elevates two Japanese to principal dancers". The Japan Times. 11 June 2016. Retrieved 8 September 2016.
- ^ Simpson, Jane (Spring 2014). "Letter from London and Copenhagen". DanceView. Vol. 31, no. 2. pp. 38–41.
- ^ Anderson, Zoë (22 December 2014). "Don Quixote, Royal Opera House London, review: Akane Takada dazzles as Natalia Osipova suffers on-stage fall". The Independent. Archived from the original on 18 June 2016. Retrieved 14 January 2020.
- ^ Levene, Louise (8 December 2015). "The Two Pigeons/Monotones I & II, Royal Opera House, London -- 'Passionate innocence'". Financial Times. Retrieved 14 January 2020.
- ^ "2016年のヴォーグな女性 高田 茜/バレエダンサー 撮影舞台裏＆スペシャルインタビュー". Vogue Japan (in Japanese). 23 November 2016. Retrieved 13 January 2020.
- ^ Crisp, Clement (11 April 2016). "Giselle, Royal Opera House, London — 'Unfailing elegance, subtle power'". Financial Times. Retrieved 13 January 2020.
- ^ Mackrell, Judith (6 June 2017). "Ashton at the Royal Ballet review – miraculous moves and romantic rapture". The Guardian. Retrieved 14 January 2020.
- ^ Anderson, Zoë (21 November 2018). "The Royal Ballet, Royal Opera House, review: Timid, well-meaning and dull". The Independent. Archived from the original on 21 November 2018. Retrieved 14 January 2020.
- ^ Freeman, Laura (24 November 2018). "How could anyone object to the Royal Ballet engaging in cultural appropriation?". The Spectator. Retrieved 14 January 2020.
- ^ Byrne, Emma (1 April 2019). "Romeo and Juliet review: Radical ballet embraces its ugliness with dramatic flair". Evening Standard. Retrieved 13 January 2020.
- ^ Kosaka, Kris (4 June 2019). "The Royal Ballet brings the best of British ballet to Japan with its production of 'Don Quixote'". The Japan Times. Retrieved 14 January 2020.
- ^ Mountford, Hari (15 November 2019). "The Ballet That Actually Went Wrong - But Had A Happy Ending". Londonist. Retrieved 13 January 2020.
- ^ Yoshida, Yukihiko (January 2022). "第52回舞踊批評家協会賞（2020・2021）高田茜・飯島望未". Dance Critics Society of Japan.
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