Фарид Аль-Араш

Фарид Аль-Араш Фарид Аль Атраш
Справочная информация
Имя рода	Фарид Фахд Фархан Исмаил Аль-Араш
Рожденный	19 октября 1910 года Османская Сирия , Османская империя
Источник	Ас-Суэйда , Сирия
Умер	26 декабря 1974 г. (1974-12-26) (в возрасте 64 лет) Бейрут , Ливан
Жанры	Арабский , египетский классический, инструментальный
Оккупация	Певец, актер, композитор, инструменталист
Инструмент (ы)	Вокал, уд
Годы активны	1930 -е годы - 1974

Фарид Аль-Атраш ( арабский : فريد الأطرش ; 19 октября 1910 года-26 декабря 1974 г.), также написал увлечение эль-атраче , был сирийским певцом, Удистом , композитором и актером. Несмотря на то, что он родился в Сирии, он иммигрировал в Египет в возрасте девяти лет со своей матерью и братьями и сестрами, где он в конечном итоге стал одной из самых известных фигур в арабской музыке 20-го века .

Al-Atrash начал очень успешную карьеру, охватывающую более четырех десятилетий, записав 500 песен и снялась в 31 фильмах. Его также широко считается его виртуозностью на арабском языке , и иногда ему давали эпитет «Король Оуда» («Малек аль-Ауд»).

Ранний период жизни

Аль-Атраш родился в 1910 году в Аль-Курайя , в южной части Сирии в княжескую , семью Аль-Араш которая сражалась с французской колониальной армией. Его отец был сирийцем, а его мать была ливанцами.

В детстве Аль-Атраш эмигрировал со своей матерью и братьями и сестрами в Египет , избегая французской оккупации. Позже они были натурализованы египетским правительством как гражданами. Мать Фарида пела и сыграла Оуд, который подстегнул его музыкальный интерес в раннем возрасте.

Будучи ребенком и молодым взрослым, Аль-Атраш пел на школьных мероприятиях. Египта Он учился в музыкальной консерватории и стал учеником знаменитого египетского композитора Риада Аль Санбати . В 1930-х годах Аль-Атраш начал свою профессиональную карьеру в пении, работая на частных египетских радиостанциях. В конце концов он был нанят в качестве игрока OUD для национальной радиостанции, а затем в качестве певца. Его сестра, Асмахан , также была талантливой певицей, и какое -то время они работали вместе. В 1941 году они снялись в своем первом успешном фильме Intisar A-шабаб (انتصار الشباب- Triumph of Youth , 1941), в котором сам Фарид написал всю музыку.

Семья

Camilla Al Atrash, the only daughter of Asmahan, with her uncle Farid

Фарид и его сестра Амаль вместе со своим братом Фуадом принадлежали к религиозному клану Друзского меньшинства их родителей, принцессы Алии и принца Фахда аль-Араша. (Asmar 1998) Его сестра, Асмахан, подтвердила подобные музыкальные таланты в своих подростках, став одной из самых популярных женских вокалистов и звезд кино в конце 1930 -х и начале 1940 -х годов. Фарид более известна, чем Асмахан, потому что ее карьера была прервана ее смертью в результате несчастного случая в 1944 году. И все же он был изначально омрачен талантом и популярностью своей сестры. С зрелостью и подделой успешной формулы выступления Фарид прославился сам по себе. Даже сегодня ссылка на данное имя «Фарид» в контексте арабской музыки или популярной культуры сразу понято, чтобы обозначить сам Аль-Араш.

Musical career

Al-Atrash had a long and colorful music career lasting four decades. He composed musically diverse songs, and was a highly regarded composer, singer and instrumentalist. Al-Atrash maintained that although some of his music had western musical influence, he always stayed true to Arab music principles. Although the majority of his compositions were romantic love songs, he also composed several patriotic and religious songs.

One of al-Atrash's most unusual and distinguishable traits was his voice. High and mellow at the start of his career, it evolved into a wider, deeper sound.

In many of his songs, and nearly all of his concerts, al-Atrash would sing a mawal, which is a local folk Egyptian slow voice improvisation of a few poetic lines. These improvisations sometimes lasted up to 15 minutes. The mawal was a favorite of his fans. Some of the most famous songs include "Rabeeh" (Spring), "Awal Hamsa" (first whisper), "Hekayat Gharami" (story of my love), "Albi Wa Mouftaho" (my heart and its key), "Gamil Gamal", "Wayak", "Ya Zahratan Fi Khayali" (يا زهرة في خيالي – "Flower of my imagination), "Bisat Ir Rih" (flying carpet), "Ya Gamil Ya Gamil", "Ya Habaybi Ya Ghaybeen", "Eish Anta", and "sa3a bi 2orb el habib" (an hour in company of the beloved).

Film career

Al-Atrash starred in 31 Egyptian musical films from 1941 to 1974. His last movie, Nagham Fi Hayati (نغم في حياتي, Songs in my life) was released after his death. All his films except the last two were black and white. They ranged from comedies to dramas, or a combination. He composed all the songs in his movies including the songs sung by other singers, and instrumentals (usually belly dance routines). His earlier films would include approximately ten songs, but overall the films would average about five songs each. Some of al-Atrash's well-known movies include Intisar al-Shabab (انتصار الشباب – The Triumph of Youth, 1941), Yom Bila Ghad, Ahd el-Hawa, and Lahn al-Kholoud (لحن الخلود – "Eternal Tune", 1952), Resala min Imraa Maghoola (رسالة من امرأة مجهولة – Letter from an Unknown Woman, 1962) produced by Salah Zulfikar Films owned by his close friend Salah Zulfikar and directed by Salah Abu Seif.

Personal life

Al-Atrash shaking hands with Egyptian president Gamal Abdel Nasser, February 1955

He endured the death of his sister and fellow performer Asmahan. Farid found comfort in a relationship with the belly-dancer Samia Gamal, for whom he was motivated to risk all he owned. In 1947 he produced and co-starred in a movie with Samia directed by Henri Barakat; Habib al-'Oumr ("The love of my life," 1947), which became a huge success. After this came Afrita Hanem ("Madame la diablesse," 1949). Five films later, the unmarried couple broke up. Farid continued to work with other film stars in numerous successful movies in which he always had the romantic lead role of a sad singer. He even repeatedly chose his character's name to be "Wahid," meaning lonely.

Al-Atrash sacrificed getting married for his devotion to his art. In his films, the audience remembered his leading ladies and his beautiful songs more than the story lines.

Al-Atrash and Salah Zulfikar during a sports event in Cairo, 1961

Prior to the 1952 military coup d'état against King Farouk I, al-Atrash became friends with Farouk's consort, Queen Nariman, a relationship that continued after the Queen's divorce and the coup that cost Farouk his throne. The former queen's family did not accept al-Atrash, and the separation from Nariman sent the singer into a long depression, the start of health problems that worsened from that point on until his death.

As al-Atrash became older, he reconsidered his opinion of marriage and proposed to Egyptian singer named Shadia, but at the last minute he backed out. By now his health was poor, and he feared that he would leave her a young widow. He often played out that scenario and sang about it in his romance movies. He was also engaged to marry Salwa al-Qudsi at the end of his life.

Others stated: "He remained a bachelor throughout his life" but he possibly had a brief 'urfi marriage. and another Moroccan-born singer Maya Casabianca called him the "love of her life" (though they didn't marry). He characterized himself in a fairly idealized version of a modern artist. "Tales of his love affairs were wildly popular during his lifetime and were seemingly merged with the lyrics of his love songs." (Zuhur in Ouzgane 2003)

Death

Al-Atrash, suffered from heart problems throughout his last 30 years. In the last few years of his life, he became physically thinner, and his singing voice became raspy as he is intensified. Although he was struggling with his health, he continued to produce movies and perform in concerts until he died.

On December 24, 1974 the doctors told al-Atrash that after two days he could go home. This was because they noticed that Farid did not like the hospital, or the drugs and the food that the hospital provided for him. On December 26, 1974, al-Atrash died in Beirut, Lebanon at Al Hayek hospital, shortly after arriving from London. Al-Atrash is buried in Cairo, Egypt alongside his sister and brother.

Legacy

He composed songs for top Arab singers, foremost his own sister, Asmahan, as well as Wadih El-Safi, Shadia, Warda, and Sabah. He is widely considered to be one of the four 'greats' of Egyptian and Arabic music, along with Abdel Halim Hafez, Mohammed Abdel Wahab and Oum Kalthoum. Notable Egyptian instrumental guitarist Omar Khorshid covered Farid al-Atrash's songs in a tribute album.

His musical pieces was produced by Voice of Lebanon label which was founded by Robert Khayatt. the entire catalogue was acquired by Mazzika Group in the early 2000s.

One of his songs could have been heard on the radio in 2005 video game Grand Theft Auto: Liberty City Stories.

On October 19, 2020, Google celebrated his 110th birthday with a Google Doodle.

Filmography

• Intisar al-Shabab (1941)
• Ahlam el chabab (1943)
• Shahr el asal (1946)
• Ma akdarshi (1946)
• Gamal wa Dalal (1946)
• Bolbol effendi (1946)
• Habib al omr (1947)
• Ahebbak inta (1949)
• Afrita hanem (1949)
• Akher kedba (1950)
• Taa la salim (1951)
• Ma takulshi la hada (1952)
• Lahn al khouloud (1952)
• Ayza atgawwez (1952)
• Lahn hubi (1954)
• Risalat Gharam (1954)
• Ahdil Hawa (1955)
• Oussit Hobi (1955)
• Izhay ansak (1956)
• Wadda'tu hubbak (1957)
• Inta habibi (1957)
• Maleesh Gheirak (1958)
• Min agl Hobbi (1960)
• Shatie el hub (1961)
• Yomun bala ghaden (1962)
• Ressalah min emraa maghoula (1962)
• Hikayet el omr kulluh (1965)
• El-Khouroug min el-guana (1967)
• Al-Hob al-kabir (1969)
• Zaman Ya Hob (1973)
• Nagham fi Hayati (1974)

See also

• List of Druze

Дальнейшее чтение

• Zuhur, Sherifa (2001). Музыкальная слава и мужской роман: Фарид Аль-Араш. В Зухуре, С. Эд. Цвета очарования: театральный танец, музыка и изобразительное искусство Ближнего Востока. Каир и Нью -Йорк: Американский университет в Каире Пресс.
• Zuhur, Sherifa, (2003). «По словам Фарида Аль-Араша. , Мужчины и мужественность январь 2003 г., вып. 5 Нет. 3 275-294, doi : 10.1177/1097184x02238527
• Асмар, Сами (1998). Вспоминая Фарид А-Атраш: соперник в эпоху Гигантов. 4 (22), извлечен из [1]
• Андрио Р. (ND). Биография для Фарид Ал Атрих. Получено из Фарида Эль-Атраша
• Zuhur, Sherifa в Узгане, Лахучин, редактор (январь 2003 г.). Исламские мужественности. Получено из [2] архивированного 27 ноября 2014 года на машине Wayback

Внешние ссылки

• Фарид Аль-Араш в IMDB  
• Дискография и музыка Фарид Эль -Атрах