Линопу

LinoCut , также известный как Print Print , Lino Printing или Linoleum Art , представляет собой метод печати , вариант деревянного канала , в котором лист линолеума (иногда устанавливается на деревянном блоке) используется для поверхности рельефа . Дизайн разрезан на поверхность линолеума острым ножом, V-образным долотом или вытапением , с поднятыми (неберенными) областями, представляющими изменение (зеркальное изображение) деталей для отображения печатных. Лист линолеума чернит роликом (называемым бризером ) , а затем впечатляют на бумагу или ткань. Фактическая печать может быть сделана вручную или с помощью печатного пресса .

Техника

Поскольку вырезанный материал не имеет направленного зерна и не имеет тенденции к разделению, легче получить определенные художественные эффекты с Лино, чем с большинством лесов, хотя результирующие принты отсутствуют часто угловатый зернистый характер деревянных каналов и гравюр . Лино, как правило, гораздо легче разрезать, чем древесина, особенно при нагревании, но давление процесса печати ухудшается быстрее, и трудно создать более крупные работы из -за хрупкости материала.

Linocuts can also be achieved by the careful application of art on the surface of the lino. This creates a surface similar to a soft ground etching and these caustic-lino plates can be printed in either a relief, intaglio or a viscosity printing manner.

Colour linocuts can be made by using a different block for each colour as in a woodcut, as the artists of the Grosvenor School frequently did. As Pablo Picasso demonstrated, such prints can also be achieved using a single piece of linoleum in what is called the "reductive" print method. Essentially, after each successive colour is imprinted onto the paper, the artist then cleans the lino plate and cuts away what will not be imprinted for the subsequently applied colour.^[1]

Due to ease of use, linocut is widely used in schools to introduce children to the art of printmaking, using it to complete many tasks in the art lesson rather than going straight for the pencil and eraser. Similarly, non-professional artists often cut lino rather than wood for printing. Nevertheless, in the contemporary art world the linocut is an established professional print medium, because of its extensive use by the artists of the Grosvenor School, followed by Pablo Picasso and Henri Matisse.

Emergence of the technique in America

"Linoleum art" was first displayed in New York City in 1911 by the Czech émigré Vojtěch Preissig. In his publications on linocuts (1926–29) the respected American printmaker, Pedro Joseph de Lemos, simplified the methods for art schools and introduced new techniques for color linocuts, including the printing of the key block first.^[2] The first large-scale colour linocuts made by an American artist were created c. 1943–45 by Walter Inglis Anderson, and exhibited at the Brooklyn Museum in 1949.

Selected artists

Josef Albers, German artist
Peeter Allik, Estonian artist
Valenti Angelo, American printmaker and illustrator
Walter Inglis Anderson American artist
Sybil Andrews English-Canadian artist
Hans Anton Aschenborn, German painter
Georg Baselitz, German artist
Torsten Billman, Swedish artist
Emma Bormann, Austrian printmaker and painter
Gail Brodholt, English artist
Horace Brodzky, Australian/British artist
Angel Botello, Spanish-Puerto Rican artist
Margaret Burroughs, American artist
Carlos Cortez, American poet and artist
David Call, American Deaf artist
Stanley Donwood, British artist
Yvonne Drewry, English artist
Janet Doub Erickson, American printmaker and artist
M. C. Escher, Dutch artist
Bill Fick, American printmaker and illustrator
Folly Cove Designers American design collective
Jacques Hnizdovsky, Ukrainian/American artist
Helmi Juvonen, American artist
William Kermode, Australian illustrator
Gaga Kovenchuk, Russian artist
Henri Matisse, French painter
Pablo Picasso, Spanish painter
Cyril Edward Power, English artist
Everett Ruess, American painter, printmaker, writer, and poet
Karl Schmidt-Rottluff, German printmaker and painter
John Shaw, American/Canadian painter and printmaker
Irena Sibley, Australian artist, children's book author, and art teacher
James Blanding Sloan, American printmaker, educator, and theatrical designer
Ethel Spowers, Australian printmaker
Ken Sprague, English artist and activist
Hannah Tompkins, American artist and printmaker
Tom Hazelmyer, American artist
Gwen Frostic, American artist, poet, printmaker, writer
Vanessa Lubach, British artist, painter, printmaker

References

^ Judging the Authenticity of Prints by The Masters by David Rudd Cycleback. Retrieved: 2011-12-17.
^ Edwards, Robert W. (2015). Pedro de Lemos, Lasting Impressions: Works on Paper. Worcester, Mass.: Davis Publications Inc. pp. 68–69, 92 notes 370–373. ISBN 9781615284054.

Внешние ссылки

[1] Judging the Authenticity of Prints by The Masters by David Rudd Cycleback. Retrieved: 2011-12-17.

[edwardsrw-2] Edwards, Robert W. (2015). Pedro de Lemos, Lasting Impressions: Works on Paper. Worcester, Mass.: Davis Publications Inc. pp. 68–69, 92 notes 370–373. ISBN 9781615284054.

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