Rijksakademie of Visual Arts
Rijksakademie Van Beeldende Kunsten (Государственная академия изящных искусств) была основана в 1870 году в Амстердаме . Это классическая академия, место, где философы , ученые и художники встречаются, чтобы проверить и обмениваться идеями и знаниями. Школа поддерживает визуальных художников с двухлетней учебной программой.
Rijkskademy of Acrey был домашний или Амстердамский импрессионизм , часть или международное импрессионистское движение, и является нуар как школа или Allbé по искусству искусства; Август Аллбе победил директора школ в 1880 году. На французском языке школа называлась « L'Académia Royal The Beax Arts D'Amsterdam ». Среди его пионеров становятся Джордж Брейтнер , Ян Торороп , Пит Модриан , Жак Уайтс и Виллу Арнол Уайтс . Ether Arts соединила Уайт Академия, ставшая Хенриком Питером Берэйгом, Уильямом Вегмансом, Константом НИВЕТА, CARE APEL, CORNELLE, GER LATASTER, WILLIAM CORTHOUSOS и JAPE MIN.
Школа предоставляет образование в учебе, сравнимое с университетом. Есть открытые дни в год, которые дают возможность увидеть работу молодых художников.
1718 to 1869
[edit]From 1718 to 1819 Amsterdam had an art school, the Stadstekenacademie. In 1820, the Koninklijke Academie van Beeldende Kunsten continued the artistic tradition.[1] The prevailing style was panel painting in oil, landscape painting influenced by neoclassicism. In 1869, the Amsterdam school received its present name.
Early history
[edit]
The academy was a place for philosophers, scientists and artists to come together and share knowledge and ideas. In 1870, the academy was founded by King William III as a successor to the 19th-century Koninklijke Academie, the 18th-century Stads Teekenacademie and the 17th-century Konstkamer to give visual artists an educational opportunity. Early students included George Hendrik Breitner, Isaac Israëls and Willem Witsen, who were influenced by Amsterdam Impressionism.
Under director August Allebé, the Saint Luke (patron saint of artists) student movement was founded.[2] Allebé's cosmopolitan attitude changed the school's method of instruction, emphasizing the avant-garde.
Present day
[edit]Around 1985, the school received the additional title of Instituut voor Praktijkstudie and offered postdoctoral education. In 1992 it moved into a former cavalry barracks at Sarphatistraat 470 in Amsterdam, and the buildings were renovated. In November 1999, it became an independent art institution. The school is financed by the Ministry of Education and private sponsors.[3] The institute offers workshops with specialized technical personnel and a library focusing on contemporary art and art history. Students receive a scholarship and are offered a studio in which to live. In recent years nearly 1,200 students have applied for a place at the academy, and each year about 20 are accepted. The artists come from all over the world, with less than half from the Netherlands. Artists and art critics are often invited to visit student studios.
Prix de Rome
[edit]
The academy awards a Prix de Rome to eligible artists and architects. The award originated with the French Prix de Rome in 1666. In 1808 Louis Bonaparte introduced the prize in the Netherlands to promote art, and it was supported by Dutch King William I. Since 1870 the Rijksakademie has made the award, the oldest and most valuable art prize in the Netherlands.
In 1985, the Prix de Rome was reorganised. Prize money was increased, and there were more participating artists; new art categories were added, which change annually. In 2006 its name was changed to "Prix de Rome.nl" and it is awarded in two categories: architecture and fine arts. The prize is €40,000 and a residency in Rome.
Faculty
[edit]
- Hans Aarsman (born 1951)
- August Allebé (1838–1927), professor in 1870, director 1880–1906
- Nico Bakker (1967–1969)
- Pierre Cuypers (1827–1921)
- Carel Ludewijk Dake (1857–1918)
- Antoon Derkinderen (1859–1925), director after Allebé
- Marinus Heijl (1835–1931)
- Richard Roland Holst (1868–1931), director after Derkinderen
- Johannes Hendricus Jurres (1875–1946)
- Petrus Josephus Lutgers (1808–1874)
- Georg Sturm (1855–1923)
- Charles Verlat (1824–1890)
- Nicolaas van der Waay (1855–1936)
- Gerhard Westermann (1880–1971)
- Petrus van Wijnveld (1820–1902)
Students
[edit]
- Nico Bakker (1936–1969)
- Tala Madani (1981)
- Ryan Gander (1976)
- Bojan Šarčević (1974)
- Firoz Mahmud (1974)
- Jill Magid (1974)
- Runa Islam (1970)
- Gerard Muller (1861–1929)
- Carlos Amorales (1970)
- Mounir Fatmi (1970)
- Hans Op de Beeck (1969)
- Liu Ye (1964)
- Karel Appel (1921–2006)
- Antonio Vega Macotela (2011–2012)
- Lizzy Ansingh (1875–1959)[4]
- Floris Arntzenius (1864–1925)
- Johan Braakensiek (1858–1940)
- Nicolaas Bastert (1854–1939)
- Tjeerd Bottema (1884–1978)
- George Hendrik Breitner (1857–1923)
- Cornelius de Bruin (1870–1940)
- Constant Anton Nieuwenhuys (1920–2005)
- Antoon Derkinderen (1859–1925)
- Leo Gestel (1881–1941)
- Jan F. Geusebroek (1922–2015)
- Arnold Marc Gorter (1866–1933)
- Richard Roland Holst (1868–1938)
- Isaac Israëls (1865–1934)
- Cornelius Jetses (1873–1955)
- Arnold Hendrik Koning (1860–1945)
- Hendrik Maarten Krabbé (1868–1931)
- Lambert Lourijsen (1885–1950)
- Jacobus van Looy (1855–1930)
- Kees Maks (1876–1967)
- Bjarne Melgaard (1967)
- Samuel Jessurun de Mesquita (1868–1944)
- Wally Moes (1856–1918)
- Piet Mondrian (1872–1944)
- Anthon van Rappard (1858–1892)
- Suze Robertson (1855–1922)[4]
- Hendrika van der Pek (1867–1926)[5]
- Gerda Rubinstein (1931–2022)[6]
- Jan Sluyters (1891–1957)[7]
- Hobbe Smith (1862–1942)
- Chavalit Soemprungsuk (1939–2020)[8]
- Jo Bauer-Stumpff (1873–1964)[4]
- Willem Bastiaan Tholen (1860–1931)
- Jan Toorop (1858–1928)
- Jan Pieter Veth (1864–1925)
- Nicolaas van der Waay (1855–1936)
- Gerhard Westermann (1880–1971)
- Maurits van der Valk (1857–1935)
- Petrus Theodorus van Wijngaerdt (1873–1964)
- Jan Hillebrand Wijsmuller (1855–1925)
- Ernst Witkamp (1854–1897)
- Willem Witsen (1860–1923)
- Mikołaj Sobczak (2021-2023)
See also
[edit]References
[edit]- ^ Its rival was the Royal Academy of Art, The Hague. This academy, founded in 1682 as a night school for painting and drawing, had club evenings on Saturdays. From 1820 to about 1830, Amsterdam and The Hague struggled for supremacy in the art world of the Netherlands. The merger with the engineering school gave The Hague an advantage.
- ^ The circle of friends became an association of artists on the Amsterdam art scene.
- ^ This revived the system of finance used in the Netherlands during the 19th century: first, private sponsors provide funding and the state intervenes if this is unsuccessful.
- ^ Jump up to: a b c One of the Amsterdamse Joffers
- ^ "Hendrika van der Pek Schilderijen te koop, Kunstschilder, Expositie, Galerie, Wijdemeren". Galerie Wijdemeren (in Dutch). Retrieved 2024-02-16.
- ^ "Gerda Rubinstein obituary". TheGuardian.com. 25 May 2022.
- ^ 1904 Prix de Rome winner
- ^ «Знаменитый тайский художник, художник умирает от Covid-19 в Амстердаме» . Кокосовые орехи Бангкок . 2020-04-28. Архивировано из оригинала 2020-05-03 . Получено 2020-05-06 .
Внешние ссылки
[ редактировать ]- Официальный сайт (на голландском языке)
- Официальный веб -сайт на английском языке (на английском языке)
- Prix de Rome (на голландском языке)
- Мондрианский фонд (на голландском языке)
