Английская гастрольная оперная
English Touring Opera (ETO) является оперной компанией в Великобритании, основанной в 1979 году под названием Opera 80 тогдашним Советом по искусству Великобритании . В 1992 году компания изменилась на настоящее имя. Сегодня это отчасти спонсируется художественным советом Англия [ 1 ] а также получение поддержки от индивидуальных и корпоративных спонсоров, плюс трасты и фонды. Компания стремится принести высококачественную оперу в районы Англии, которые иначе не имели бы готового доступа к таким производствам. С 2002 года его директором был Джеймс Конвей, [ 2 ] который приехал из Оперного театра Ирландии. В январе 2022 года было объявлено, что он ушел в отставку, [ 3 ] и его преемник был раскрыт в марте 2022 года как Робин Нортон-Хейл . [ 4 ]
Компания
[ редактировать ]Opera 80 сам стал преемником оперы для всех , [ 5 ] «зонтичная организация», которая запланировала туры небольшими группами, которые выступили в аккомпанемент фортепиано. [ 6 ] Дэвид Парри стал музыкальным руководителем в 1983 году. [ 6 ]
ETO - это благотворительная организация, которая стремится стимулировать доступ, понимание и оценку оперы. Компания всегда представляла оперы на английском языке, и в настоящее время она в настоящее время ежегодно совершается в год на большие места, чем любая другая оперная компания в Великобритании, которая выходит на около 33 кинотеатров, многие из которых обычно не проводят оперные выступления. [ 7 ] К ним относятся Лондон, Кембридж, Эксетер, Пул, Челтенхем, Малверн, Кроули, Шеффилд, Вулверхэмптон, Бакстон, Дарем и Перт. По оценкам, в весенний 2012 тур включал «почти 50 концертов». [ 6 ]
As James Conway notes:
- "One of the great new challenges is to show audiences that what we offer is different from the essentially passive experience of cinema relays – to point out how the actual live experience of listening and looking is incomparably better".[8]
In Britain's economic climate of 2012, Arts Council England grants have increased by about 50% since 2002[6] and "English Touring Opera....will receive £1,577,015 in 2012/13, rising to £1,819,244 in 2014/15. This is expected to allow the company to sustain its current level of touring over the coming year, then to increase its programme of activity from 2012 onwards."[9]
Productions
[edit]Artists
[edit]Singers whose early careers began with ETO often return to perform again with the company after their careers have developed further.
Singers who have performed with ETO include Sarah Connolly, Mary Plazas, Sylvia O'Brien, Todd Wilander, Jonathan Veira, Paul Nilon, Alison Hagley and Susan Gritton. Amanda Echalaz has starred in productions of Così fan tutte, Alcina, Eugene Onegin and Jenůfa.
ETO's and Opera 80's conductors have included Nicholas Kraemer, Ivor Bolton, Stephen Barlow, Martin André, David Parry and Michael Rosewell. It has also shown the early work of such directors as Richard Jones, Robert Carsen, Declan Donnellan and Steven Pimlott.
Productions of works outside the standard repertory
[edit]- 2006: Autumn: Baroque Festival Tour: ETO mounted a baroque opera festival with over 40 complementary events in twelve venues throughout the UK. Orfeo by Claudio Monteverdi, with Katherine Manley as Music and Euridice and Hal Cazalet as Orfeo; Erismena by Francesco Cavalli, with Andrew Slater as Erimante and Rachel Nicholls as Erismena; Jephté by Giacomo Carissimi with David Stout as Jephté and Jane Harrington as Filia; Dido & Aeneas by Henry Purcell with Joana Thomé as Dido and Patricia Orr as Sorceress; and Tolomeo by George Frederick Handel with Jonathan Peter Kenny as Tolomeo and Iestyn Morris as Alessandro
- 2007: Spring: Die Entführung aus dem Serail (The Seraglio) by Mozart with Sion Goronwy as Osmin and Elizabeth Donovan as Constanza; and Spirit of Vienna (Wiener Blut) by Johann Strauss with Cheryl Enever as Franziska (Franzi) Cagliari and Nicky Spence as Count Balduin Zedlau.
- 2007: Autumn: James Conway's special interest in baroque opera was also evident with productions of Handel and Haydn. Teseo by Handel with Derek Lee Ragin as Egeo (Aegeus) and Jeni Bern as Medea; Country Matters (L'infedelta Delusa) by Joseph Haydn with Charlotte Ellett as Vespina and Jonathan Gunthorpe as Nanni; and Bridgetower by Julian Joseph.
- 2008: Spring: Susannah by Carlisle Floyd, Alexander Ingram, Conductor. Donna Bateman as Susannah Polk and Todd Wilander as Sam Polk.
- 2009: Spring: Katya Kabanova by Leoš Janáček.
- 2009: Autumn: Alongside a commemoration of the 250th anniversary of Handel's death, the company celebrated its 30th anniversary[10] with presentations of Ariodante, Alcina, Flavio, Teseo and Tolomeo.
- 2010: Autumn: Promised End, a new opera by Alexander Goehr; and The Duenna, by Richard Brinsley Sheridan.
- 2011: Autumn: Baroque Treats included a revival of Handel's Flavio, Handel's Xerxes and Purcell's The Fairy Queen.
- 2012: Autumn: the program featured three 20th Century operas: Albert Herring by Benjamin Britten;[11] The Emperor of Atlantis by Viktor Ullmann (paired with Cantata BWV 4 by Bach); and The Lighthouse by Peter Maxwell Davies.[12][13]
- 2013: Spring: L'assedio di Calais by Donizetti.
- 2013: Autumn: The Coronation of Poppea by Claudio Monteverdi; Jason by Francesco Cavalli; and Agrippina by Handel.
- 2014: Spring: King Priam[14] by Michael Tippett and Britten's Paul Bunyan.[15] (It was for these two productions especially that the company won the 2014 Olivier Award for 'Outstanding Achievement in Opera'.)
- 2014: Autumn: Il mondo della luna by Joseph Haydn (To be presented under the title of Life on the Moon) and Ottone by Handel.
- 2015: Spring: Il furioso all'isola di San Domingo by Donizetti (to be presented under the title of The Wild Man of the West Indies.)[16] L'assedio di Calais (Donizetti) will also be re-mounted.
- 2016: Spring: Pia de' Tolomei by Donizetti [1] and Iphigénie en Tauride by Gluck [2]
- 2017: Spring: Patience by Gilbert and Sullivan.[17]
- 2017: Autumn: Dardanus[18] by Rameau.
- 2018: Spring: Rossini: Fireworks[19] (a concert of Rossini arias)
- 2018: Autumn: Jonas by Carissimi and Io Tacerò (presented under the title I Will Not Speak) by Gesualdo (which were performed alongside Dido & Aeneas by Purcell).[20]
- 2019: Spring: Elisabetta, Regina d'Inghilterra by Rossini (presented under the title Elizabeth I[21])
- 2019: Autumn: Der Silbersee by Kurt Weill (presented under the title of The Silver Lake: A Winter's Tale (Der Silbersee)[22])
- 2020: Autumn: Romances on British Poetry[23] and Poems of Marina Tsvetaeva[24] by Shostakovitch, The Poet's Echo[25] by Britten, Tel Jour, telle nuit [26] by Poulenc and A Waterbird Talk[27] by Argento.
- 2021: Autumn: Amadigi di Gaula by Handel (presented under the title Amadigi)[28]
- 2022: Spring: The Golden Cockerel by Rimsky-Korsakov[29]
Outreach
[edit]In addition to theatre-staged operatic productions, ETO focuses on relationships with communities through education and outreach programs, and organises projects for people of all ages and abilities – from on-stage workshops to residencies in schools and performances for children with special needs. Singers and musicians on tour with the ETO often step off-stage and into the classroom of outreach workshops alongside professional animateurs.
Bradley Travis is the current Artistic Associate for Learning and Participation and overseas outreach and education programs.
One of ETO's outreach programs is Creative Residencies, in which young people with disabilities engage in week-long creative workshops. Between 2007 and 2009, these projects have included:
- House on the Moon (2007) involved a collaboration with local Wolverhampton organisations. Nearly 200 people including amateurs and professionals from every background and of every ability performed.
- Turtle Song was presented in 2008. It was a collaboration with Turtle Key Arts and the Royal College of Music which encourages people with Alzheimer's Disease or dementia to compose and sing their own songs, working alongside professional musicians.
- One Day, Two Dawns was an opera in 2009 for the Truro, Cornwall community, where a 200-member cast of local people aged 8–80 devised and rehearsed a new piece of music.
- Jack and the Beanstalk / Red Ridinghood (also 2009) was an interactive fairytale opera with pre-school students composed by Tom Smail.
Awards
[edit]In 2004 James Conway's production of A Midsummer Night's Dream was nominated for a Royal Philharmonic Society (RPS) "Best Opera" Award.
James Conway's production of Donizetti's Maria Stuarda was nominated for a South Bank Show Award in 2005.
ETO's projects Ice and Crossing the Styx were both nominated for an RPS Award in the Education Category in 2006.[30] Ice was a devised opera for teenagers, and Crossing the Styx was a devised opera for primary school students.
House on the Moon with the Wolverhampton Community Opera was nominated for an RPS Best Education Project award of 2007.
In 2010 One Day, Two Dawns with Hall for Cornwall won the RPS Education Award.
Laika the Spacedog, a new opera for children aged 7 to 11, was awarded the "David Bedford Music Education Award" in 2012. It honours outstanding music education projects, and was given by The PRS For Music Foundation.[31] Laika the Spacedog also won two awards for Best Production at the Armel International Opera Festival in Szeged, Hungary in 2013. The Best Production award as voted for by the members of the International Competition Jury, and Best Production from the Jury of the University of Szeged.[32]
In the Spring of 2014, ETO was the winner of an Olivier Award in the "Outstanding Achievement in Opera" category];[33][34] on the Olivier Awards website, it is noted that the company won the Award for "its brave and challenging touring productions....of Michael Tippett's elegant and vibrant King Priam and Britten's rarely performed operetta Paul Bunyan. The stylishly staged pair played at the Royal Opera House's Linbury Studio Theatre in Covent Garden, London, as part of a UK tour."[33]
2021 dismissals
[edit]In September 2021, ETO wrote to tell 13 freelance musicians that they would not be re-engaged for the upcoming tour, but that they would stay in a pool of artists to be drawn upon in the future.[35][36] Some of the players had been engaged in freelance contracts year after year.[37] The players who were not engaged for the upcoming season were mid-to-late-career musicians,[38] when sent the letter.[39] The freelance artists had hoped to return to work in the post-pandemic period.[40] Zhang Zhang, a violinist with the Monte-Carlo Philharmonic Orchestra, asked if firing people because of their skin color is racism.[41][42] Zoe Strimpel wrote that ETO's "policy race-based contracting" was a "debacle."[43] ETO indicated its policy was based on guidance from its main funder, Arts Council England.[44]
References
[edit]Notes
- ^ ETO page on artscouncil.org.uk Archived 9 January 2013 at the Wayback Machine
- ^ "English Touring Opera Not Renewing Some Freelance Contracts Over Diversity Concerns". The Violin Channel. 22 September 2021. Retrieved 23 September 2021.
the English Touring Opera's (ETO) director James Conway
- ^ "James Conway to leave English Touring Opera after 20 years". The Stage. Retrieved 5 May 2022.
- ^ "English Touring Opera appoints Robin Norton-Hale as general director". The Stage. Retrieved 5 May 2022.
- ^ "Opera 80", The New Grove Dictionary of Opera", at Oxfordmusiconline.com
- ^ Jump up to: a b c d Thicknesse, pp. 71–72
- ^ About ETO at englishtouringopera.org.uk
- ^ Conway quoted in Thicknesse, p. 71
- ^ "Opera Now: Latest News" online at rhinegold.co.uk/magazines/opera_now Archived 11 October 2010 at the Wayback Machine
- ^ "ETO announces casting for 30th anniversary tour in Spring 2009" at www.musicalcriticism.com
- ^ Rupert Christiansen, "Albert Herring, English Touring Opera/Linbury Studio Theatre, review", The Telegraph (London). 8 October 2012. Retrieved 12 October 2012
- ^ Tim Ashley, "The Emperor of Atlantis – review", The Guardian (London), 9 October 2012
- ^ Rupert Christiansen, "The Lighthouse, The Emperor of Atlantis, ETO, touring, review", The Telegraph (London), 12 October 2012. Retrieved 12 October 2012.
- ^ Richard Fairman, "King Priam, Linbury Studio Theatre, Royal Opera House, London – review", Financial Times (London), 18 February 2014
- ^ Rupert Christiansen, "Paul Bunyan by Benjamin Britten, English Touring Opera, review", The Telegraph (London), 21 February 2014
- ^ Donizetti Society "Future Events" page. Retrieved 13 June 2014
- ^ Patience. Retrieved 10 December 2016
- ^ "Dardanus". English Touring Opera. Retrieved 19 January 2021.
- ^ "Fireworks!". English Touring Opera. Retrieved 19 January 2021.
- ^ "Dido & Aeneas / Jonas / I will not speak". English Touring Opera. Retrieved 19 January 2021.
- ^ "Elizabeth I (Elisabetta, regina d'Inghilterra)". English Touring Opera. Retrieved 19 January 2021.
- ^ "The Silver Lake - A Winter's Tale (Der Silbersee)". English Touring Opera. Retrieved 19 January 2021.
- ^ "Romances on British Poetry". English Touring Opera. Retrieved 21 January 2021.
- ^ "Poems of Marina Tsvetaeva". English Touring Opera. Retrieved 21 January 2021.
- ^ "The Poet's Echo". English Touring Opera. Retrieved 21 January 2021.
- ^ "Tel Jour, telle nuit". English Touring Opera. Retrieved 21 January 2021.
- ^ "A Waterbird Talk". English Touring Opera. Retrieved 21 January 2021.
- ^ "Handel: Amadigi | English Touring Opera". English Touring Opera. Retrieved 22 December 2021.
- ^ "The Golden Cockerel". English Touring Opera. Retrieved 22 December 2021.
- ^ Charity Commission PDF[permanent dead link]
- ^ Description of the ETO winning project Archived 8 October 2012 at the Wayback Machine
- ^ "The Winners of Armel Opera Competition and Festival 2013" Archived 6 January 2014 at the Wayback Machine on armelfestival.org. Retrieved 5 January 2014
- ^ Jump up to: a b "Outstanding Achievement in Opera Award 2014" Archived 14 July 2014 at the Wayback Machine on olivierawards.com. Retrieved 13 June 2014
- ^ "ETO Wins Olivier Award for Outstanding Achievement"[permanent dead link] on englishtouringopera.org.uk. Retrieved 13 June 2014
- ^ Norman Lebrecht (17 September 2021). "FRENCH ARE PERPLEXED AT ENGLISH TOURING OPERA'S REPLACEMENT OF WHITE MUSICIANS". Slipped Disc. Retrieved 17 September 2021.
The shocking reverse-racism practised by ETO's director James Conway in 'minoritising' his orchestra
- ^ "English Touring Opera Drops Half of Its Musicians in the Name of Diversity". Digital Music News. 17 September 2021. Retrieved 17 September 2021.
This equates to almost half the orchestra losing their roles. Many of these members have been performing with ETO for twenty years or more
- ^ GIVERNY MASSO (16 September 2021). "Musicians' Union in row with English Touring Opera over 'sacking' of freelancers". The Stage. Retrieved 17 September 2021.
some of the musicians who had received it had "been performing with ETO for 20 years or more" or had "been loyal to the company season after season"
- ^ "When best intentions backfire?".
- ^ Jean Michel Pennetier (17 September 2021). "English Touring Opera : quand discrimination positive rime avec pertes d'emploi". Forumopera.com (in French). Retrieved 17 September 2021.
l'ETO a annoncé à 14 musiciens blancs, âgés de 44 à 66 ans, qu'ils ne seraient pas réengagés
- ^ "14 white musicians are fired by an English opera house because they think there are too many white artists in the company". Origo (in Hungarian). 17 September 2021. Retrieved 18 September 2021.
Abban bíztak, hogy most vissza tudnak térni a munkához, és törleszthetik a felvett kölcsönöket - erre azonban nem lesz lehetőségük.
- ^ "UK: Kulturkampf in der Oper – 14 weiße Musiker entlassen". Die Tagespost (in German). 18 September 2021. Retrieved 18 September 2021.
"Instead of viewing the ensemble of musicians as artists who share the same passion and the same profession, they are checked and appraised according to their skin color or ethnic origin. Isn't that what you call racism?," she told the newspaper.
- ^ РОНАН ПЛАНЧОН (16 сентября 2021 г.). «Чжан Чжан:« Где справедливость, когда мы отправляем обратных классических музыкантов, потому что они не представляют «разнообразие » ? Ле Фигаро (по -французски) . Получено 17 сентября 2021 года .
Скрипач из филармонического оркестра Монте-Карло, судит это скандальное решение
- ^ Зоя Страймпел (19 сентября 2021 г.). «Увольнение белых членов английской туристической оперы показывает, как проснулся, разрушит искусство» . Телеграф . Получено 20 сентября 2021 года .
Политика ETO в расовом контракте [...] отвратительная оптика разгрома ETO
- ^ «Мюдолюбие услышать о недавнем действии по английской турнине» . Союз музыканта. 10 сентября 2021 года. Архивировано с оригинала 10 сентября 2021 года . Получено 24 сентября 2021 года .
ETO заявили, что они расставляют приоритеты: «Увеличение разнообразия в оркестре. Это соответствует четкому руководству Совета по искусству
Источники
- Толщина, Роберт, «Профиль компании: английская гастрольная опера», Opera Now (Лондон), октябрь 2012 г.