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List of works by Lucian

Lucian. Opera. Amsterdam: Jacobus Wetstein, 1743.

A list of works by Lucian (c. AD 125 – after AD 180), who wrote in Ancient Greek.

The order of the works is that of the Oxford Classical Texts edition. The English titles are taken from Loeb (alternative translations are sometimes given in brackets). The traditional Latin titles have also been given.

Some of the works are probably not by Lucian. Those whose attribution is almost certainly wrong are listed at the end. Other works whose authenticity is disputed are marked "[?]". Four works whose genuineness was once questioned but are now generally believed to be by Lucian are marked with an asterisk.[1]

List of works

[edit]
Greek titleLatin titleEnglish titleBrief description
Φάλαρις ΑPhalaris IPhalaris 1A paradoxical defence of the notorious tyrant Phalaris.
Φάλαρις ΒPhalaris IIPhalaris 2The second part of the above.
Ἱππίας ἢ ΒαλανεῖονHippiasHippias or The BathA description of a Roman bath-house.
ΔιόνυσοςBacchusDionysusA short essay about the god Dionysus and his journey to India.
ἩρακλῆςHerculesHeracles or HerculesA short essay on the Gaulish god Ogmios, whom Lucian associates with the Greek Heracles.
Περὶ τοῦ Ἡλέκτρου ἢ ΚύκνωνElectrumAmber or The SwansThe author visits the River Eridanos and is disappointed to find it has neither swans nor amber (as in the myth of Phaëton).
Μυίας ἘγκώμιονMuscae EncomiumThe Fly (Praising a Fly)A paradoxical encomium of the insect of the title.
Νιγρίνου ΦιλοσοφίαNigrinusNigrinusA diatribe against the city of Rome put into the mouth of the philosopher Nigrinus.
Δημώνακτος ΒίοςDemonaxDemonaxA biography of the cynic philosopher Demonax. Keith Sidwell has suggested that Demonax was Lucian's creation.[2]
Περὶ τοῦ ΟἴκουDe DomoThe HallA description of a magnificent building.
Πατρίδος ἘγκώμιονPatriae EncomiumMy Native Land (An Encomium of Fatherland)"A highly conventional rhetorical piece" in praise of patriotism.[3]
[?] ΜακρόβιοιMacrobiiOctogenerians (Long-livers)A list of people famous for reaching extreme old age.
Ἀληθῶν Διηγημάτων ΑVerae historiae IA True Story 1 (True History)One of Lucian's most famous works. A parody of travellers' tales. The narrator and his companions set out on a voyage and are lifted up by a giant waterspout and deposited on the Moon. There they find themselves embroiled in a full-scale war between the king of the Moon and the king of the Sun. On returning to Earth, the adventurers become trapped in a giant whale.
Ἀληθῶν Διηγημάτων ΒVerae historiae IIA True Story 2Part two of the above, in which the narrator and his companions escape from the whale, reach a sea of milk, an island of cheese and the isle of the blessed, where a whole host of heroes and literary figures are to be found.
Περὶ τοῦ μὴ ῥᾳδίως πιστεύειν ΔιαβολῇCalumniae non temere credendumSlanderAn essay against believing slander too readily. Lucian's description of a painting by Apelles in this work influenced many later artists, including Botticelli.[4]
*Δίκη ΣυμφώνωνLis Consonantium (or Iudicium Vocalium)The Consonants at LawThe consonant sigma sues the consonant tau for stealing words from him. The case is heard by a jury of the seven vowels.
Συμπόσιον ἢ ΛαπίθαιSymposiumThe Carousal (Symposium), or The LapithsA parody of Plato's Symposium. A philosophers' banquet ends in drunken violence.
[?] Ψευδοσοφιστής ἢ ΣολοικιστήςSoloecistaSoloecistaA discussion of grammatical errors (solecisms).
Κατάπλους ἢ ΤύραννοςCataplusThe Downward Journey or The TyrantA group of dead people, including the tyrant Megapenthes, are carried to the Underworld in Charon's boat. Only the cobbler Micyllus accepts his fate with resignation.
Ζεὺς ἐλεγχόμενοςJupiter confutatusZeus Catechized (Zeus Cross-Examined)A dialogue concerning the contradiction between the power of fate and divine omnipotence.
Ζεὺς ΤραγῳδόςJupiter TragoedusZeus RantsA parody of Greek tragedy and a discussion of the conflicting Stoic and Epicurean ideas about the nature of the gods.
Ὄνειρος ἢ ἈλεκτρυώνGallusThe Dream or The CockThe poor cobbler Micyllus threatens to kill a cockerel which has woken him from a dream of riches. The cockerel explains that he is a reincarnation of Pythagoras. He grants Micyllus the power of invisibility so he can show him the private life of the rich and prove the cobbler is far better off in his poverty.
ΠρομηθεύςPrometheusPrometheusPrometheus defends himself against the charges of stealing meat from Zeus, stealing fire from heaven and creating mankind.
Ἰκαρομένιππος ἢ ὙπερνέφελοςIcaromenippusIcaromenippus or The Sky-manImitating Icarus, Menippus makes himself a pair of wings and flies up to the gods where he learns that Zeus has decided to destroy all philosophers as useless.
ΤίμωνTimonTimon or The MisanthropeA dialogue involving Timon of Athens. Lucian's work influenced the play by Shakespeare.
Χάρων ἢ ἘπισκοποῦντεςCharon sive ContemplantesCharon or The InspectorsA dialogue between Hermes and Charon about the vanity of human wishes.
Βίων ΠρᾶσιςVitarum auctioPhilosophies for Sale (Sale of Creeds)Zeus puts various philosophers up for sale in a slave market.
Ἀναβιοῦντες ἢ ἉλιεύςRevivescentes sive PiscatorThe Dead Come to Life or The FishermanA sequel to Philosophies for Sale.
Δὶς κατηγορούμενοςBis accusatus sive TribunaliaThe Double Indictment or Trials by JuryLucian defends his literary style against his critics.
Περὶ ΘυσιῶνDe SacrificiisOn SacrificesA short diatribe on sacrifices from a Cynic perspective.
Πρὸς τὸν ἀπαίδευτον καὶ πολλὰ βιβλία ὠνούμενονAdversus IndoctumThe Ignorant Book-Collector (Fowler's title is Remarks addressed to an illiterate book-fancier)A diatribe against a Syrian book-collector.
Περὶ τοῦ Ἐνυπνίου ἤτοι Βίος ΛουκιανοῦSomnium sive Vita LucianiThe Dream or Lucian's CareerLucian tells how a vision inspired him to abandon a career in sculpture for one in literature.
*Περὶ τοῦ Παρασίτου ὅτι Τέχνη ἡ ΠαρασιτικήDe ParasitoThe Parasite: Parasitic an ArtLucian ironically proves that parasitism is the highest of all art forms.
Φιλοψευδὴς ἢ ἈπιστῶνPhilopseudes sive IncredulusThe Lover of Lies, or The DoubterA collection of tall tales, including a story similar to Sorcerer's Apprentice.
Θεῶν ΚρίσιςDearum IudiciumThe Judgement of the GoddessesA dialogue based on the Judgement of Paris.
Περὶ τῶν ἐν Μισθῷ συνόντωνDe Mercede conductisOn Salaried Posts in Great Houses (The Dependent Scholar)"A Hogarthian sketch of the life led by educated Greeks who attached themselves to the households of great Roman lords – and ladies".[5]
Ἀνάχαρσις ἢ Περὶ ΓυμνασίωνAnacharsisAnacharsis or AthleticsA dialogue between Solon and Anacharsis about athletics.
Μένιππος ἢ ΝεκυομαντείαNecyomantiaMenippus or The Descent Into HadesThe Cynic philosopher Menippus visits the Underworld to ask Teiresias which is the true philosophy.
[?] Λούκιος ἢ ὌνοςAsinusLucius or The AssA short novel about a man transformed into a donkey. The surviving version of this work is possibly abbreviated and may not be by Lucian. The same story is told at greater length in the Golden Ass by Apuleius.
Περὶ ΠένθουςDe LuctuOn Funerals (On Mourning)A diatribe on mourning from a Cynic perspective.
Ῥητόρων ΔιδάσκαλοςRhetorum PraeceptorA Professor of Public SpeakingA satire on contemporary oratory.
Ἀλέξανδρος ἢ ΨευδόμαντιςAlexanderAlexander the False ProphetAn account of the fraudulent prophet Alexander of Abonoteichus.
ΕἰκόνεςImaginesEssays in Portraiture (Images)A eulogy of Panthea, the mistress of the Roman emperor Lucius Verus. Critics have doubted the sincerity of the praise.[6]
*Περὶ τῆς Συρίης ΘεοῦDe Syria DeaThe Goddesse of Surrye (The Syrian Goddess, often known under the Latin title De Dea Syria)A description of the cult of the goddess Atargatis. Written in Ionic Greek in imitation of Herodotus.
Περὶ ὈρχήσεωςDe SaltationeThe Dance (Of Pantomime)A defence of the Roman art of pantomime.
ΛεξιφάνηςLexiphanesLexiphanesA satire on linguistic pretentiousness.
ΕὐνοῦχοςEunuchusThe EunuchA satire on money-grubbing philosophers.
*Περὶ τῆς ἈστρολογίαςDe AstrologiaAstrologyAn essay on astrology in Ionic Greek.
* ἜρωτεςAmoresAmores (Affairs of the Heart)A comparison between the love of women and the love of boys.
Ὑπὲρ τῶν ΕἰκόνωνPro ImaginibusEssays in Portraiture DefendedA defence of his essay.
ΨευδολογιστήςPseudologistaThe Mistaken CriticLucian attacks a critic who had accused him of writing poor Attic Greek.
Θεῶν ἘκκλησίαDeorum ConciliumThe Parliament of the GodsA dialogue in which Momus complains that too many foreigners and mortals have been admitted to the ranks of the Greek gods. His targets include Dionysus, Apis and Anubis.
ΤυραννοκτόνοςTyrannicidaThe TyrannicideA declamation on a fictitious subject. The speaker had planned to assassinate a tyrant but was only able to kill his son instead. On hearing the news of his son's death, the tyrant committed suicide. The speaker now claims he is owed a reward as a tyrannicide.
ἈποκηρυττόμενοςAbdicatusDisownedAnother fictitious declamation, this time about a disowned son.
Περὶ τῆς Περεγρίνου ΤελευτῆςDe Morte PeregriniThe Passing of PeregrinusAn account of the death of the former Christian Cynic philosopher Peregrinus Proteus who committed suicide by cremating himself on a funeral pyre at the Olympic Games in 165 AD
ΔραπέταιFugitiviThe RunawaysAn attack on contemporary Cynics.
Τόξαρις ἢ ΦιλίαToxaris sive AmicitiaToxaris or FriendshipA dialogue between the Scythian Toxaris and the Greek Mnesippus about friendship, inspired by the Scythian worship of Orestes and Pylades.
[?] Δημοσθένους ἘγκώμιονDemosthenis EncomiumDemosthenesPraise of the orator Demosthenes.
Πῶς δεῖ Ἱστορίαν συγγράφεινQuomodo Historia conscribenda sitHow to Write HistoryLucian's criticism of contemporary historians.
Περὶ τῶν ΔιψάδωνDipsadesThe DipsadsA description of the "dipsas" or "thirst-snake".
Τὰ πρὸς ΚρόνονSaturnaliaSaturnaliaA description of the Roman festival of Saturnalia.
Ἡρόδοτος ἢ ἈετίωνHerodotusHerodotus or AetionAn account of how the historian Herodotus and the painter Aetion both publicised their works at the Olympic Games. It contains a description of Aetion's picture of the marriage of Alexander the Great and Roxana.
Ζεύξις ἢ ἈντίοχοςZeuxisZeuxis or AntiochusAnecdotes about the painter Zeuxis and the Seleucid king Antiochus I Soter. It contains a description of a painting of a centaur by Zeuxis.
Ὑπὲρ τοῦ ἐν τῇ Προσαγορεύσει ΠταίσματοςPro Lapsu inter salutandumA Slip of the Tongue in GreetingLucian analyses a slip of the tongue he made when greeting his patron.
ἈπολογίαApologiaApology for the "Salaried Posts in Great Houses"A defence of his own essay.
ἉρμονίδηςHarmonidesHarmonidesAn anecdote about the flute-player Harmonides.
Διάλογος πρὸς ἩσίοδονHesiodusA Conversation with HesiodLycinus (Lucian) mocks the prophetic claims of the poet Hesiod.
Σκύθης ἢ ΠρόξενοςScythaThe Scythian or the ConsulThe story of the Scythian Toxaris and his visit to Athens. This short work was possibly intended as an introduction to Toxaris or Friendship.
ΠοδάγραPodagraPodagra (Gout)A mock Greek tragedy featuring gout.
Ἑρμότιμος ἢ Περὶ ΑἱρέσεωνHermotimusHermotimus or Concerning the SectsThe longest of Lucian's works.[7] A philosophical dialogue, modelled on those of Plato, between an old Stoic, Hermotimus, and Lycinus (who represents Lucian himself).
Πρὸς τὸν εἰπόντα Προμηθεὺς εἶ ἐν λόγοιςPrometheus es in VerbisTo One Who Said "You're a Prometheus in Words" (A Literary Prometheus)Lucian's defence of his own literary style.
[?] Ἀλκυὼν ἢ Περὶ ΜεταμορφώσεωνHalcyonHalcyonA description of the mythological bird, the halcyon.
Πλοῖον ἢ ΕὐχαίNavigiumThe Ship or The WishesThe sight of a huge Egyptian grain-ship prompts a discussion among friends about what they most desire. Adeimantus would have the ship filled with gold and live a life of luxury; Samippus would like to be a world-conquering king; Timolaus wants magic powers, including invisibility. After hearing them all, Lycinus (Lucian), says that he is content with the privilege of laughing at the others, especially when they claim to be philosophers.
[?] ὨκύπουςOcypusOcypus (Swift-of-Foot)Another mock tragedy.
[?] ΚυνικόςCynicusCynicus (The Cynic)A dialogue between Lycinus (i.e. Lucian) and a Cynic philosopher.
Νεκρικοὶ ΔιάλογοιDialogi MortuorumDialogues of the Dead30 miniature dialogues set in the Underworld. Among the most famous of Lucian's works.
Ἐνάλιοι ΔιάλογοιDialogi MariniDialogues of the Sea-Gods15 miniature dialogues
Θεῶν ΔιάλογοιDialogi DeorumDialogues of the Gods25 miniature dialogues mocking the Homeric conception of the Greek gods.
Ἑταιρικοὶ ΔιάλογοιDialogi MeretriciiDialogues of the Courtesans15 miniature dialogues between hetairai. The style is influenced by the New Comedy and the mimes of authors such as Herondas.
Lost work
ΣώστρατοςSostratusSostratusMentioned by Lucian in Demonax.
Definitely spurious works
ἘπιστολαίEpistulaeLettersCollections of letters ascribed to Lucian.
Φιλόπατρις ἢ ΔιδασκόμενοςPhilopatrisPhilopatris (The Patriot)A c. 11th century Byzantine imitation.[8] Controversial because it was once believed to be an attack on Christianity.
Χαρίδημος ἢ Περὶ ΚάλλουςCharidemusCharidemusA discussion of aesthetics.
ΝέρωνNeroNeroAbout the Roman emperor Nero.
ἘπιγράμματαEpigrammataEpigramsSeveral epigrams in the Greek Anthology are attributed to Lucian.
Τιμαρίων ἢ Περὶ τῶν κατ' αὐτὸν ΠαθημάτωνTimarionTimarionAnother Byzantine imitation, prob. 12th century, possibly later.[9]

Editions

[edit]
  • The works of Lucian in eight volumes, edited and translated by A.M.Harmon, K. Kilburn and M.D. Macleod (Loeb Classical Library, 1913–1967)
  • Luciani Opera, edited by Matthew Donald Macleod, 4 volumes (Oxford Classical Texts, 1972–1987)

Translations into English

[edit]

Complete

  • Loeb edition by Harmon, Kilburn and Macleod (as above)
  • The Works of Lucian translated by H.W. Fowler and F. G. Fowler, four volumes (Oxford University Press, 1905)

Selections

  • Chattering Courtesans and Other Sardonic Sketches translated by Keith Sidwell (Penguin Classics, 2004)
  • Selected Dialogues translated by C. D. N. Costa (Oxford World's Classics, 2006)
  • On the Syrian Goddess, Jane Lightfoot, 2000, OUP, 1989

References

[edit]
  1. ^ See Sidwell pp. xiv–xv
  2. ^ Sidwell p.33
  3. ^ Sidwell p. 241
  4. ^ Sidwell p. 67
  5. ^ Loeb Vol. 3, p. 411
  6. ^ Sidwell pp. 242–243
  7. ^ Costa p. 88
  8. ^ Sidwell p. 350
  9. ^ Sidwell p. 351

Secondary sources

[edit]
  • The Oxford Companion to Classical Literature ed. M. C. Howatson (Second edition, OUP, 1989)
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