Легендарное существо

Несколько мифических существ из *книжки с картинками для детей* ( Lit. « *Книга для детей* » ) между 1790 и 1822 годами Фридриха Джастина Бертуха

существо Легендарное называемое существом или мифологическим существ также ( мифическим современность .

В классическую эпоху чудовищные существа, такие как Циклоп и Минотавр, появляются в героических рассказах, чтобы главный герой мог уничтожить. Другие существа, такие как единорог , были заявлены в отчетах о естественной истории различными учеными древности. ^{[ 1 ]}^{[ 2 ]}^{[ 3 ]}

Некоторые легендарные существа возникли в традиционной мифологии и, как полагают, были настоящими существами. Например, драконы , гриффины и единороги. Другие основаны на реальных столкновениях или искаженных рассказах о сказках путешественников, таких как ягненка с растительным ягнентом , который предположительно вырос на земле. ^{[ 4 ]}

Существа

In classical mythology, the Minotaur was defeated by the hero Theseus.

Medieval bestiaries included mythical animals like the monoceros (above) alongside real animals like the bear.

A variety of mythical animals appear in the art and stories of the classical era. For example, in the Odyssey, monstrous creatures include the Cyclops, Scylla and Charybdis for the hero Odysseus to confront. Other tales include Medusa to be defeated by Perseus, the (human/bull) Minotaur to be destroyed by Theseus, and the Hydra to be killed by Heracles, while Aeneas battles with the harpies. These monsters thus have the basic function of emphasizing the greatness of the heroes involved.^[5]^[6]^[7]

Some classical era creatures, such as the (horse/human) centaur, chimaera, Triton and the flying horse Pegasus, are found also in Indian art. Similarly, sphinxes appear as winged lions in Indian art and the Piasa Bird of North America.^[8]^[9]

In medieval art, animals, both real and mythical, played important roles. These included decorative forms as in medieval jewellery, sometimes with their limbs intricately interlaced. Animal forms were used to add humor or majesty to objects. In Christian art, animals carried symbolic meanings, where for example the lamb symbolized Christ, a dove indicated the Holy Spirit, and the classical griffin represented a guardian of the dead. Medieval bestiaries included animals regardless of biological reality; the basilisk represented the devil, while the manticore symbolised temptation.^[10]

Allegory

One function of mythical animals in the Middle Ages was allegory. Unicorns, for example, were described as extraordinarily swift and uncatchable by traditional methods.^[11]^: 127 It was believed that the only way for one to catch this beast was to lead a virgin to its dwelling. Then, the unicorn was supposed to leap into her lap and go to sleep, at which point a hunter could finally capture it.^[11]^: 127 In terms of symbolism, the unicorn was a metaphor for Christ. Unicorns represented the idea of innocence and purity. In the King James Bible, Psalm 92:10 states, "My horn shalt thou exalt like the horn of a unicorn." This is because the translators of the King James erroneously translated the Hebrew word re'em as unicorn.^[11]^: 128 Later versions translate this as wild ox.^[12] The unicorn's small size signifies the humility of Christ.^[11]^: 128

Another common legendary creature that served allegorical functions within the Middle Ages was the dragon. Dragons were identified with serpents, though their attributes were greatly intensified. The dragon was supposed to have been larger than all other animals.^[11]^: 126 It was believed that the dragon had no harmful poison but was able to slay anything it embraced without any need for venom. Biblical scriptures speak of the dragon in reference to the devil, and they were used to denote sin in general during the Middle Ages.^[11]^: 126 Dragons were said to have dwelled in places like Ethiopia and India, based on the idea that there was always heat present in these locations.^[11]^: 126

Physical detail was not the central focus of the artists depicting such animals, and medieval bestiaries were not conceived as biological categorizations. Creatures like the unicorn and griffin were not categorized in a separate "mythological" section in medieval bestiaries,^[13]^: 124 as the symbolic implications were of primary importance. Animals we know to have existed were still presented with a fantastical approach. It seems the religious and moral implications of animals were far more significant than matching a physical likeness in these renderings. Nona C. Flores explains, "By the tenth century, artists were increasingly bound by allegorical interpretation, and abandoned naturalistic depictions."^[13]^: 15

References

^ Phillips, Catherine Beatrice (1911). "Unicorn" . In Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol. 27 (11th ed.). Cambridge University Press. pp. 581–582.
^ Bascom, William (1984). Alan Dundes (ed.). Sacred Narrative: Readings in the Theory of Mythology. University of California Press. p. 9. ISBN 9780520051928. table.
^ Simpson, Jacqueline; Roud, Steve (2000). A Dictionary of English Folklore. Oxford University Press. ISBN 9780192100191. Retrieved 24 March 2013.
^ Large, Mark F.; Braggins, John E. (2004). Tree Ferns. Portland, Oregon: Timber Press, Incorporated. p. 360. ISBN 978-0-88192-630-9.
^ Delahoyde, M.; McCartney, Katherine S. "Monsters in Classical Mythology". Washington State University. Retrieved 6 January 2017.
^ Grimal, Pierre. The Dictionary of Classical Mythology. Blackwell Reference, 1986.
^ Sabin, Frances E. Classical Myths That Live Today. Silver Burdett Company, 1940.
^ Murthy, K. Krishna (1985). Mythical Animals in Indian Art. Abhinav Publications. pp. 68–69. ISBN 978-0-391-03287-3.
^ O'Flaherty, Wendy (1975). Hindu Myths: A Sourcebook. Penguin.
^ Boehm, Barbara Drake; Holcomb, Melanie (January 2012) [2001]. "Animals in Medieval Art". Metropolitan Museum of Art. Retrieved 5 January 2017.
^ Jump up to: ^a ^b ^c ^d ^e ^f ^g Gravestock, Pamela. "Did Imaginary Animals Exist?" In The Mark of the Beast: The Medieval Bestiary in Art, Life, and Literature. New York: Garland. 1999.
^ J. L. Schrader. The Metropolitan Museum of Art Bulletin, New Series, Vol. 44, No. 1, "A Medieval Bestiary" (Summer, 1986), pp. 1+12–55, 17.
^ Jump up to: ^a ^b Flores, Nona C., "The Mirror of Nature Distorted: The Medieval Artist's Dilemma in Depicting Animals". In The Medieval World of Nature. New York: Garland. 1993.

External links

Media related to creatures at Wikimedia Commons

[Britannica-1] Phillips, Catherine Beatrice (1911). "Unicorn" . In Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol. 27 (11th ed.). Cambridge University Press. pp. 581–582.

[Dundes1984-2] Bascom, William (1984). Alan Dundes (ed.). Sacred Narrative: Readings in the Theory of Mythology. University of California Press. p. 9. ISBN 9780520051928. table.

[SimpsonRoud2000-3] Simpson, Jacqueline; Roud, Steve (2000). A Dictionary of English Folklore. Oxford University Press. ISBN 9780192100191. Retrieved 24 March 2013.

[Large&Braggins-4] Large, Mark F.; Braggins, John E. (2004). Tree Ferns. Portland, Oregon: Timber Press, Incorporated. p. 360. ISBN 978-0-88192-630-9.

[5] Delahoyde, M.; McCartney, Katherine S. "Monsters in Classical Mythology". Washington State University. Retrieved 6 January 2017.

[6] Grimal, Pierre. The Dictionary of Classical Mythology. Blackwell Reference, 1986.

[7] Sabin, Frances E. Classical Myths That Live Today. Silver Burdett Company, 1940.

[8] Murthy, K. Krishna (1985). Mythical Animals in Indian Art. Abhinav Publications. pp. 68–69. ISBN 978-0-391-03287-3.

[9] O'Flaherty, Wendy (1975). Hindu Myths: A Sourcebook. Penguin.

[Met-10] Boehm, Barbara Drake; Holcomb, Melanie (January 2012) [2001]. "Animals in Medieval Art". Metropolitan Museum of Art. Retrieved 5 January 2017.

[Gravestock-11] Jump up to: ^a ^b ^c ^d ^e ^f ^g Gravestock, Pamela. "Did Imaginary Animals Exist?" In The Mark of the Beast: The Medieval Bestiary in Art, Life, and Literature. New York: Garland. 1999.

[12] J. L. Schrader. The Metropolitan Museum of Art Bulletin, New Series, Vol. 44, No. 1, "A Medieval Bestiary" (Summer, 1986), pp. 1+12–55, 17.

[Flores-13] Jump up to: ^a ^b Flores, Nona C., "The Mirror of Nature Distorted: The Medieval Artist's Dilemma in Depicting Animals". In The Medieval World of Nature. New York: Garland. 1993.

[ 1 ]

[ 2 ]

[ 3 ]

[ 4 ]

[5]

[6]

[7]

[8]

[9]

[10]

[11]

[12]

[13]

Существа

Allegory

See also

References

External links