Грегори Рейнхарт
Грегори Рейнхарт (родился 18 июня 1951 года в Павильоне, Нью -Йорк ) - американская басовая оперная певица. Он отмечен чрезвычайно широкой репертурой, которая варьируется от ранней музыки до мировой премьеры из нескольких современных опер, включая Лоуэлла Либермана , картину «Дориан Грей» , « К. К.» и «Паскаль Дусапин » , Uomo di Фумо .
Его высоко оценили в Руководстве столичной опера по зарегистрированной опере за его выступление в Monteverdi's L'Incoronazione di Poppea как один из лучших Senecas в записи с «великолепным басовым голосом: твердым и ясным на протяжении всего своего широкого диапазона». [ 1 ] [ 2 ] [ 3 ]
Биография
[ редактировать ]Грегори Рейнхарт вырос в северной части штата Нью -Йорк. В 1971 году он вошел в Бостонскую консерваторию в Новой Англии (NEC), где он изучал голос с Марком Пирсоном и взял мастер -классы с Элеонорой Стебер . Он окончил «с отличием» в 1974 году и получил степень магистра музыки в 1977 году. В 1976 году он получил награду за стипендию, которая также позволила ему тренироваться с Филлис Кертин в музыкальном центре Танглвуд в Массачусетсе. В то время как в NEC он появился в студенческих выступлениях Ravel's L'Ure Espagnole и Donizetti Don Pasquale .
He directed the choir of St. John the Baptist in Quincy, sang with Emmanuel Music, and appeared as a soloist with the Boston Symphony Orchestra in the Monteverdi Vespers, Bach's St. Matthew Passion and Tchaikovsky's opera Eugene Onegin. Another early venture into opera was his performance in Verdi's Giovanna d'Arco with Boston Concert Opera, where according to the Boston Globe critic, Richard Dyer, "he sang the guest-star New York contingent right off the stage".[4]
Reinhart then went on to train as an opera singer at the American Institute of Musical Studies in Graz, where he took further classes with Eleanor Steber and studied with the soprano Patricia Brinton who encouraged him to continue his preparation in Paris. He remained with her there for two years, thanks to a private donor from Quincy, Adelina Chella. During his years in Paris, he received the advice and encouragement of Pierre Bernac and Camille Maurane.
He met the French musicologist Jacques Chuilon in 1980.[5] Their collaboration developed a vocal technique that allowed Reinhart to perform a wide repertory from Bach and Mozart to the dramatic bass roles of Richard Wagner, meeting the vocal demands of modern music, and the subtleties of German Lieder and French Mélodie.
Reinhart made his French operatic debut with the Atelier Lyrique de Tourcoing in 1981, when he sang the title role of Giovanni Paisiello's Le roi Théodore à Venise in its first performance in modern times. In 1984 he appeared at the Théâtre du Châtelet as both Huascar and Bellone in Rameau's Les Indes Galantes. It was the first time that a fully staged Rameau opera was performed in Paris with a full baroque period instrument orchestra. That same year he sang the role of Arnold in the French premiere of Hans Werner Henze's La chatte anglaise at the Opéra-Comique.
Reinhart was guest artist with the Opéra de Paris in more than 200 performances, displaying his versatility there in works by Handel, Cimarosa, Berlioz, Rossini, Strauss, Hindemith, Janacek, Manoury, Henze, Fénelon, and Dusapin. Notably, he was cast as Narbal and Panthée in Berlioz’s Les Troyens for the official opening of Paris’ Bastille Opera Theater in 1990.[6]
Internationally, Reinhart has also been a guest performer in opera, oratorio and recital in many prominent music festivals including the Aix-en-Provence Festival, the Handel Festival, Halle, the Santa Fe Opera Festival, the Rossini Opera Festival in Pesaro, and the Chorégies d'Orange Festival. Amongst the ensembles he worked with are Groupe Vocale de France under John Alldis, Ensemble intercontemporain under Pierre Boulez and Les Arts Florissants which he co-founded with William Christie.
Although he continued to be based in France, Reinhart increasingly appeared in the United States. In 2002 he made his debut at New York City Opera as Claudius in Agrippina, followed by Pooh-Bah in The Mikado. His Washington National Opera debut followed in 2005 as The Old Hebrew in Samson et Dalila, conducted by Plácido Domingo. The following year he made his Metropolitan Opera debut as The Armoured Man in Die Zauberflöte. He continued as Principal Artist at the Met until 2017. Engagements followed in Portland, Pittsburgh, San Diego, San Francisco, and Carnegie Hall in New York.
In 2011, Reinhart made a local debut in São Paulo, Brazil, as Hunding in Die Walküre. He thus embarked upon an important chapter in that country which led to wide-ranging engagements including Hagen in Götterdämmerung, Osmin in Mozart’s Die Entfürung aus dem Serail, and the title role of Don Quichotte by Massenet. That signature role, in a co-production with the Theatro Municipal in Rio de Janeiro, was named Best Production of the Year in 2016.[7][8]
In 2017 Gregory was inducted into the PCS Hall of Fame, in his home town of Pavilion, New York.[1][2]
World premiere performances
[edit]- Bass soloist in Gilbert Amy’s Missa cum jubilo, Orchestre de Paris, Peter Eötvös, cond. (CD Erato)
- Bass soloist in Volker David Kirchner’s Missa Moguntina, Mainzer Domorchester, Mathias Breitschaft, cond.
- Bass soloist in Seymour Schifrin’s Chronicles, Boston Symphony Orchestra, Seiji Ozawa, cond.
- Two Sonnets of John Donne by Malcom Peyton, Boston, NEC
- Arnold in Hans Werner Henze’s La chatte anglaise (French language premier) Opéra-Comique, Paris, Dennis Russell Davies, cond. 1984
- Arnold in Hans Werner Henze’s The English Cat (first English-language recording) with The BBC Orchestra, London, Dennis Russell Davies, cond. 1985
- Le Bouddhiste in Alberto Bruni-Tedeschi's Secondatto, world premiere, Opéra de Nice, 1987
- Basil Hallward in Lowell Liebermann's The Picture of Dorian Gray, world premiere, Opéra de Monte-Carlo, 1996
- The Investigating Magistrate and The Prison Chaplain in Philippe Manoury's K..., world premiere, Opéra Bastille, 2001
- Pilone the Philosopher and The king's guard in Pascal Dusapin's Perelà, uomo di fumo, world premiere, Opéra Bastille, 2003[6]
Repertoire
[edit]Gregory Reinhart's wide ranging stage repertoire includes:
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Selected discography
[edit]- Beethoven: Symphony No. 9 (Augér, Reinhart, Robbin, Rolfe Johnson; London Symphony Chorus; Academy of Ancient Music; Christopher Hogwood, conductor). Label: L'Oiseau-Lyre/Decca.
- Berlioz: L'enfance du Christ (Reinhart, Osada, Theruel, Saelens, Cognet; Radio Suisse Italienne Orchestra and Chorus; Serge Baudo, conductor). Label: Forlane
- Cesti: Orontea (Bierbaum, Cadelo, Müller-Molinari, Reinhart, Jacobs, Poulenard, De Mey, Sarti; Concerto vocale; René Jacobs, conductor). Label: Harmonia Mundi.
- Charpentier: Pastorale de Noël (Mellon, Feldman, Reinhart; Les Arts Florissants; William Christie, conductor). Label: Harmonia Mundi.
- Fauré: Mélodies (with Dalton Baldwin, piano) Label: Harmonia Mundi
- Handel: Messiah (Kweksilber, Bowman, Elliott, Reinhart; The Sixteen; Amsterdam Baroque Orchestra; Ton Koopman, conductor). Label: Erato.
- Handel: Saul (Kalpers, Jezovsek, Koch, Elwes, Kermes, Reinhart, Meier; Cologne Chamber Choir; Cartusianum Collegium; Peter Neumann, conductor). Label: MD&G Records
- Monteverdi: Il ballo delle ingrate (Laurens, Visse, Mellon, Reinhart, Feldman, Junghänel; Les Arts Florissants; William Christie, conductor). Label: Harmonia Mundi.
- Monteverdi: L'incoronazione di Poppea (Augér, Jones, Bowman, Reinhart, Watson, Beesley; City of London Baroque Sinfonia; Richard Hickox, conductor). Label: Virgin Classics
- Mozart: Requiem K. 626 (Hill, Visse, Reinhart, Alliot-Lugaz; Nord-Pas-de-Calais Regional Choir; La Grande Ecurie et la Chambre du Roy; Jean-Claude Malgoire, conductor). Label: Sony.
- Prokofiev: L'Amour des Trois Oranges (Bacquier, Bastin, Caroli, Dubosc, Fournier, Gautier, Henry, Lagrange, Parraguin, Reinhart, Texier; Opéra National de Lyon Orchestra and Chorus; Kent Nagano, conductor). Label: EMI Classics.
References
[edit]- ^ Jump up to: a b Spicer, Graham. "Gregory Reinhart answers the Gramilano Questionnaire… Singers' Edition". gramilano.com. Retrieved December 16, 2023.
- ^ Jump up to: a b "PCS Alumni Hall of Fame Class of 2017". PCS Alumni Hall of Fame. June 2017. Retrieved December 16, 2023.
- ^ Gruber (1993) p. 267
- ^ Dyer (April 12, 1987)
- ^ Jacques Chuilon is the author of Opéra Opinions (1994), Mattia Battistini: Le dernier divo (1996), and La voix qui chante (1998). The title "Mattia Battistini, King of Baritones and Baritone of Kings" was released in English (Scarecrow Press) in April 2009. See: www.chuilon.com
- ^ Jump up to: a b "Gregory Reinhart's roles at the Opéra de Paris". memopera.fr (in French). Retrieved December 16, 2023.
- ^ "Ópera 'Dom Quixote' lembra os 400 anos sem Miguel de Cervantes". tnonline.uol.com.br (in Portuguese). March 2, 2016. Retrieved December 16, 2023.
- ^ Ayache, Ali Hassan (February 25, 2016). "O Cavaleiro de triste figura na terra da garoa". Opera & Ballet (in Portuguese). Retrieved December 16, 2023.
- Cadenhead, Frank, Perelà, Uomo di Fumo (review of the world premiere), Andante Magazine, February 2003. Accessed December 4, 2008.
- Cummings, David (ed.) International Who's who in Music and Musicians' Directory, Routledge, 2000, p. 535. ISBN 0-948875-53-4
- Dyer, Richard A Well-tempered Reinhart Returns to Boston After 10 Years in France, Boston Globe, April 12, 1987. Accessed via subscription December 4, 2008.
- Gruber, Paul (1993) The Metropolitan Opera Guide to Recorded Opera, New York: Metropolitan Opera Guild. ISBN 0-393-03444-5
- Metropolitan Opera performance archives. Accessed December 4, 2008.
- Midgette, Anne, Mother Knows Best For Her Little Nero, New York Times, April 9, 2002. Accessed December 4, 2008.
- Midgette, Anne, «Волшебная флейта» в качестве театрализованного представления с техническими слабостями , Нью -Йорк Таймс , 23 января 2006 года. Доступ 4 декабря 2008 года.
- Пейдж, Тим, Torpid 'Samson' Sensing Sight в своих выступлениях , Washington Post , 16 мая 2005 года. Доступ 4 декабря 2008 года.
- Поездка, Алан, создавая новую оперную невзгода мелодичную (обзор мировой премьеры картины Дориана Грея ), Нью -Йорк Таймс , 22 мая 1996 года. Доступ 4 декабря 2008 года.
- Riding, Алан, электронный вихрь для клаустрофобного лабиринта (обзор мировой премьеры K ... ), New York Times , 5 апреля 2001 года. Доступ 4 декабря 2008 года.
Внешние ссылки
[ редактировать ]- GregoryReinhart.com Официальный блог
- Грегори Рейнхарт (Бас) -Биография на bach-cantatas.com
- Обзоры выступлений и записей Грегори Рейнхарта в Opera News
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