Четыре священных кусочках

Четыре священных кусочках
Верди Джузеппе
Английский	Четыре священных кусочках
Жанр	Священная вокальная музыка
Текст	Ave Maria - Ave Maria Stabat Mater – Stabat Mater Laudi alla Vergine Maria – Canto XXXIII from Dante's Paradiso Te Deum – Te Deum
Language	Latin Italian
Composed	1886 (1886) – 1897 (1897)
Performed	7 April 1898 (1898-04-07): Paris Opera (without Ave Maria)
Published	1898 (1898): Milan

Четыре священных пьес ( Итальянское произношение: [ˈkwattro ˈpɛttsi ˈsaːkri] , четыре священных часа ) являются хорошими работами Джузеппе Верди . Написанный отдельно в течение последних десятилетий жизни композитора и с различным происхождением и целями, они, тем не менее, были опубликованы в 1898 году Casa Ricordi . Они часто выполняются как цикл, не в хронологической последовательности их композиции, а в последовательности, используемой в публикации Ricordi:

• Ave Maria , обстановка Латинской авеню Марии для четырех сольных голосов, капелла, составленная в 1889 году.
• Стабит Матер , обстановка латинской стабит -матер для хора и оркестра, составленного в 1896 и 1897 годах
• Laudi Alla Vergine Maria , обстановка молитвы в Canto XXXIII Dante Paradiso для четырех женских голосов . Капелла, составленная между 1886 и 1888 годами
• Te Deum , обстановка латинского Te Deum для двойного хора и оркестра, составленного в 1895 и 1896 годах.

Впервые они были выполнены вместе (без пр. Марии) на концерте Парижской оперы 7 и 8 апреля 1898 года под дубинкой Пола Таффинеля .

History

After Verdi finished his opera Aida and in 1874 the Messa da Requiem, he retired from composing for years, writing only minor sacred compositions such as a Pater Noster and an Ave Maria in 1880. The earliest of the Quattro pezzi sacri in terms of its composition date is what came to be known as Laudi alla Vergine Maria (although Verdi himself did not give it that title). It was composed between 1886 and 1888, during which time he was also working on his penultimate opera, Otello, which premiered in 1887. The second of the Pezzi to be composed was the Ave Maria, whose setting is built on an enigmatic scale. He originally composed it in 1889 and revised it for publication in 1897. The Te Deum was begun in 1895 two years after the premiere of his last opera, Falstaff. It was finished in the summer of 1896. The Stabat Mater followed, and all four pieces were sent to Verdi's publisher, Casa Ricordi, in June 1897

Music

At the end of his life Verdi returned to his beginnings as a church musician. He studied Bach's Mass in B minor and compositions by Palestrina, whose influence is apparent in the Laudi alla Vergine Maria.

The publisher Schott gives the total performance time as 37 minutes.

Ave Maria

Verdi was inspired in 1889 to compose Ave Maria by the enigmatic scale C – D-flat – E – F-sharp – G-sharp – A-sharp – B – C which Adolfo Crescentini (1854–1921) had published in Ricordi's magazine Gazetta musicale di Milano, inviting composers to harmonise it. Verdi composed a setting for four unaccompanied voices, with the bass singing the scale first, followed by alto, tenor and soprano, whereas the three remaining voices supply harmonic texture. He commented: "An Ave Maria. It will be my fourth! Perhaps I shall be beatified by the Holy Father." Verdi revised the work in June 1897 for the publication. The music publisher Schott renders the subtitle as "Scala enigmatica armonizzata a 4 voci miste" (Enigmatic scale harmonised for four mixed voices). It takes about six minutes to perform.

Stabat Mater

While Ave Maria is set for soloists, Verdi scored the Stabat Mater for a four-part mixed chorus (SATB) and a large orchestra of three flutes, two oboes, two clarinets. four bassoons, four horns, three trumpets, four trombones, percussion (timpani and bass drum), harp and strings.

The work is through-composed, without repetition of text. It is full of chromaticism. Melodic parts, similar to arias, contrast with a cappella passages and dramatic outbursts. The music reaches a climax on the text "Paradisi gloria" (glory of paradise), then dies down in the lowest registers of the strings. A performance takes about 12 minutes.

Laudi alla Vergine Maria

Laudi alla Vergine Maria is another a cappella work, set for four solo female voices. It is based on a short prayer from in Canto XXXIII of Dantes's Paradiso, the third part of his Divina Commedia. Verdi alludes on the counterpoint of Renaissance music. Each stanza is introduced by a new motif. Biographer Budden describes the piece as "with the subtlest of harmonic and rhythmic inflexions, unashamedly modern in character". The audience requested a repetition when it was first performed. Publisher Schott renders the subtitle as "Tolte dall' ultimo canto del "Paradiso" di Dante per 4 voci feminili, sole" (Taken from the ultimate song of "Paradiso" by Dante for 4 female voices, solo). It takes about six minutes to perform.

Te Deum

The Ambrosian Hymn Te Deum is scored for two four-part choirs, a short soprano solo and large orchestra, adding cor anglais and bass clarinet to the orchestra of the Stabat Mater, but without harp. Verdi wrote to Giovanni Tebaldini, director of music in Padua: "It is usually sung during grand, solemn and noisy ceremonies for a victory or a coronation etc. ... Humanity believes in the Judex Venturus, invokes Him in the Salvum fac and ends with a prayer, 'Dignare Domine die isto', which is moving, melancholy and sad even to the point of terror." The music begins with the Gregorian chant Te deum laudamus, te Dominum confitemur, continued responsorially by the whole male choir in unison. The full choir and orchestra enter in partly dramatic scenes, reminiscent of the Messa da Requiem, interspersed by Gregorian chant. The final line in te speravi is first rendered by a single soprano voice from the choir, representing the "[voice of] mankind", as Verdi requested. The line is repeated by the choir, followed by a reticent postlude, similar to the conclusion of the Requiem. A performance takes about 15 minutes. Verdi himself suggested 12 minutes.

Performances

Verdi did not want the Ave Maria to be performed with the other pieces. According to his wish, three pieces were first performed on 7 and 8 April 1898 at the Paris Opera as part of a concert series of the Société des Concerts du Conservatoire, conducted by Paul Taffanel (1844–1908). Verdi was not present, because he had suffered a mild stroke, but sent Arrigo Boito with several requests, partly in writing, for performance details. The first performance in Italy, again without the Ave Maria, was conducted in Turin on 26 May 1898 by Arturo Toscanini who had talked to Verdi. The first performance in Austria on 13 November 1898 in Vienna was conducted by Richard von Perger and included the Ave Maria, but the two a cappella works were performed by the choir, not by solo voices as Verdi had intended.

Verdi liked the Te Deum best of the four works and reputedly wanted to be buried with the score.

Bibliography

• Budden, Julian (2008). Verdi. Oxford University Press. ISBN 9780198043485. Retrieved 8 October 2013.
• Schweikert, Uwe (2001). "Quattro pezzi sacri". In Gerhard, Anselm; Schweikert, Uwe (eds.). Verdi Handbuch (in German). Metzler Kassel, Bärenreiter Stuttgart and Weimar: Metzler. ISBN 9783476017680.
• Izzo, Francesco (2013). "A Tale of Survival: Choral Music in Italy". In Di Grazia, Donna M. (ed.). Nineteenth-Century Choral Music. Routledge. p. 318. ISBN 9780415988520.

• Rizzo, Dino (2014). "La Musica filosofica nei tre Pezzi sacri di Verdi". In Atti del Convegno Verdi, la Musica e il Sacro, Roncole Verdi - Busseto, 27-29 settembre 2013 a cura di Dino Rizzo, Fidenza, Mattioli 1885. ISBN 9788862614382

External links

• Quattro pezzi sacri: Scores at the International Music Score Library Project
• Свободные результаты Джузеппе Верди: Аве Мария в библиотеке хоровой общественной достояния (Choralwiki)
• Свободные результаты Джузеппе Верди: Лауди Алла Вергин Мария в библиотеке хоровой общественной достояния (Choralwiki)
• Литература по Quattro Pezzi Sorri в Германии национальной библиотеки каталоге
• Джузеппе Верди / Священные части (4), для хора и оркестра (четыре священных пьес) Allmusic
• Ирина Джордживе: Кваттро Пецци Серви Джузеппе Верди: Ранняя история и соображения по программированию, анализ и интерпретация Истман Школа музыки , Рочестер, Нью -Йорк
• Четыре прохождения SACUS-VERLAG SARY