Дарбари Канада
Эта статья требует дополнительных цитат для проверки . ( декабрь 2023 г. ) |
Таат | Асавари |
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Время суток | Полночь |
Расставаться | Sr (m) g, mp (n) dn s ' |
Смотреть на | S '(n) dn pmp (m) g, mrs |
Проводка | Ведущий |
Самавади | П |
Синоним | Дурбари |
Похожий |
Hindustani classical music | ||||||
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Thaats | ||||||
Дарбари Канада , или просто Рага Дарбари (произносится Дарбари Канада), - это рага в карнатической музыке . Это Джанья Рагам (производная масштаба) 20 -й Мелакарты Рага Натабхайрави . Будучи древней рагой, его первоначальное имя неизвестно. Считается, что он заимствован в классической музыке Хиндустани Миян Тансен , знаменитый композитор 16-го века в императора Акбара суде . Это принадлежит семье Канада . Эта традиция отражена в самом имя; Дарбар - это персидское слово на хинди, означающее «суд». Как самая знакомая рага в семье Канада, иногда можно также называться Shuddha Kanada или Pure Kanada . Он принадлежит асавари -таат . [ 1 ] Этот RAAG призывает Раагу Каанаду в танце Якшагана штата Карнатака. все о Это . [ 2 ]
In Hindustani classical music
[edit]In Hindustani music, Darbari follows almost its original style of singing from the Carnatic music. It is a grave raga, played deep into the night, considered to be one of the more difficult to master, and with the potential for profound emotional impact.[3]
Darbari is a very serious raga and hence, slow and elaborate meend and andolan are generally more preferred than light and frivolous ornamentations like murki or khatka. The improvisation of Darbari is done more in the mandra saptak, or lower octave. The ascension of arohana is in the lower and middle octaves. In the avarohana the note Ga (gandhar) komal is used in a slow vibrato (andolan) on this note. Similarly, komal Dha is also used by Andolan. The Andolan of komal Ga and komal Dha add to the gravity of the raga. The association of the notes Ni and Pa sounds pleasing. Its Vadi swara is Re and Samavadi is Pa.
arohana: S R (R)g, (R)g M P d n S'
avarohana: S' d n P M P (M)g, (M)g M (S)R, S
For reference, the set of notes in the Asavari thaat is S R g M P d n, and for Darbari, the role of the komal gandhar is crucial, as is dwelling on the lower komal dhaivat for some time. Other ragas in the Kanada family include Abhogi Kanada, Shahana Kanada, and Adana (Adana is part of the Kanada Raga group).
Important recordings
[edit]- Amir Khan, Raagaas Maarwa and Darbaari, Odeon LP (long-playing record), ODEON-MOAE 103, later reissued by HMV as EMI-EALP1253, critically regarded as a benchmark for both Maarwa and Darbaari.
- Pt. D. V. Paluskar, Jhanak Jhanakva More Bitchuwa, Golden Milestones, D. V. Paluskar. This is actually closer to raag Adaana than Darbaari.
- East Atlanta rapper JID, samples the Darbaari raga on his song 151 Rum (song)
In Carnatic music
[edit]It is an ubhaya vakra sampurna rāgam derived from the 20th melakarta rāgam Natabhairavi.[4] It is an extremely melodious raga. It can create extreme and unparalleled emotional impact. It is said to evoke feeling of sadness, longing and romance to listeners. Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on the notations used):
This scale uses the notes chatusruti rishabham, sadharana gandharam, shuddha madhyamam, shuddha dhaivatham, kaisiki nishadham.[4]
Compositions in Carnatic music
[edit]- Chandra chuda shiva shankara parvati by Purandara Dasa
- Govardhana Giridhara by Narayana Teerthar[citation needed]
- Nee ninaindhal by Periyasaami Thooran[citation needed]
- Pâdodhi Kanyakâm by Kalyani Varadarajan[citation needed]
- Devan ke pati Indra by Swathi Thirunal
- Tum aur fareeb khaow by Farida Khanum
- Hari Tum Haro by Mirabai
- Darbari Thillana by Lalgudi Jayaraman
Film songs
[edit]Language: Tamil
[edit]Language: Hindi
[edit]Language: Malayalam
[edit]Song | Movie | Composer | Singer |
---|---|---|---|
Aalapanam | Ente Sooryaputhrikku | Illayaraja | K.S. Chitra, K.J. Yesudas, P. Susheela |
Ariyathe Ariyathe | Ravanaprabhu | Suresh Peters | K.S. Chitra, P. Jayachandran |
Aayiram Padasarangal | Nadi | G. Devarajan | K. J. Yesudas |
Azhake | Amaram | Raveendran | K.S. Chitra, K.J. Yesudas |
Idayaraaga | Uncle Bun | ||
Dukhame | Pushpanjali | M. K. Arjunan | K. J. Yesudas |
Ponnil Kulichu Ninnu | Sallapam | Johnson | K. S. Chitra, K. J. Yesudas |
Thoomanjin Nenchilothungi | Samooham | K.J. Yesudas | |
Sindhoorappoo Manassil | Gamanam | Bichu Thirumala | K. S. Chitra, K. J. Yesudas |
Shivadam Shivanamam | Mazhavillu | Mohan Sithara | M.G. Sreekumar, K. S. Chithra |
Thamara Noolinal | Mullavalliyum Thenmavum | Ousepachan | G. Venugopal, Gayatri Asokan |
Language: Telugu
[edit]Song | Movie | Composer | Singers |
---|---|---|---|
Pavana Guna Rama | Bhakta Potana | V. Nagayya | V. Nagayya |
Sivasankari Sivanandalahari | Jagadeka Veeruni Katha | Pendyala Nageswara Rao | Ghantasala |
Namo Bhootanatha | Satya Harishchandra (1965 Telugu film) | Pendyala (composer) | Ghantasala (musician) & S. Varalakshmi |
Aanati Kaavalena gaanaaniki samayamu | Amara Sandesam(1954 film) | K.Prasada Rao & Kelkar | |
Nee Kougililo Taladachi Nee Chetulalo Kanumoosi | Karthika Deepam (film) | Satyam (composer) | P. Susheela |
Sri Hanuman Gurudev Charanamulu | Hanuman Chalisa in Telugu | M. S. Ramarao | M. S. Ramarao |
See also
[edit]Notes
[edit]References
[edit]- ^
Hindustani Sangeetha Paddhati (4 volumes, Marathi) (1909–1932). Vishnu Narayan Bhatkhande. Sangeet Karyalaya (1990 reprint). ISBN 81-85057-35-4.
{{cite book}}
: CS1 maint: numeric names: authors list (link) This book, which establishes the Thaat system, has been widely translated. - ^ Raganidhi , P. subba Rao, Pub. 1964, Музыкальная академия Мадраса
- ^ Раджан П. Паррикар (11 декабря 2000 г.). «Созвездие Канады (часть 1/3)» . Женский форум Южной Азии . Получено 11 апреля 2007 года .
- ^ Jump up to: а беременный Рагас в карнатической музыке доктора С. Бхагьялексми, паб. 1990, CBH Publications
Внешние ссылки
[ редактировать ]- Песни фильмов в Rag Darbari Kanada Archived 3 апреля 2019 года на The Wayback Machine
- Более подробная информация о Raga Darbarikanada