List of organ compositions by Johann Sebastian Bach
| Lists of |
| Compositions by Johann Sebastian Bach |
|---|
Organ compositions by Johann Sebastian Bach refers to the compositions in the seventh chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions),[1] or, in the New Bach Edition, the compositions in Series IV.[2]
Six Sonatas (BWV 525–530)
[edit]- BWV 525 – Sonata No. 1 in E-flat major
- BWV 526 – Sonata No. 2 in C minor
- BWV 527 – Sonata No. 3 in D minor
- BWV 528 – Sonata No. 4 in E minor
- BWV 529 – Sonata No. 5 in C major
- BWV 530 – Sonata No. 6 in G major
In the form of a Prelude, Toccata, Fantasia, Passacaglia, middle movement and/or Fugue (BWV 531–582)
[edit]- BWV 531 – Prelude and Fugue in C major
- BWV 532 – Prelude and Fugue in D major
- BWV 532a – Fugue in D major (alternative version of the fugue of BWV 532)
- BWV 533 – Prelude and Fugue in E minor ("Cathedral")
- BWV 533a – Prelude and Fugue in E minor (alternative version of BWV 533 without pedals)
- BWV 534 – Prelude and Fugue in F minor (doubtful)[3][4]
- BWV 535 – Prelude and Fugue in G minor
- BWV 535a – Prelude and Fugue in G minor (alternative version of BWV 535)
- BWV 536 – Prelude and Fugue in A major
- BWV 536a – Prelude and Fugue in A major (alternative version of BWV 536, possibly based on the original manuscript)[5]
- BWV 537 – Fantasia and Fugue in C minor
- BWV 538 – Toccata and Fugue in D minor ("Dorian")
- BWV 539 – Prelude and Fugue in D minor ("Fiddle") (uncertain)[6]
- BWV 539a – Fugue in D minor (see BWV 1000 for the lute arrangement, movement 2 of BWV 1001 for the violin arrangement)
- BWV 540 – Toccata and Fugue in F major
- BWV 541 – Prelude and Fugue in G major
- BWV 542 – Fantasia and Fugue in G minor ("Great")
- BWV 542a – Fugue in G minor (alternative version of the fugue from BWV 542)
- BWV 543 – Prelude and Fugue in A minor
- BWV 544 – Prelude and Fugue in B minor
- BWV 545 – Prelude and Fugue in C major
- BWV 545a – Prelude and Fugue in C major (alternative version of BWV 545)
- BWV 545b – Prelude, Trio and Fugue in B-flat major (alternative version of BWV 545; the Trio is an arrangement of the finale of BWV 1029; some parts possibly by Johann Tobias Krebs)
- BWV 546 – Prelude and Fugue in C minor
- BWV 547 – Prelude and Fugue in C major ("9/8")
- BWV 548 – Prelude and Fugue in E minor ("Wedge")
- BWV 549 – Prelude and Fugue in C minor
- BWV 550 – Prelude and Fugue in G major
- BWV 551 – Prelude and Fugue in A minor
- BWV 552 – Prelude and Fugue in E-flat major ("St. Anne") (part of Clavier-Übung III)
- BWV 553 – Eight Short Preludes and Fugues – Prelude and Fugue in C major (spurious, possibly by Johann Tobias Krebs)[7]
- BWV 554 – Eight Short Preludes and Fugues – Prelude and Fugue in D minor (spurious, possibly by Johann Tobias Krebs)[7]
- BWV 555 – Eight Short Preludes and Fugues – Prelude and Fugue in E minor (spurious, possibly by Johann Tobias Krebs)[7]
- BWV 556 – Eight Short Preludes and Fugues – Prelude and Fugue in F major (spurious, possibly by Johann Tobias Krebs)[7]
- BWV 557 – Eight Short Preludes and Fugues – Prelude and Fugue in G major (spurious, possibly by Johann Tobias Krebs)[7]
- BWV 558 – Eight Short Preludes and Fugues – Prelude and Fugue in G minor (spurious, possibly by Johann Tobias Krebs)[7]
- BWV 559 – Eight Short Preludes and Fugues – Prelude and Fugue in A minor (spurious, possibly by Johann Tobias Krebs)[7]
- BWV 560 – Eight Short Preludes and Fugues – Prelude and Fugue in B-flat major (spurious, possibly by Johann Tobias Krebs)[7]
- BWV 561 – Fantasia and Fugue in A minor (spurious, possibly by Johann Christian Kittel)[8]
- BWV 562 – Fantasia and Fugue in C minor (fugue unfinished)
- BWV 563 – Fantasia in B minor (Fantasia and Imitatio) (spurious)
- BWV 564 – Toccata, Adagio and Fugue in C major
- BWV 565 – Toccata and Fugue in D minor
- BWV 566 – Toccata and Fugue in E major (also published in C major)
- BWV 566a – Toccata in E major (earlier version of BWV 566)
- BWV 567 – Prelude in C major (possibly by Johann Ludwig Krebs)[9]
- BWV 568 – Prelude in G major (doubtful)[9]
- BWV 569 – Prelude in A minor
- BWV 570 – Fantasia in C major
- BWV 571 – Fantasia (Concerto) in G major (spurious)
- BWV 572 – Fantasia in G major (Pièce d'Orgue)
- BWV 573 – Fantasia in C major (incomplete, from the 1722 Notebook for Anna Magdalena Bach)
- BWV 574 – Fugue in C minor (on a theme of Legrenzi)
- BWV 574a – Fugue in C minor (alternative version of BWV 574)
- BWV 574b – Fugue in C minor (alternative version of BWV 574)
- BWV 575 – Fugue in C minor
- BWV 576 – Fugue in G major (doubtful)[10]
- BWV 577 – Fugue in G major à la Gigue (doubtful)[11]
- BWV 578 – Fugue in G minor ("Little")
- BWV 579 – Fugue in B minor (on a theme by Corelli, from Op. 3, No. 4)
- BWV 580 – Fugue in D major (doubtful)[12]
- BWV 581 – Fugue in G major (not by Bach, composed by Gottfried August Homilius)
- BWV 582 – Passacaglia and Fugue in C minor
Trios (BWV 583–586)
[edit]- BWV 583 – Trio in D minor (spurious, possibly a transcription of a chamber trio by another composer)[13]
- BWV 584 – Trio in G minor (spurious, a version of BWV 166/2 or another, lost, aria)
- BWV 585 – Trio in C minor (spurious, after Johann Friedrich Fasch)
- BWV 586 – Trio in G major (spurious, possibly after Georg Philipp Telemann)
Miscellaneous pieces (BWV 587–591)
[edit]- BWV 587 – Aria in F major (spurious, after François Couperin)
- BWV 588 – Canzona in D minor
- BWV 589 – Allabreve in D major
- BWV 590 – Pastorella in F major (first movement probably incomplete)
- BWV 591 – Little Harmonic Labyrinth (Kleines harmonisches Labyrinth) (spurious, possibly by Johann David Heinichen)
Concertos (BWV 592–597)
[edit]- BWV 592 – Concerto in G major (after a concerto by Prince Johann Ernst of Saxe-Weimar)
- BWV 592a – Concerto in G major (an arrangement of BWV 592 for harpsichord)
- BWV 593 – Concerto in A minor (after Antonio Vivaldi's Concerto for two violins, Op. 3 No. 8, RV 522)
- BWV 594 – Concerto in C major (after Antonio Vivaldi's Grosso mogul violin concerto, RV 208)
- BWV 595 – Concerto in C major (after a concerto by Prince Johann Ernst of Saxe-Weimar)
- BWV 596 – Concerto in D minor (after Antonio Vivaldi's Concerto for two violins and cello, Op. 3 No. 11, RV 565)
- BWV 597 – Concerto in E-flat major (doubtful)
Pedal exercise (BWV 598)
[edit]- BWV 598 – Pedal-Exercitium ("Pedal Exercise") in G minor (fragment, authorship uncertain, presumably by Carl Philipp Emanuel Bach)[14]
Chorale Preludes
[edit]Traditionally known as chorale preludes, the compositions in the BWV 599–771 range of the Bach-Werke-Verzeichnis, and later additions BWV 1085, 1090–1120 (Neumeister Chorales) and 1128, are also indicated as chorale settings for organ,[15] and include multi-movement chorale partitas[16] and sets of variations.[17]
| column | content | links to | |
|---|---|---|---|
| 1 | Name | Name of the chorale prelude, by J. S. Bach unless otherwise indicated | Work page at Bach Digital website |
| 2 | BWV | Number of the composition in the Bach-Werke-Verzeichnis | Description of the chorale prelude |
| 3 | Zahn | Zahn number of the hymn tune used in the chorale prelude.[18] | Description of the Lutheran hymn or tune |
| 4 | Other | Works by Bach, other than chorale preludes, using the same hymn tune[19] | Description of the related composition |
Orgelbüchlein (Little Organ Book, BWV 599–644)
[edit]The Orgelbüchlein contains 46 chorale preludes, and a fragment (BWV Anh. 200).
- Advent
- BWV 599 – Nun komm, der Heiden Heiland
- BWV 600 – Gott durch deine Güte (or) Gottes Sohn ist kommen
- BWV 601 – Herr Christ, der ein'ge Gottes Sohn (or) Herr Gott, nun sei gepreiset (also in the Neumeister Collection)
- BWV 602 – Lob sei dem allmächtigen Gott
- Christmas
- BWV 603 – Puer natus in Bethlehem
- BWV 604 – Gelobet seist du, Jesu Christ
- BWV 605 – Der Tag, der ist so freudenreich
- BWV 606 – Vom Himmel hoch, da komm ich her
- BWV 607 – Vom Himmel kam der Engel Schar
- BWV 608 – In dulci jubilo
- BWV 609 – Lobt Gott, ihr Christen, allzugleich
- BWV 610 – Jesu, meine Freude
- BWV 611 – Christum wir sollen loben schon
- BWV 612 – Wir Christenleut'
- New Year
- Epiphany
- Lent
- BWV 618 – O Lamm Gottes, unschuldig
- BWV 619 – Christe, du Lamm Gottes
- BWV 620 – Christus, der uns selig macht
BWV 620a – Christus, der uns selig macht (older version) - BWV 621 – Da Jesus an dem Kreuze stund
- BWV 622 – O Mensch, bewein dein Sünde groß
- BWV 623 – Wir danken dir, Herr Jesu Christ
- BWV 624 – Hilf Gott, daß mir's gelinge
- Easter
- Pentecost
- Catechism hymns
- Miscellaneous
Schübler Chorales (BWV 645–650)
[edit]Most of the Schübler Chorales, which were published around 1748 as Sechs Chorale von verschiedener Art (Six Chorales of Various Kinds), are transcriptions of extant cantata movements:
- BWV 645 – Wachet auf, ruft uns die Stimme
- BWV 646 – Wo soll ich fliehen hin (or) Auf meinen lieben Gott
- BWV 647 – Wer nur den lieben Gott läßt walten
- BWV 648 – Meine Seele erhebt den Herren
- BWV 649 – Ach, bleib bei uns, Herr Jesu Christ
- BWV 650 – Kommst du nun, Jesu, vom Himmel herunter
Great Eighteen Chorale Preludes, a.k.a. Leipzig Chorales (BWV 651–668)
[edit]- BWV 651 – Fantasia super: Komm, Heiliger Geist, Herre Gott
BWV 651a – Fantasia (Präludium) super: Komm, Heiliger Geist, Herre Gott (ältere, Weimarer Fassung) - BWV 652 – Komm, Heiliger Geist, Herre Gott
BWV 652a – Komm, Heiliger Geist, Herre Gott (ältere, Weimarer Fassung) - BWV 653 – An Wasserflüssen Babylon
BWV 653a – An Wasserflüssen Babylon alio modo a 4 (ältere, Weimarer Fassung)
BWV 653b – An Wasserflüssen Babylon (Weimarer Urfassung) - BWV 654 – Schmücke dich, o liebe Seele
BWV 654a – Schmücke dich, o liebe Seele (ältere, Weimarer Fassung) - BWV 655 – Trio super: Herr Jesu Christ, dich zu uns wend
BWV 655a – Trio super: Herr Jesu Christ, dich zu uns wend (ältere, Weimarer Fassung)
BWV 655b – Herr Jesu Christ, dich zu uns wend
BWV 655c – Herr Jesu Christ, dich zu uns wend - BWV 656 – O Lamm Gottes, unschuldig
BWV 656a – O Lamm Gottes, unschuldig (ältere, Weimarer Fassung) - BWV 657 – Nun danket alle Gott (Leuthen Chorale) (ältere Weimarer und Leipziger Fassung)
- BWV 658 – Von Gott will ich nicht lassen
BWV 658a – Fantasia super: Von Gott will ich nicht lassen (ältere, Weimarer Fassung) - BWV 659 – Nun komm, der Heiden Heiland
BWV 659a – Fantasia super: Nun komm, der Heiden Heiland (ältere, Weimarer Fassung) - BWV 660 – Trio super: Nun komm, der Heiden Heiland
BWV 660a – Nun komm, der Heiden Heiland (ältere, Weimarer Fassung)
BWV 660b – Nun komm, der Heiden Heiland - BWV 661 – Nun komm, der Heiden Heiland
BWV 661a – Nun komm, der Heiden Heiland (ältere, Weimarer Fassung) - BWV 662 – Allein Gott in der Höh' sei Ehr'
BWV 662a – Allein Gott in der Höh' sei Ehr' (ältere, Weimarer Fassung) - BWV 663 – Allein Gott in der Höh' sei Ehr'
BWV 663a – Allein Gott in der Höh' sei Ehr' (ältere, Weimarer Fassung) - BWV 664 – Trio super: Allein Gott in der Höh' sei Ehr'
BWV 664a/b – Trio super: Allein Gott in der Höh' sei Ehr' (ältere Weimarer Fassung/Entwurf) - BWV 665 – Jesus Christus, unser Heiland
BWV 665a – Jesus Christus, unser Heiland (in organo pleno) (ältere, Weimarer Fassung) - BWV 666 – Jesus Christus, unser Heiland (alio modo)
BWV 666a – Jesus Christus, unser Heiland (ältere, Weimarer Fassung) - BWV 667 – Komm, Gott Schöpfer, heiliger Geist
BWV 667a/b – Komm, Gott Schöpfer, heiliger Geist (ältere, Weimarer Fassungen) - BWV 668 – Vor deinen Thron tret' ich (Fragment)
BWV 668a – Wenn wir in höchsten Nöten sein (Diktatschrift: Fragment)
Chorale preludes in Clavier-Übung III (BWV 669–689)
[edit]- Kyrie (three stanzas of "Kyrie, Gott Vater in Ewigkeit"):
- "Allein Gott in der Höh' sei Ehr'" (Gloria):
- "Dies sind die heilgen zehn Gebot" (Ten Commandments):
- "Wir glauben all an einen Gott" (Credo):
- "Vater unser im Himmelreich" (Lord's Prayer):
- "Christ unser Herr zum Jordan kam" (Baptism):
- "Aus tiefer Not schrei ich zu dir" (Penitence):
- "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" (Lord's Supper):
24 chorale preludes, formerly known as "from the Kirnberger collection" (BWV 690–713)
[edit]The 24 chorale preludes and five variants published as "from the Kirnberger Collection" ("in Kirnberger's Sammlung") in the 40th volume of the Bach-Gesellschaft Ausgabe (1893) were all retained in the 690–713a range of the Bach-Werke-Verzeichnis. Johann Kirnberger's involvement with this collection of chorale preludes, some of which are spurious or doubtful, is however uncertain: modern scholarship no longer refers to this set as "Kirnberger Collection" (unless with qualifiers such as "so-called" or "formerly").[20]
- BWV 690 – Wer nur den lieben Gott läßt walten
- BWV 691 – Wer nur den lieben Gott läßt walten (manuals only; No. 11 in the 1725 Notebook for Anna Magdalena Bach, No. 3 in the Klavierbüchlein für Wilhelm Friedemann Bach)
BWV 691a – Wer nur den lieben Gott läßt walten (doubtful variant of BWV 691)[21] - BWV 692 – Ach, Gott und Herr (spurious: composed by Johann Gottfried Walther)[22]
BWV 692a – Ach, Gott und Herr (spurious early version of BWV 692: composed by Johann Gottfried Walther)[23] - BWV 693 – Ach, Gott und Herr (spurious: composed by Johann Gottfried Walther)[24]
- BWV 694 – Wo soll ich fliehen hin
- BWV 695 – Fantasia super: Christ lag in Todesbanden (manuals only)
BWV 695a – Christ lag in Todesbanden (doubtful variant of BWV 695)[25] - BWV 696 – Christum wir sollen loben schon (or) Was fürchtest du Feind, Herodes, sehr (fughetta; manuals only)
- BWV 697 – Gelobet seist du, Jesu Christ (fughetta; manuals only)
- BWV 698 – Herr Christ, der ein'ge Gottes-Sohn (fughetta; manuals only)
- BWV 699 – Nun komm, der Heiden Heiland (fughetta; manuals only)
- BWV 700 – Vom Himmel hoch, da komm' ich her
- BWV 701 – Vom Himmel hoch, da komm' ich her (fughetta, manuals only)
- BWV 702 – Das Jesulein soll doch mein Trost (fughetta)
- BWV 703 – Gottes-Sohn ist kommen (fughetta, manuals only)
- BWV 704 – Lob sei dem allmächtigen Gott (fughetta, manuals only)
- BWV 705 – Durch Adams Fall ist ganz verderbt
- BWV 706 – Liebster Jesu, wir sind hier
- BWV 707 – Ich hab' mein' Sach' Gott heimgestellt
- BWV 708 – Ich hab' mein' Sach' Gott heimgestellt
BWV 708a – Ich hab' mein' Sach' Gott heimgestellt (variant of BWV 708) - BWV 709 – Herr Jesu Christ, dich zu uns wend'
- BWV 710 – Wir Christenleut habn jetzund Freud
- BWV 711 – Allein Gott in der Höh' sei Ehr'
- BWV 712 – In dich hab' ich gehoffet, Herr (manuals only)
- BWV 713 – Jesu, meine Freude (manuals only)
BWV 713a – Jesu, meine Freude (Fantasia, doubtful variant of BWV 713)[26]
Miscellaneous chorale preludes (BWV 714–765)
[edit]- BWV 714 – Ach Gott und Herr (also in the Neumeister Collection)
- BWV 715 – Allein Gott in der Höh sei Ehr
- BWV 716 – Fuga super Allein Gott in der Höh sei Ehr
- BWV 717 – Allein Gott in der Höh sei Ehr'
- BWV 718 – Christ lag in Todesbanden (chorale fantasia)[27]
- BWV 719 – Der Tag, der ist so freudenreich (also in the Neumeister Collection)
- BWV 720 – Ein feste Burg ist unser Gott
- BWV 721 – Erbarm dich mein, o Herre Gott
- BWV 722 – Gelobet seist du, Jesu Christ
- BWV 723 – Gelobet seist du, Jesu Christ (also in the Neumeister Collection; likely by Johann Michael Bach)
- BWV 724 – Gott, durch deine Güte (Gottes Sohn ist kommen)
- BWV 725 – Herr Gott, dich loben wir
- BWV 726 – Herr Jesu Christ, dich zu uns wend ()
- BWV 727 – Herzlich tut mich verlangen
- BWV 728 – Jesus, meine Zuversicht (from the 1722 Notebook for Anna Magdalena Bach)
- BWV 729 – In dulci jubilo
- BWV 730 – Liebster Jesu, wir sind hier
- BWV 731 – Liebster Jesu, wir sind hier
- BWV 732 – Lobt Gott, ihr Christen, allzugleich
- BWV 733 – Fuga sopra il Magnificat (Meine Seele erhebt den Herren, a.k.a. German Magnificat – possibly composed by Bach's pupil Johann Ludwig Krebs; )[28][29]
- BWV 734 – Nun freut euch, lieben Christen g'mein/Es ist gewisslich an der Zeit
- BWV 735 – Valet will ich dir geben
- BWV 736 – Valet will ich dir geben
- BWV 737 – Vater unser im Himmelreich (also in the Neumeister Collection)
- BWV 738 – Von Himmel hoch, da komm' ich her
- BWV 738a – Von Himmel hoch, da komm' ich her
- BWV 739 – Wie schön leuchtet der Morgenstern
- BWV 740 – Wir glauben all' an einen Gott, Vater (spurious, partly attributed to Johann Tobias Krebs)[30]
- BWV 741 – Ach Gott, von Himmel sieh' darein
- BWV 742 – Ach Herr, mich armen Sünder (also in the Neumeister Collection)
- BWV 743 – Ach, was ist doch unser Leben
- BWV 744 – Auf meinen lieben Gott (not by Bach, possibly by Johann Tobias Krebs)
- BWV 745 – Aus der Tiefe rufe ich (not by Bach, composed by Carl Philipp Emanuel Bach)
- BWV 746 – Christ ist erstanden (not by Bach, composed by Johann Caspar Ferdinand Fischer)
- BWV 747 – Christus, der uns selig macht
- BWV 748 – Gott der Vater wohn' uns bei (not by Bach, composed by Johann Gottfried Walther)
- BWV 748a – Gott der Vater wohn' uns bei
- BWV 749 – Herr Jesu Christ, dich zu uns wend' (attribution doubtful)[31]
- BWV 750 – Herr Jesu Christ, mein's Lebens Licht (attribution doubtful)[32]
- BWV 751 – In dulci jubilo (also in the Neumeister Collection; spurious: likely by Johann Michael Bach or possibly by Johann Gottfried Walther)
- BWV 752 – Jesu, der du meine Seele (attribution doubtful)[33]
- BWV 753 – Jesu, meine Freude (incomplete)
- BWV 754 – Liebster Jesu, wir sind hier (attribution doubtful)[34]
- BWV 755 – Nun freut euch, lieben Christen
- BWV 756 – Nun ruhen alle Wälder (attribution doubtful)[35]
- BWV 757 – O Herre Gott, dein göttlich's Wort
- BWV 758 – O Vater, allmächtiger Gott
- BWV 759 – Schmücke dich, o liebe Seele (not by Bach, composed by Gottfried August Homilius)[36]
- BWV 760 – Vater unser im Himmelreich (not by Bach, composed by Georg Böhm)[37]
- BWV 761 – Vater unser im Himmelreich (not by Bach, composed by Georg Böhm)[38]
- BWV 762 – Vater unser im Himmelreich (attribution doubtful)[39]
- BWV 763 – Wie schön leuchtet der Morgenstern
- BWV 764 – Wie schön leuchtet der Morgenstern (incomplete)
- BWV 765 – Wir glauben all' an einen Gott
Chorale partitas (BWV 766–768)
[edit]- BWV 766 – Chorale partita Christ, der du bist der helle Tag
- BWV 767 – Chorale partita O Gott, du frommer Gott
- BWV 768 – Chorale partita Sei gegrüsset, Jesu gütig
Canonic Variations (BWV 769–769a)
[edit]- BWV 769 – Canonic Variations on "Vom Himmel hoch da komm' ich her"
- BWV 769a – Canonic Variations on "Vom Himmel hoch da komm' ich her" (alternative version of BWV 769)
Chorale variations (BWV 770–771)
[edit]- BWV 770 – Chorale variations "Ach, was soll ich Sünder machen"
- BWV 771 – Chorale variations "Allein Gott in der Höh' sei Ehr'" (not by Bach, possibly by Andreas Nicolaus Vetter)[40]
Also known in a version for keyboard (BWV 957)
[edit]- BWV 957 – Machs mit mir, Gott, nach deiner Güt (chorale prelude for organ in the Neumeister Collection, previously listed as Fugue in G major)
Later additions to the BWV catalogue
[edit]Various (BWV 1085–1087)
[edit]- BWV 1085 – O Lamm Gottes, unschuldig (chorale prelude)
- Canons, sometimes indicated as organ pieces:
- BWV 1086 – Canon concordia discors
- BWV 1087 – 14 canons on the First Eight Notes of Goldberg Variations Ground (discovered 1974)
Neumeister Chorales (BWV 1090–1120)
[edit]31 chorale preludes for organ, discovered 1985 in the archives of the Yale University library.
- BWV 1090 – Wir Christenleut
- BWV 1091 – Das alte Jahr vergangen ist
- BWV 1092 – Herr Gott, nun schleuß den Himmel auf
- BWV 1093 – Herzliebster Jesu, was hast du verbrochen
- BWV 1094 – O Jesu, wie ist dein Gestalt
- BWV 1095 – O Lamm Gottes unschuldig
- BWV 1096 – Christe, der du bist Tag und Licht (or) Wir danken dir, Herr Jesu Christ (spurious: attributed to Johann Pachelbel)[41][42]
- BWV 1097 – Ehre sei dir, Christe, der du leidest Not
- BWV 1098 – Erhalt uns, Herr, bei deinem Wort
- BWV 1099 – Aus tiefer Not schrei ich zu dir
- BWV 1100 – Allein zu dir, Herr Jesu Christ
- BWV 1101 – Durch Adams Fall ist ganz verderbt
- BWV 1102 – Du Friedefürst, Herr Jesu Christ
- BWV 1103 – Erhalt uns, Herr, bei deinem Wort
- BWV 1104 – Wenn dich Unglück tut greifen an
- BWV 1105 – Jesu, meine Freude
- BWV 1106 – Gott ist mein Heil, mein Hilf und Trost
- BWV 1107 – Jesu, meines Lebens Leben
- BWV 1108 – Als Jesus Christus in der Nacht
- BWV 1109 – Ach Gott, tu dich erbarmen
- BWV 1110 – O Herre Gott, dein göttlich Wort
- BWV 1111 – Nun lasset uns den Leib begrab'n
- BWV 1112 – Christus, der ist mein Leben
- BWV 1113 – Ich hab mein Sach Gott heimgestellt
- BWV 1114 – Herr Jesu Christ, du höchstes Gut
- BWV 1115 – Herzlich lieb hab ich dich, o Herr
- BWV 1116 – Was Gott tut, das ist wohlgetan
- BWV 1117 – Alle Menschen müssen sterben
- BWV 1118 – Werde munter, mein Gemüte
- BWV 1119 – Wie nach einer Wasserquelle
- BWV 1120 – Christ, der du bist der helle Tag
Recovered from the Anhang (BWV 1121 and 1128)
[edit]- BWV 1121 (=BWV Anh. 205) – Fantasie in C minor (organ)
- BWV 1128 (previously BWV Anh. 71) – Organ chorale fantasia Wo Gott der Herr nicht bei uns hält (BWV Anh. II 71 was authenticated as a composition by Bach after Wilhelm Rust's 1877 copy was recovered in March 2008).[43][44]
Organ compositions in the seventh chapter of the Bach-Werke-Verzeichnis (1998)
[edit]| BWV | 2a | Date | Name | Key | Scoring | BG | NBE | Additional info | BD |
|---|---|---|---|---|---|---|---|---|---|
| 525 | 7. | 1727–1731 | Trio Sonata No. 1/6 | E♭ maj. | Organ | 15: 3 | IV/7: 1 | → BWV 525a | 00597 |
| 526 | 7. | 1727–1731 | Trio Sonata No. 2/6 | C min. | Organ | 15: 13 | IV/7: 14 | 00598 | |
| 527 | 7. | 1727–1731 | Trio Sonata No. 3/6 (+e. v. for /1) | D min. | Organ | 15: 26 | IV/7: 28 | → BWV 1044/2 | 00599 |
| 528 | 7. | 1727–1731 | Trio Sonata No. 4/6 (+e. v. for /2, /3) | E min. | Organ | 15: 40 | IV/7: 44 | after BWV 76/8 | 00600 |
| 529 | 7. | 1727–1731 | Trio Sonata No. 5/6 (+e. v. for /2) | C maj. | Organ | 15: 50 | IV/7: 56 | 00601 | |
| 530 | 7. | 1727–1731 | Trio Sonata No. 6/6 | G maj. | Organ | 15: 66 | IV/7: 76 | 00602 | |
| 531 | 7. | c. 1703–1706 | Prelude and Fugue | C maj. | Organ | 15: 81 | IV/5: 3 | in Möllersche Handschrift | 00603 |
| 532.2 | 7. | c. 1708–1712 | Prelude and Fugue | D maj. | Organ | 15: 88 | IV/5: 58 | after BWV 912/1, 532.1 | 00604 |
| 532.1 | 7. | Fugue (early version) | D maj. | Organ | IV/6: 95 | → BWV 532.2/2 | 00605 | ||
| 533 | 7. | c.1704 | Prelude and Fugue ("Cathedral") | E min. | Organ | 15: 100 | IV/5: 90 | ↔ BWV 533a | 00606 |
| 533a | 7. | Prelude and Fugue | E min. | Keyboard | IV/6: 106 | ↔ BWV 533 | 00607 | ||
| 535 | 7. | after 1717 | Prelude and Fugue | G min. | Organ | 15: 112 | IV/5: 157 | after BWV 535a | 00609 |
| 535a | 7. | c.1702–1704 | Prelude and Fugue (incomplete) | G min. | Organ | IV/6: 109 | → BWV 535; in Möllersche Handschrift | 00610 | |
| 536 | 7. | 1708–1717 | Prelude and Fugue | A maj. | Organ | 15: 120 | IV/5: 180 | ↔ BWV 152/1; → 536a | 00611 |
| 537 | 7. | 1729–1750 | Fantasia and Fugue | C min. | Organ | 15: 129 | IV/5: 47 | 00613 | |
| 538 | 7. | 1712–1717 | Toccata and Fugue ("Dorian") | D min. | Organ | 15: 136 | IV/5: 76 | 00614 | |
| 539 | 7. | 1724–1750? | Prelude and Fugue | D min. | Organ | 15: 148 | IV/5: 70 | after BWV 1001/2, 1000 | 00615 |
| 540 | 7. | c.1712–1717? | Toccata and Fugue | F maj. | Organ | 15: 154 | IV/5: 112 | 00616 | |
| 541 528/3 | 7. | c.1712–1717? | Toccata and Fugue (Trio BWV 528/3 e. v. as possible middle movement) | G maj. | Organ | 15: 169 | IV/5: 146 | → BWV 528/3 | 00617 |
| 542 | 7. | c.1714–1720? | Fantasia and Fugue ("Great"; independent compositions?; fugue also in F minor) | G min. | Organ | 15: 177 | IV/5: 167 | 00618 | |
| 543 | 7. | after c.1730 | Prelude and Fugue | A min. | Organ | 15: 189 | IV/5: 186 | after BWV 543/1a | 00619 |
| 543/1a | 7. | bef. c.1725 | Prelude | A min. | Organ | IV/6: 121 | → BWV 543/1 | 00620 | |
| 544 | 7. | 1727–1731 (JSB) | Prelude and Fugue | B min. | Organ | 15: 199 | IV/5: 198 | 00621 | |
| 545 529/2 | 7. | 1708–1717 after 1722 | Prelude and Fugue (middle movement BWV 529/2 e. v. removed after 1722) | C maj. | Organ | 15: 212 | IV/5: 10 | after BWV 545a, b; → 529/2 | 00622 |
| 545a | 7. | 1708–1717 | Prelude and Fugue (early version) | C maj. | Organ | IV/6: 77 | → BWV 545b, 545 | 00623 | |
| 546 | 7. | 1708–1750 | Prelude and Fugue | C min. | Organ | 15: 218 | IV/5: 35 | 00625 | |
| 547 | 7. | 1719–1750 | Prelude and Fugue | C maj. | Organ | 15: 228 | IV/5: 20 | 00626 | |
| 548 | 7. | 1727–1731 (JSB) | Prelude and Fugue ("Wedge") | E min. | Organ | 15: 236 | IV/5: 94 | 00627 | |
| 549 | 7. | 1705–1750 | Prelude and Fugue | C min. | Organ | 38: 3 | IV/5: 30 | after BWV 549a | 00628 |
| 549a | 7. | bef. c.1703 | Prelude (or: Fantasia) and Fugue | D min. | Organ | IV/6: 101 | → BWV 549; in Möllersche Handschrift | 00629 | |
| 550 | 7. | c.1708–1712 | Prelude and Fugue | G maj. | Organ | 38: 9 | IV/5: 138 | 00630 | |
| 551 | 7. | c.1699 | Prelude and Fugue | A min. | Organ | 38: 17 | IV/6: 63 | 00631 | |
| 552 | 7. | 1739 | Prelude and Fugue ("St Anne") from Clavier-Übung III | E♭ maj. | Organ | 3: 173, 254 | IV/4: 2, 105 | 00632 | |
| 562 | 7. | 1720–c.1748 | Fantasia and Fugue (unfinished fugue added c.1747–1748) | C min. | Organ | 38: 64, 209 44: 4 | IV/5: 54 | 00642 | |
| 563 | 7. | c.1704 | Fantasia and Imitatio | C maj. | Organ | 38: 59 | IV/6: 68 | in Andreas-Bach-Buch | 00643 |
| 564 | 7. | 1708–1717 | Toccata, Adagio and Fugue | C maj. | Organ | 15: 253 | IV/6: 3 | 00644 | |
| 565 | 7. | c.1704? | Toccata and Fugue | D min. | Organ | 15: 267 | IV/6: 31 | 00645 | |
| 566 | 7. | 1703–1707 | Prelude and Fugue (earliest manuscripts: C major; /1 as Toccata in BGA) | E maj. C maj. | Organ | 15: 276 | IV/6: 40 | 00646 | |
| 569 | 7. | 1703–c.1704 | Prelude | A min. | Organ | 38: 89 | IV/6: 59 | 00649 | |
| 1121 | 7. | c.1708–1709 | Fantasia | C min. | Organ | IV/11: 54 | in Andreas-Bach-Buch; was Anh. 205 | 01516 | |
| 570 | 7. | c.1698–1704 | Fantasia | C maj. | Organ | 38: 62 | IV/6: 16 | in Andreas-Bach-Buch | 00650 |
| 572 | 7. | 1708–c.1712 | Fantasia, a.k.a. Pièce d'Orgue (+reworked version) | G maj. | Organ | 38: 75 | IV/7: 130, 144 | 00652 | |
| 573 | 7. | c.1723–1724 | Notebook A. M. Bach (1722) No. 6 Fantasia (incomplete?) | C maj. | Keyboard | 38: 209 432: 3 | V/4: 39 IV/6: 18 | 00653 | |
| 574 | 7. | after c.1708? | Fugue on a theme by Legrenzi | C min. | Organ | 38: 94 | IV/6: 19 | after BWV 574b; ↔ 574a | 00654 |
| 574a | 7. | after c.1708? | Fugue on a theme by Legrenzi (variant) | C min. | Organ | 38: 205 | IV/6: 82 | after BWV 574b; ↔ 574 | 00655 |
| 574b | 7. | c.1707–1713 or earlier | Fugue on a theme by Legrenzi (early version) | C min. | Organ | IV/6: 88 | after Legrenzi (theme); → BWV 574a, 574; in Andreas-Bach-Buch | 00656 | |
| 575 | 7. | 1708–1717? | Fugue | C min. | Organ | 38: 101 | IV/6: 26 | 00657 | |
| 578 | 7. | c.1713 or earlier | Fugue ("Little") | G min. | Organ | 38: 116 | IV/6: 55 | in Andreas-Bach-Buch | 00660 |
| 579 | 7. | c.1703–1707 | Fugue on a theme by Corelli | B min. | Organ | 38: 121 | IV/6: 71 | after Corelli (theme) | 00661 |
| 582 | 7. | c.1709–1710 | Passacaglia (and Fugue) | C min. | Organ | 15: 289 | IV/7: 98 | in Andreas-Bach-Buch | 00664 |
| 583 | 7. | c.1708–1717 | Trio | D min. | Organ | 38: 143 | IV/7: 94 | 00665 | |
| 585 | 7. | c.1726–1727 (JSB) | Trio | C min. | Organ | 38: 219 | IV/8: 73 | after Fasch J. F., FaWV N:c2/1, /2; arr. by Bach | 00667 |
| 586 | 7. | bef. c.1740 | Trio | G maj. | Organ | IV/8: 78 | after Telemann? | 00668 | |
| 587 | 7. | c.1714? | Aria | F maj. | Organ | 38: 222 | IV/8: 82 | after Couperin, Les NationsIII/4 | 00669 |
| 588 | 7. | c.1703–1707 | Canzona | D min. | Organ | 38: 126 | IV/7: 118 | in Möllersche Handschrift | 00670 |
| 589 | 7. | bef. c.1742 | Alla breve | D maj. | Organ | 38: 131 | IV/7: 114 | 00671 | |
| 590 | 7. | c.1723–1727 or later | Pastorella (/1 incomplete?) | F maj. | Organ | 38: 135 | IV/7: 122 | 00672 | |
| 592 | 7. | c.1714–1717 | Concerto for solo organ | G maj. | Organ | 38: 149 | IV/8: 56 | after J. E. of Saxe-Weimar, Concerto a 8; → BWV 592a | 00674 |
| 592a | 7. | c.1714–1717 | Concerto for solo harpsichord | G maj. | Keyboard | 42: 282 | V/11: 150 | after BWV 592 | 00675 |
| 593 | 7. | c.1714–1717 | Concerto for solo organ | A min. | Organ | 38: 158 | IV/8: 16 | after Vivaldi, Op. 3 No. 8 (RV 522) | 00676 |
| 594 | 7. | c.1714–1717 | Concerto for solo organ | C maj. | Organ | 38: 171 | IV/8: 30 | after Vivaldi, RV 208, Grosso Mogul | 00677 |
| 595 | 7. | c.1714–1717 | Concerto for solo organ | C maj. | Organ | 38: 196 | IV/8: 65 | after BWV 984/1 | 00678 |
| 596 | 7. | c.1714–1717 | Concerto for solo organ (arrangement previously attributed to W. F. Bach) | D min. | Organ | IV/8: 3 | after Vivaldi, Op. 3 No. 11 (RV 565) | 00679 | |
| 599 | 7. | c.1711–1713 | chorale setting "Nun komm, der Heiden Heiland" (Orgelbüchlein No. 1) | A min. | Organ | 252: 3 | IV/1: 3 | after Z 1174 | 00682 |
| 600 | 7. | c.1711–1713 | chorale setting "Gott durch deine Güte" (Orgelbüchlein No. 2) | F maj. | Organ | 252: 4 | IV/1: 4 | after Z 3294 | 00683 |
| chorale setting "Gottes Sohn ist kommen" (Orgelbüchlein No. 2) | |||||||||
| 601 | 7. | c.1708–1711 or earlier | chorale setting "Herr Christ, der ein'ge Gottes Sohn" (Orgelbüchlein No. 3; also in Neumeister Collection) | A maj. | Organ | 252: 5 | IV/1: 6 | after Z 4297a | 00684 |
| chorale setting "Herr Gott, nun sei gepreiset" (Orgelbüchlein No. 3; also in Neumeister Collection) | |||||||||
| 602 | 7. | c.1711–1713 | chorale setting "Lob sei dem allmächtigen Gott" (Orgelbüchlein No. 4) | D min. | Organ | 252: 6 | IV/1: 7 | after Z 339 | 00685 |
| 603 | 7. | c.1711–1713 | chorale setting "Puer natus in Bethlehem" (Orgelbüchlein No. 5) | G min. | Organ | 252: 6 | IV/1: 8 | after Z 192b | 00686 |
| 604 | 7. | c.1711–1713 | chorale setting "Gelobet seist du, Jesu Christ" (Orgelbüchlein No. 6) | G maj. | Organ | 252: 7 | IV/1: 11 | after Z 1947 | 00687 |
| 605 | 7. | c.1711–1713 | chorale setting "Der Tag, der ist so freudenreich" (Orgelbüchlein No. 7) | G maj. | Organ | 252: 8 | IV/1: 11 | after Z 7870 | 00688 |
| 606 | 7. | c.1708–1711 or earlier | chorale setting "Vom Himmel hoch, da komm ich her" (Orgelbüchlein No. 8) | D maj. | Organ | 252: 9 | IV/1: 13 | after Z 346 | 00689 |
| 607 | 7. | c.1711–1713 | chorale setting "Vom Himmel kam der Engel Schar" (Orgelbüchlein No. 9) | G min. | Organ | 252: 10 | IV/1: 14 | after Z 192a | 00690 |
| 608 | 7. | c.1711–1713 | chorale setting "In dulci jubilo" (Orgelbüchlein No. 10) | A maj. | Organ | 252: 12 | IV/1: 16 | after Z 4947 | 00691 |
| 609 | 7. | c.1711–1713 | chorale setting "Lobt Gott, ihr Christen allzugleich" (Orgelbüchlein No. 11) | G maj. | Organ | 252: 13 | IV/1: 18 | after Z 198 | 00692 |
| 610 | 7. | c.1711–1713 | chorale setting "Jesu, meine Freude" (Orgelbüchlein No. 12) | C min. | Organ | 252: 14 | IV/1: 19 | after Z 8032 | 00693 |
| 611 | 7. | c.1714–1716 | chorale setting "Christum wir sollen loben schon" (Orgelbüchlein No. 13) | E min. | Organ | 252: 15 | IV/1: 20 | after Z 297c | 00694 |
| 612 | 7. | c.1711–1713 | chorale setting "Wir Christenleut" (Orgelbüchlein No. 14) | G min. | Organ | 252: 16 | IV/1: 22 | after Z 2072 | 00695 |
| 613 | 7. | c.1740 | chorale setting "Helft mir Gotts Güte preisen" (Orgelbüchlein No. 15) | B min. | Organ | 252: 18 | IV/1: 24 | after Z 5267 | 00696 |
| 614 | 7. | c.1711–1713 | chorale setting "Das alte Jahr vergangen ist" (Orgelbüchlein No. 16) | A min. | Organ | 252: 19 | IV/1: 25 | after Z 381c | 00697 |
| 615 | 7. | c.1708–1711 | chorale setting "In dir ist Freude" (Orgelbüchlein No. 17) | G maj. | Organ | 252: 20 | IV/1: 27 | after Z 8537 | 00698 |
| 616 | 7. | c.1714–1716 | chorale setting "Mit Fried und Freud ich fahr dahin" (Orgelbüchlein No. 18) | D min. | Organ | 252: 24 | IV/1: 30 | after Z 3986 | 00699 |
| 617 | 7. | c.1714–1716 | chorale setting "Herr Gott, nun schleuß den Himmel auf" (Orgelbüchlein No. 19) | A min. | Organ | 252: 26 | IV/1: 32 | after Z 7641b | 00700 |
| 618 | 7. | c.1714–1716 | chorale setting "O Lamm Gottes, unschuldig" (Orgelbüchlein No. 20) | F maj. | Organ | 252: 28 | IV/1: 34 | after Z 4361a | 00701 |
| 619 | 7. | c.1714–1716 | chorale setting "Christe, du Lamm Gottes" (Orgelbüchlein No. 21) | F maj. | Organ | 252: 30 | IV/1: 36 | after Z 58 | 00702 |
| 620 | 7. | c.1726 | chorale setting "Christus, der uns selig macht" (Orgelbüchlein No. 22) | A min. | Organ | 252: 30 | IV/1: 37 | after BWV 620a | 00703 |
| 620a | 7. | c.1714–1716 | chorale setting "Christus, der uns selig macht" (Orgelbüchlein No. 22, e. v.) | A min. | Organ | 252: 149 | IV/1: 78 | after Z 6283b; → BWV 620 | 00704 |
| 621 | 7. | c.1711–1713 | chorale setting "Da Jesus an dem Kreuze stund" (Orgelbüchlein No. 23) | A min. | Organ | 252: 32 | IV/1: 39 | after Z 1706 | 00705 |
| 622 | 7. | c.1711–1713 | chorale setting "O Mensch, bewein dein Sünde groß" (Orgelbüchlein No. 24) | E♭ maj. | Organ | 252: 33 | IV/1: 40 | after Z 8303; → BWV 622 (var.) | 00706 |
| 622 (var.) | 7. | 1716–1789 | chorale setting "O Mensch, bewein dein Sünde groß" (variant) | Organ | after BWV 622 | 00707 | |||
| 623 | 7. | c.1714–1716 | chorale setting "Wir danken dir, Herr Jesu Christ" (Orgelbüchlein No. 25) | G maj. | Organ | 252: 35 | IV/1: 42 | after Z 423 | 00708 |
| 624 | 7. | c.1714–1716 | chorale setting "Hilf Gott, dass mir's gelinge" (Orgelbüchlein No. 26) | G min. | Organ | 252: 36 | IV/1: 44 | after Z 4329 | 00709 |
| 625 | 7. | c.1708–1711 or earlier | chorale setting "Christ lag in Todesbanden" (Orgelbüchlein No. 27) | D min. | Organ | 252: 38 | IV/1: 46 | after Z 7012a | 00710 |
| 626 | 7. | c.1711–1713 | chorale setting "Jesus Christus, unser Heiland, der den Tod überwand" (Orgelbüchlein No. 28) | A min. | Organ | 252: 39 | IV/1: 48 | after Z 1978 | 00711 |
| 627 | 7. | c.1711–1713 | chorale setting "Christ ist erstanden" (Orgelbüchlein No. 29) | D min. | Organ | 252: 40 | IV/1: 49 | after Z 8584 | 00712 |
| 628 | 7. | c.1711–1713 | chorale setting "Erstanden ist der heilge Christ" (Orgelbüchlein No. 30) | D maj. | Organ | 252: 44 | IV/1: 54 | after Z 1747a | 00713 |
| 629 | 7. | c.1711–1713 | chorale setting "Erschienen ist der herrliche Tag" (Orgelbüchlein No. 31) | D min. | Organ | 252: 45 | IV/1: 55 | after Z 1743 | 00714 |
| 630 | 7. | c.1708–1711 or earlier | chorale setting "Heut triumphieret Gottes Sohn" (Orgelbüchlein No. 32) | D min. | Organ | 252: 46 | IV/1: 56 | after BWV 630a | 00715 |
| 630a | 7. | c.1708–1711 or earlier | chorale setting "Heut triumphieret Gottes Sohn" (Orgelbüchlein No. 32, e. v.) | Organ | IV/1: 80 | after Z 2585; → BWV 630 | 00716 | ||
| 631 | 7. | c.1726 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Orgelbüchlein No. 33) | D min. | Organ | 252: 47 | IV/1: 58 | after BWV 631a | 00717 |
| 631a | 7. | c.1711–1713 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Orgelbüchlein No. 33, e. v.) | G maj. | Organ | 252: 150 | IV/1: 82 | after Z 295; → BWV 631 | 00718 |
| 632 | 7. | c.1711–1713 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Orgelbüchlein No. 34) | F maj. | Organ | 252: 48 | IV/1: 59 | after Z 624 | 00719 |
| 633 | 7. | c.1711–1713 | chorale setting "Liebster Jesu, wir sind hier" distinctus (Orgelbüchlein No. 36) | A maj. | Organ | 252: 49 | IV/1: 61 | after BWV 634 | 00720 |
| 634 | 7. | c.1711–1713 | chorale setting "Liebster Jesu, wir sind hier" (Orgelbüchlein No. 35) | A maj. | Organ | 252: 50 | IV/1: 60 | after Z 3498b; → BWV 633 | 00721 |
| 635 | 7. | c.1711–1713 | chorale setting "Dies sind die heilgen zehn Gebot" (Orgelbüchlein No. 37) | C maj. | Organ | 252: 50 | IV/1: 62 | after Z 1951 | 00722 |
| 636 | 7. | c.1711–1713 | chorale setting "Vater unser im Himmelreich" (Orgelbüchlein No. 38) | D min. | Organ | 252: 52 | IV/1: 64 | after Z 2561 | 00723 |
| 637 | 7. | c.1711–1713 | chorale setting "Durch Adams Fall ist ganz verderbt" (Orgelbüchlein No. 39) | A min. | Organ | 252: 53 | IV/1: 65 | after Z 7549 | 00724 |
| 638 | 7. | c.1708–1711 or earlier | chorale setting "Es ist das Heil uns kommen her" (Orgelbüchlein No. 40) | D maj. | Organ | 252: 54 | IV/1: 66 | after BWV 638a | 00725 |
| 638a | 7. | c.1708–1711 or earlier | chorale setting "Es ist das Heil uns kommen her" (Orgelbüchlein No. 40, e. v.) | Organ | IV/1: 83 | after Z 4430; → BWV 638 | 00726 | ||
| 639 | 7. | c.1708–1711 or earlier | chorale setting "Ich ruf zu dir, Herr Jesu Christ" (Orgelbüchlein No. 41; also in Neumeister Collection) | F min. | Organ | 252: 55 | IV/1: 68 | after Z 7400; → BWV Anh. 73 | 00727 |
| 640 | 7. | c.1711–1713 | chorale setting "In dich hab ich gehoffet, Herr" (Orgelbüchlein No. 42) | E min. | Organ | 252: 56 | IV/1: 70 | after Z 2459 | 00728 |
| 641 | 7. | c.1711–1713 | chorale setting "Wenn wir in höchsten Nöten sein" (Orgelbüchlein No. 43) | G maj. | Organ | 252: 57 | IV/1: 71 | after Z 394 | 00729 |
| 642 | 7. | c.1711–1713 | chorale setting "Wer nur den lieben Gott lässt walten" (Orgelbüchlein No. 44) | A min. | Organ | 252: 58 | IV/1: 72 | after Z 2778 | 00730 |
| 643 | 7. | c.1711–1713 | chorale setting "Alle Menschen müssen sterben" (Orgelbüchlein No. 45) | G maj. | Organ | 252: 59 | IV/1: 74 | after Z 6779a | 00731 |
| 644 | 7. | c.1711–1713 | chorale setting "Ach wie nichtig, ach wie flüchtig" (Orgelbüchlein No. 46) | G min. | Organ | 252: 60 | IV/1: 75 | after Z 1887b | 00732 |
| 645 | 7. | 1747–1748 | chorale setting "Wachet auf, ruft uns die Stimme" (Schübler Chorales No. 1) | E♭ maj. | Organ | 252: 63 | IV/1: 86 | after BWV 140/4 | 00733 |
| 646 | 7. | 1747–1748 | chorale setting "Wo soll ich fliehen hin" (Schübler Chorales No. 2) | E min. | Organ | 252: 66 | IV/1: 90 | after Z 2164 | 00734 |
| chorale setting "Auf meinen lieben Gott" (Schübler Chorales No. 2) | |||||||||
| 647 | 7. | 1747–1748 | chorale setting "Wer nur den lieben Gott lässt walten" (Schübler Chorales No. 3) | C min. | Organ | 252: 68 | IV/1: 92 | after BWV 93/4 | 00735 |
| 648 | 7. | 1747–1748 | chorale setting "Meine Seele erhebt den Herren" (Schübler Chorales No. 4) | D min. | Organ | 252: 70 | IV/1: 94 | after BWV 10/5 | 00736 |
| 649 | 7. | 1747–1748 | chorale setting "Ach bleib bei uns, Herr Jesu Christ" (Schübler Chorales No. 5) | B♭ maj. | Organ | 252: 71 | IV/1: 95 | after BWV 6/3 | 00737 |
| 650 | 7. | 1747–1748 | chorale setting "Kommst du nun, Jesu, vom Himmel herunter" (Schübler Chorales No. 6) | G maj. | Organ | 252: 74 | IV/1: 98 | after BWV 137/2 | 00738 |
| 651 | 7. | c.1740 | chorale setting "Komm, heiliger Geist" (Fantasia; Leipzig Chorales 1/18) | F maj. | Organ | 252: 79 | IV/2: 3 | after BWV 651a | 00739 |
| 651a | 7. | 1708–1714 | chorale setting "Komm, heiliger Geist, Herre Gott" (Fantasia; e. v.: Weimar) | Organ | 252: 151 | IV/2: 117 | after Z 7445a; → BWV 651 | 00740 | |
| 652 | 7. | c.1740 | chorale setting "Komm, heiliger Geist, Herre Gott" (alio modo; Leipzig Chorales 2/18) | G maj. | Organ | 252: 86 | IV/2: 13 | after BWV 652a | 00741 |
| 652a | 7. | 1708–1714 | chorale setting "Komm, heiliger Geist, Herre Gott" (e. v.: Weimar) | Organ | IV/2: 121 | after Z 7445a; → BWV 652 | 00742 | ||
| 653 | 7. | c.1740 | chorale setting "An Wasserflüssen Babylon" (Leipzig Chorales 3/18) | G maj. | Organ | 252: 92 | IV/2: 22 | after BWV 653a | 00743 |
| 653a | 7. | 1708–1717 | chorale setting "An Wasserflüssen Babylon" (alio modo; 2nd v.: Weimar) | Organ | 252: 157 | IV/2: 133 | after BWV 653b; → BWV 653 | 00744 | |
| 653b | 7. | 1708–1714 | chorale setting "An Wasserflüssen Babylon" (à 5; 1st v.: Weimar) | Organ | 40: 49 | IV/2: 130 | after Z 7663; → BWV 653a | 00745 | |
| 654 | 7. | c.1740 | chorale setting "Schmücke dich, o liebe Seele" (Leipzig Chorales 4/18) | E♭ maj. | Organ | 252: 95 | IV/2: 26 | after BWV 654a | 00746 |
| 654a | 7. | 1708–1714 | chorale setting "Schmücke dich, o liebe Seele" (e. v.: Weimar) | Organ | IV/2: 136 | after Z 6923; → BWV 654 | 00747 | ||
| 655 | 7. | c.1740 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio; Leipzig Chorales 5/18) | G maj. | Organ | 252: 98 | IV/2: 31 | after BWV 655a; ↔ 655 var. 1–4; → 655b–c | 00748 |
| 655 var. 1 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 1) | Organ | after Z 624; ↔ BWV 655(a), var. 2–4 | 00749 | |||
| 655 var. 2 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 2) | F maj. | Organ | after Z 624; ↔ BWV 655(a), var. 1, 3–4 | 00750 | ||
| 655 var. 3 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 3) | F maj. | Organ | after Z 624; ↔ BWV 655(a), var. 1–2, 4 | 00751 | ||
| 655 var. 4 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 4) | F maj. | Organ | after Z 624; ↔ BWV 655(a), var. 1–3 | 00752 | ||
| 655a | 7. | 1708–1714 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio; e. v.: Weimar) | Organ | 252: 162 | IV/2: 140 | after Z 624; ↔ BWV 655 var. 1–4; → 655 | 00753 | |
| 656 | 7. | c.1740 | chorale setting "O Lamm Gottes, unschuldig" (Leipzig Chorales 6/18) | A maj. | Organ | 252: 102 | IV/2: 38 | after BWV 656a | 00756 |
| 656a | 7. | 1708–1714 | chorale setting "O Lamm Gottes, unschuldig" (e. v.: Weimar) | Organ | 252: 166 | IV/2: 146 | after Z 4361b; → BWV 656 | 00757 | |
| 657 | 7. | 1708–1714 | Chorale prelude Nun danket alle Gott (Leipzig Chorales 7/18) | G maj. | Organ | 252: 108 | IV/2: 46 | after Z 5142 | 00758 |
| 658 | 7. | c.1740 | chorale setting "Von Gott will ich nicht lassen" (Leipzig Chorales 8/18) | F min. | Organ | 252: 112 | IV/2: 51 | after BWV 658a | 00759 |
| 658a | 7. | 1708–1714 | chorale setting "Von Gott will ich nicht lassen" (Fantasia; e. v.: Weimar) | Organ | 252: 170 | IV/2: 154 | after Z 5264b → BWV 658 | 00760 | |
| 659 | 7. | c.1740 | chorale setting "Nun komm, der Heiden Heiland" (Leipzig Chorales 9/18) | G min. | Organ | 252: 114 | IV/2: 55 | after BWV 659a | 00761 |
| 659a | 7. | 1708–1714 | chorale setting "Nun komm, der Heiden Heiland" (Fantasia; e. v.: Weimar) | Organ | 252: 172 | IV/2: 157 | after Z 1174; → BWV 659 | 00762 | |
| 660 | 7. | c.1740 | chorale setting "Nun komm, der Heiden Heiland" (Trio; Leipzig Chorales 10/18) | G min. | Organ | 252: 116 | IV/2: 59 | after BWV 660a | 00763 |
| 660a | 7. | 1714–1717 | chorale setting "Nun komm, der Heiden Heiland" (Trio; e. v.: Weimar) | Organ | 252: 174 | IV/2: 160 | after Z 1174; → BWV 660, 660b | 00764 | |
| 660b | 7. | 1708–1714 | chorale setting "Nun komm, der Heiden Heiland" (arrangement) | Organ | 252: 176 | by Krebs, J. T. (arr.)?; after BWV 660a | 00765 | ||
| 661 | 7. | c.1740 | chorale setting "Nun komm, der Heiden Heiland" (Leipzig Chorales 11/18) | G min. | Organ | 252: 118 | IV/2: 62 | after BWV 661a | 00766 |
| 661a | 7. | 1708–1714 | chorale setting "Nun komm, der Heiden Heiland" (e. v.: Weimar) | Organ | 252: 178 | IV/2: 164 | after Z 1174; → BWV 661 | 00767 | |
| 662 | 7. | c.1740 | chorale setting "Allein Gott in der Höh sei Ehr" (Leipzig Chorales 12/18) | A maj. | Organ | 252: 122 | IV/2: 67 | after BWV 662a | 00768 |
| 662a | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar) | Organ | IV/2: 168 | after Z 4457; → BWV 662 | 00769 | ||
| 663 | 7. | c.1740 | chorale setting "Allein Gott in der Höh sei Ehr" (Leipzig Chorales 13/18) | G maj. | Organ | 252: 125 | IV/2: 72 | after BWV 663a | 00770 |
| 663a | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar) | Organ | 252: 180 | IV/2: 172 | after Z 4457; → BWV 663 | 00771 | |
| 664 | 7. | 1746–1747 | chorale setting "Allein Gott in der Höh sei Ehr" (Trio; Leipzig Chorales 14/18) | A maj. | Organ | 252: 130 | IV/2: 79 | after BWV 664a–b | 00772 |
| 664a | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; fair copy) | Organ | 252: 183 | IV/2 | after BWV 664b; → BWV 664 | 00773 | |
| 664b | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; sketch) | Organ | IV/2: 179 | after Z 4457; → BWV 664(a) | 00774 | ||
| 665 | 7. | 1746–1747 | chorale setting "Jesus Christus, unser Heiland" (Leipzig Chorales 15/18) | E min. | Organ | 252: 136 | IV/2: 87 | after BWV 665a | 00775 |
| 665a | 7. | 1708–1714 | chorale setting "Jesus Christus, unser Heiland" (e. v.: Weimar) | Organ | 252: 188 | IV/2: 187 | after Z 1576; → BWV 665 | 00776 | |
| 666 | 7. | 1708–1748 | chorale setting "Jesus Christus, unser Heiland" (alio modo; Leipzig Chorales 16/18) | E min. | Organ | 252: 140 | IV/2: 91 | after BWV 666a | 00777 |
| 666a | 7. | 1708–1714 | chorale setting "Jesus Christus, unser Heiland" (alio modo; e. v.: Weimar) | Organ | IV/2: 191 | after Z 1576; → BWV 666 | 00778 | ||
| 667 | 7. | 1747–1748 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Leipzig Chorales 17/18) | C maj. | Organ | 252: 142 | IV/2: 94 | after BWV 667a | 00779 |
| 667a | 7. | 1708–1717 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar) | Organ | IV/2 | after BWV 667b; → BWV 667 | 00780 | ||
| 667b | 7. | 1708–1717 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar; sketch) | Organ | IV/2: 194 | after Z 295; → BWV 667(a) | 00781 | ||
| 668 | 7. | 1747–1748 | chorale setting "Vor deinen Thron tret ich hiermit" (fragment; Leipzig Chorales 18/18) | G maj. | Organ | 252: 145 | IV/2: 113 | after BWV 668a | 00782 |
| 668a | 7. | 1708–1748 | chorale setting "Wenn wir in höchsten Nöten" (e. v.) | Organ | IV/2: 212 | after Z 394; → BWV 668 | 00783 | ||
| 669 | 7. | 1739 | chorale setting "Kyrie, Gott Vater in Ewigkeit" from Clavier-Übung III | Organ | 3: 184 | IV/4: 16 | after Z 8600 | 00784 | |
| 670 | 7. | 1739 | chorale setting "Christe, aller Welt Trost" from Clavier-Übung III | Organ | 3: 186 | IV/4: 18 | after Z 8600 | 00785 | |
| 671 | 7. | 1739 | chorale setting "Kyrie, Gott heiliger Geist" from Clavier-Übung III | Organ | 3: 190 | IV/4: 20 | after Z 8600 | 00786 | |
| 672 | 7. | 1739 | chorale setting "Kyrie, Gott Vater in Ewigkeit" from Clavier-Übung III | Org/man. | 3: 194 | IV/4: 27 | after Z 8600 | 00787 | |
| 673 | 7. | 1739 | chorale setting "Christe, aller Welt Trost" from Clavier-Übung III | Org/man. | 3: 194 | IV/4: 28 | after Z 8600 | 00788 | |
| 674 | 7. | 1739 | chorale setting "Kyrie, Gott heiliger Geist" from Clavier-Übung III | Org/man. | 3: 196 | IV/4: 29 | after Z 8600 | 00789 | |
| 675 | 7. | 1739 | chorale setting "Allein Gott in der Höh sei Ehr" from Clavier-Übung III | Organ | 3: 197 | IV/4: 30 | after Z 4457 | 00790 | |
| 676 | 7. | 1739 | chorale setting "Allein Gott in der Höh sei Ehr" from Clavier-Übung III | Organ | 3: 199 | IV/4: 33 | after Z 4457; → BWV 676a | 00791 | |
| 677 | 7. | 1739 | chorale setting "Allein Gott in der Höh sei Ehr" (Fughetta) from Clavier-Übung III | Org/man. | 3: 205 | IV/4: 41 | after Z 4457 | 00793 | |
| 678 | 7. | 1739 | chorale setting "Dies sind die heiligen zehen Gebot" from Clavier-Übung III | Organ | 3: 206 | IV/4: 42 | after Z 1951 | 00794 | |
| 679 | 7. | 1739 | chorale setting "Dies sind die heiligen zehen Gebot" (Fughetta) from Clavier-Übung III | Org/man. | 3: 210 | IV/4: 49 | after Z 1951 | 00795 | |
| 680 | 7. | 1739 | chorale setting "Wir gläuben all an einen Gott" from Clavier-Übung III | Organ | 3: 212 | IV/4: 52 | after Z 7971 | 00796 | |
| 681 | 7. | 1739 | chorale setting "Wir gläuben all an einen Gott" (Fughetta) from Clavier-Übung III | Org/man. | 3: 216 | IV/4: 57 | after Z 7971 | 00797 | |
| 682 | 7. | 1739 | chorale setting "Vater unser im Himmelreich" from Clavier-Übung III | Organ | 3: 217 | IV/4: 58 | after Z 2561 | 00798 | |
| 683 | 7. | 1739 | chorale setting "Vater unser im Himmelreich" from Clavier-Übung III | Org/man. | 3: 223 | IV/4: 66 | after Z 2561; → BWV 683a | 00799 | |
| 684 | 7. | 1739 | chorale setting "Christ unser Herr zum Jordan kam" from Clavier-Übung III | Organ | 3: 224 | IV/4: 68 | after Z 7246 | 00801 | |
| 685 | 7. | 1739 | chorale setting "Christ unser Herr zum Jordan kam" from Clavier-Übung III | Org/man. | 3: 228 | IV/4: 73 | after Z 7246 | 00802 | |
| 686 | 7. | 1739 | chorale setting "Aus tiefer Not schrei ich zu dir" from Clavier-Übung III | Organ | 3: 229 | IV/4: 74 | after Z 4437 | 00803 | |
| 687 | 7. | 1739 | chorale setting "Aus tiefer Not schrei ich zu dir" from Clavier-Übung III | Org/man. | 3: 232 | IV/4: 78 | after Z 4437 | 00804 | |
| 688 | 7. | 1739 | chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" from Clavier-Übung III | Organ | 3: 234 | IV/4: 81 | after Z 1576 | 00805 | |
| 689 | 7. | 1739 | chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" (Fugue) from Clavier-Übung III | Org/man. | 3: 239 | IV/4: 89 | after Z 1576 | 00806 | |
| 690 | 7. | c.1700–1717 | chorale setting "Wer nur den lieben Gott lässt walten" (Kirnberger collection No. 1) | Organ | 40: 3 | IV/3: 98 | after Z 2778 | 00807 | |
| 691 | 7. | c.1720 or earlier | Notebook A. M. Bach (1725) No. 11 chorale setting "Wer nur den lieben Gott lässt walten" (WFB No. 3; Kirnb. coll. No. 2) | Organ | 40: 4 432: 30 451: 214 | V/5: 6 V/4: 90 IV/3: 98 | after Z 2778; → BWV 691a | 00808 | |
| 694 | 7. | c.1700–1717 | chorale setting "Wo soll ich fliehen hin" (Kirnb. coll. No. 5) | Organ | 40: 6 | IV/3: 103 | after Z 2164 | 00813 | |
| 695 | 7. | c.1700–1717 | chorale setting "Christ lag in Todesbanden" (Fantasia; Kirnb. coll. No. 6) | Organ | 40: 10 | IV/3: 20 | after Z 7012a; → BWV 695a | 00814 | |
| 695a | 7. | 1700–1789 | chorale setting "Christ lag in Todesbanden" (variant) | Organ | 40: 153 | after BWV 695 | 00815 | ||
| 696 | 7. | c.1700–1717 | chorale setting "Christum wir sollen loben schon" (Fughetta; Kirnb. coll. No. 7) | Organ | 40: 13 | IV/3: 23 | after Z 297c | 00816 | |
| chorale setting "Was fürchtest du Feind, Herodes, sehr" (Fughetta; Kirnb. coll. No. 7) | |||||||||
| 697 | 7. | c.1700–1717 | chorale setting "Gelobet seist du, Jesu Christ" (Fughetta; Kirnb. coll. No. 8) | Organ | 40: 14 | IV/3: 32 | after Z 1947 | 00817 | |
| 698 | 7. | c.1700–1717 | chorale setting "Herr Christ, der ein'ge Gottes Sohn" (Fughetta; Kirnb. coll. No. 9) | Organ | 40: 15 | IV/3: 35 | after Z 4297a | 00818 | |
| 699 | 7. | c.1700–1717 | chorale setting "Nun komm, der Heiden Heiland" (Fughetta; Kirnb. coll. No. 10) | Organ | 40: 16 | IV/3: 73 | after Z 1174 | 00819 | |
| 700 | 7. | c.1699 | chorale setting "Vom Himmel hoch da komm ich her" (Kirnb. coll. No. 11) | Organ | 40: 17 | IV/3: 92 | after Z 346 | 00820 | |
| 701 | 7. | c.1700–1717 | chorale setting "Vom Himmel hoch da komm ich her" (Fughetta; Kirnb. coll. No. 12) | Organ | 40: 19 | IV/3: 96 | after Z 346 | 00821 | |
| 702 | 7. | c.1700–1717 | chorale setting "Das Jesulein soll doch mein Trost" (Fughetta; Kirnb. coll. No. 13) | Organ | 40: 20 | IV/3: 45 | after Z 7597 | 00822 | |
| 703 | 7. | c.1700–1717 | chorale setting "Gottes Sohn ist kommen" (Fughetta; Kirnb. coll. No. 14) | Organ | 40: 21 | IV/3: 34 | after Z 3294 | 00823 | |
| 704 | 7. | c.1700–1717 | chorale setting "Lob sei dem allmächtigen Gott" (Fughetta; Kirnb. coll. No. 15) | Organ | 40: 22 | IV/3: 62 | after Z 339 | 00824 | |
| 706/1 706/2 | 7. | c.1700–1717 | chorale setting "Liebster Jesu, wir sind hier" (/2 = alio modo; Kirnb. coll. No. 17) | Organ | 40: 25 | IV/3: 59 | after Z 3498b | 00826 | |
| 707 | 7. | c.1700–1717 | chorale setting "Ich hab mein Sach Gott heimgestellt" (Kirnb. coll. No. 18) | Organ | 40: 26 | IV/10: 87 | after Z 1679 | 00827 | |
| 709 | 7. | c.1700–1717 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Kirnb. coll. No. 20) | Organ | 40: 30 | IV/3: 43 | after Z 624 | 00830 | |
| 710 | 7. | c.1700–1717 | chorale setting "Wir Christenleut habn jetzund Freud" (Kirnb. coll. No. 21) | Organ | 40: 32 | IV/3: 100 | after Z 2072 | 00831 | |
| 711 | 7. | c.1700–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (bicinium; Kirnb. coll. No. 22) | Organ | 40: 34 | IV/3: 11 | after Z 4457 | 00832 | |
| 712 | 7. | c.1708 | chorale setting "In dich hab ich gehoffet, Herr" (Kirnb. coll. No. 23) | Organ | 40: 36 | IV/3: 48 | after Z 2461 | 00833 | |
| 713 | 7. | c.1700–1717 | chorale setting "Jesu, meine Freude" (Kirnb. coll. No. 24) | Org/man. | 40: 38 | IV/3: 54 | after Z 8032; → BWV 713a | 00834 | |
| 713a | 7. | 1700–1789 | chorale setting "Jesu, meine Freude" (Fantasia; variant) | Organ | 40: 155 | IV/10: 93 | after BWV 713 | 00835 | |
| 714 | 7. | 1708–1717 | chorale setting "Ach Gott und Herr" (Neumeister Chorales No. 13) | Organ | 40: 43 | IV/9: 26 IV/3: 3 | after Z 2050, 2052 | 00836 | |
| 715 | 7. | 1703–1717 | chorale setting "Allein Gott in der Höh sei Ehr" | Organ | 40: 44 | IV/3: 14 | after Z 4457 | 00837 | |
| 717 | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" | Organ | 40: 46 | IV/3: 8 | after Z 4457 | 00839 | |
| 718 | 7. | 1703–1708 | chorale setting "Christ lag in Todesbanden" | Organ | 40: 52 | IV/3: 16 | after Z 7012a | 00840 | |
| 719 | 7. | c.1704 | chorale setting "Der Tag, der ist so freudenreich" (Neumeister Chorales No. 1) | Organ | 40: 55 | IV/9: 2, 72 | after Z 7870 | 00841 | |
| 720 | 7. | 1709? | chorale setting "Ein feste Burg ist unser Gott" | Organ | 40: 57 | IV/3: 24 | after Z 7377; by Bach, J. Michael? | 00842 | |
| 721 | 7. | c.1703–1707 | chorale setting "Erbarm dich mein, o Herre Gott" | Organ | 40: 60 | IV/3: 28 | after Z 5851 | 00843 | |
| 722 | 7. | 1708–1717 | chorale setting "Gelobet seist du, Jesu Christ" | Organ | 40: 62 | IV/3: 31 | after BWV 722a | 00844 | |
| 722a | 7. | 1709? | chorale setting "Gelobet seist du, Jesu Christ" (sketch) | Organ | 40: 158 | IV/3: 30 | after Z 1947; → BWV 722 | 00845 | |
| 724 | 7. | c. 1699 | chorale setting "Gott durch deine Güte" | Organ | 40: 65 | IV/3: 33 | after Z 3294; in Andreas-Bach-Buch | 00847 | |
| chorale setting "Gottes Sohn ist kommen" | |||||||||
| 725 | 7. | c.1700–1717 | chorale setting "Herr Gott, dich loben wir" | Organ | 40: 66 | IV/3: 36 | after Z 8652 | 00848 | |
| 727 | 7. | 1708–1717 | chorale setting "Herzlich tut mich verlangen" | Organ | 40: 73 | IV/3: 46 | after Z 5385a | 00850 | |
| 728 | 7. | 1722–1723 or earlier | Notebook A. M. Bach (1722) No. 8 chorale setting "Jesus, meine Zuversicht" | Organ | 432: 5 40: 74 | V/4: 41 IV/3: 58 | after Z 3432b | 00851 | |
| 729 | 7. | 1708–1717 | chorale setting "In dulci jubilo" | Organ | 40: 74 | IV/3: 52 | after BWV 729a | 00852 | |
| 729a | 7. | 1708–1717 | chorale setting "In dulci jubilo" (sketch) | Organ | 40: 158 | IV/3: 50 | after Z 4947; → BWV 729 | 00853 | |
| 730 | 7. | 1708–1717 | chorale setting "Liebster Jesu, wir sind hier" | Organ | 40: 76 | IV/3: 60 | after Z 3498b | 00854 | |
| 731 | 7. | 1708–1717 | chorale setting "Liebster Jesu, wir sind hier" | Organ | 40: 77 | IV/3: 61 | after Z 3498b | 00855 | |
| 732 | 7. | 1708–1717 | chorale setting "Lobt Gott, ihr Christen, allzugleich" | Organ | 40: 78 | IV/3: 64 | after BWV 732a | 00856 | |
| 732a | 7. | 1708–1717 | chorale setting "Lobt Gott, ihr Christen, allzugleich" (draft) | Organ | 40: 159 | IV/3: 63 | after Z 198; → BWV 732 | 00857 | |
| 733 | 7. | 1708–1717 | chorale setting "Meine Seele erhebt den Herren" (fugue) | Organ | 40: 79 | IV/3: 65 | after Magnificat peregrini toni; by Krebs, J. L.? | 00858 | |
| 734 | 7. | 1708–1717 | chorale setting "Nun freut euch, lieben Christen g'mein" | Organ | 40: 160 | IV/3: 70 | after Z 4429a; → BWV 734a | 00859 | |
| 734a | 7. | 1708–1789 | chorale setting "Es ist gewisslich an der Zeit" | Organ | 40: 84 | IV/10 | after BWV 734; arr. by Scholz? | 00860 | |
| 735 | 7. | c.1700–1717 | chorale setting "Valet will ich dir geben" (Fantasia) | Organ | 40: 86 | IV/3: 77 | after BWV 735a | 00861 | |
| 735a | 7. | c.1706 | chorale setting "Valet will ich dir geben" (early version) | Organ | 40: 161 | IV/3: 81 | after Z 5404a; → BWV 735 | 00862 | |
| 736 | 7. | 1708–1717 or later | chorale setting "Valet will ich dir geben" | Org (V Bc) | 40: 90 | IV/3: 84 | after Z 5404a | 00863 | |
| 737 | 7. | 1703–1707 | chorale setting "Vater unser im Himmelreich" (Neumeister Chorales No. 18) | Organ | 40: 96 | IV/9: 36 IV/3: 90 | after Z 2561 | 00864 | |
| 738 | 7. | 1708–1717 | chorale setting "Vom Himmel hoch, da komm ich her" | Organ | 40: 97 | IV/3: 94 | after BWV 738a | 00865 | |
| 738a | 7. | 1708–1717 | chorale setting "Vom Himmel hoch, da komm ich her" (sketch) | Organ | 40: 159 | IV/3: 94 | after Z 346; → BWV 738 | 00866 | |
| 739 | 7. | c.1704 | chorale setting "Wie schön leuchtet der Morgenstern" | Organ | 40: 99 | IV/10: 2 | after Z 8359 | 00867 | |
| 741 | 7. | c.1701 | chorale setting "Ach Gott, vom Himmel sieh darein" | Organ | 40: 167 | IV/3: 4 | after Z 4431 | 00869 | |
| 742 | 7. | c.1704 | chorale setting "Ach Herr, mich armen Sünder" (Neumeister Chorales No. 14) | Organ | IV/9: 28 | after Z 5385a | 00870 | ||
| 747 | 7. | 1703–1707 or earlier | chorale setting "Christus, der uns selig macht" | Organ | IV/10: 38 | after Z 6283b | 00875 | ||
| 753 | 7. | c.1720 | chorale setting "Jesu, meine Freude" (unfinished; WFB No. 5) | Organ | 40: 163 451: 214 | V/5: 8 | after Z 8032 | 00882 | |
| 764 | 7. | c.1704–1705 | chorale setting "Wie schön leuchtet der Morgenstern" | Organ | 40: 164 | IV/10: 6 | after Z 8359 | 00893 | |
| 1085 | 7. | c.1700–1717 | chorale setting "O Lamm Gottes unschuldig" | Organ | IV/3: 76 | after Z 4361 | 01683 | ||
| 1090 | 7. | c.1704 | chorale setting "Wir Christenleut" (Neumeister Chorales No. 2) | Organ | IV/9: 4 | after Z 2072 | 01276 | ||
| 1091 | 7. | c.1699 | chorale setting "Das alte Jahr vergangen ist" (Neumeister Chorales No. 3) | Organ | IV/9: 6 | after Z 381c | 01277 | ||
| 1092 | 7. | c.1701 | chorale setting "Herr Gott, nun schleuß den Himmel auf" (Neumeister Chorales No. 4) | Organ | IV/9: 8 | after Z 7641b | 01278 | ||
| 1093 | 7. | c.1704 | chorale setting "Herzliebster Jesu, was hast du verbrochen" (Neumeister Chorales No. 5) | Organ | IV/9: 10 | after Z 983 | 01279 | ||
| 1094 | 7. | c.1699 | chorale setting "O Jesu, wie ist dein Gestalt" (Neumeister Chorales No. 6) | Organ | IV/9: 12 | after Z 8360 | 01280 | ||
| 1095 | 7. | c.1704 | chorale setting "O Lamm Gottes unschuldig" (Neumeister Chorales No. 7) | Organ | IV/9: 14 | after Z 4361a | 01281 | ||
| 1097 | 7. | c.1699 | chorale setting "Ehre sei dir Christe, der du leidest Not" (Neumeister Chorales No. 9) | Organ | IV/9: 18 | after Z 8187h | 01283 | ||
| 1098 | 7. | c.1704 | chorale setting "Wir glauben all an einen Gott" (Neumeister Chorales No. 10) | Organ | IV/9: 20 | after Z 7971 | 01284 | ||
| 1099 | 7. | c.1701 | chorale setting "Aus tiefer Not schrei ich zu dir" (Neumeister Chorales No. 11) | Organ | IV/9: 22 | after Z 4438 | 01285 | ||
| 1100 | 7. | c.1704 | chorale setting "Allein zu dir, Herr Jesu Christ" (Neumeister Chorales No. 12) | Organ | IV/9: 24 | after Z 7292b | 01286 | ||
| 1101 | 7. | c.1704 | chorale setting "Durch Adams Fall ist ganz verderbt" (Neumeister Chorales No. 15) | Organ | IV/9: 30 | after Z 7549 | 01287 | ||
| 1102 | 7. | c.1706 | chorale setting "Du Friedefürst, Herr Jesu Christ" (Neumeister Chorales No. 16) | Organ | IV/9: 33 | after Z 4373 | 01288 | ||
| 1103 | 7. | 1699–1709 | chorale setting "Erhalt uns Herr, bei deinem Wort" (Neumeister Chorales No. 17) | Organ | IV/9: 35 | after Z 350 | 01289 | ||
| 1104 | 7. | 1699–1709 | chorale setting "Wenn dich Unglück tut greifen an" (Neumeister Chorales No. 19) | Organ | IV/9: 38 | after Z 499 | 01290 | ||
| 1105 | 7. | c.1701 | chorale setting "Jesu, meine Freude" (Neumeister Chorales No. 20) | Organ | IV/9: 39 | after Z 8032 | 01291 | ||
| 1106 | 7. | c.1704 | chorale setting "Gott ist mein Heil, mein Hilf und Trost" (Neumeister Chorales No. 21) | Organ | IV/9: 40 | after Z 4421 | 01292 | ||
| 1107 | 7. | c.1704 | chorale setting "Jesu, meines Lebens Leben" (Neumeister Chorales No. 22) | Organ | IV/9: 42 | after Z 6794 | 01293 | ||
| 1108 | 7. | c.1704 | chorale setting "Als Jesus Christus in der Nacht" (Neumeister Chorales No. 23) | Organ | IV/9: 44 | after Z 258 | 01294 | ||
| 1109 | 7. | 1699–1709 | chorale setting "Ach Gott, tu dich erbarmen" (Neumeister Chorales No. 24) | Organ | IV/9: 46 | after Z 7228c | 01295 | ||
| 1110 | 7. | c.1704 | chorale setting "O Herre Gott, dein göttlich Wort" (Neumeister Chorales No. 25) | Organ | IV/9: 48 | after Z 5690 | 01296 | ||
| 1111 | 7. | c.1701 | chorale setting "Nun lasset uns den Leib begraben" (Neumeister Chorales No. 26) | Organ | IV/9: 50 | after Z 352 | 01297 | ||
| 1112 | 7. | c.1699 | chorale setting "Christus, der ist mein Leben" (Neumeister Chorales No. 27) | Organ | IV/9: 52 | after Z 132 | 01298 | ||
| 1113 | 7. | c.1699 | chorale setting "Ich hab mein Sach Gott heimgestellt" (Neumeister Chorales No. 28) | Organ | IV/9: 54 | after Z 1679 | 01299 | ||
| 1114 | 7. | c.1701 | chorale setting "Herr Jesu Christ, du höchstes Gut" (Neumeister Chorales No. 29) | Organ | IV/9: 56 | after Z 4486 | 01300 | ||
| 1115 | 7. | c.1701 | chorale setting "Herzlich lieb hab ich dich, o Herr" (Neumeister Chorales No. 30) | Organ | IV/9: 58 | after Z 8326 | 01301 | ||
| 1116 | 7. | c.1701 | chorale setting "Was Gott tut, das ist wohlgetan" (Neumeister Chorales No. 31) | Organ | IV/9: 60 | after Z 5629 | 01302 | ||
| 1117 | 7. | c.1701 | chorale setting "Alle Menschen müssen sterben" (Neumeister Chorales No. 32) | Organ | IV/9: 62 | after Z 6779a | 01303 | ||
| 1118 | 7. | c.1701 | chorale setting "Werde munter, mein Gemüte" (Neumeister Chorales No. 34) | Organ | IV/9: 66 | after Z 6551 | 01304 | ||
| 1119 | 7. | c.1699 | chorale setting "Wie nach einer Wasserquelle" (Neumeister Chorales No. 35) | Organ | IV/9: 68 | after Z 1294 | 01305 | ||
| 1120 | 7. | c.1704 | chorale setting "Christ, der du bist der helle Tag" (Neumeister Chorales No. 36) | Organ | IV/9: 70 | after Z 384 | 01306 | ||
| 957 | 7. | c.1701 | chorale setting "Machs mit mir, Gott, nach deiner Güt" (Neumeister Chorales No. 33; a.k.a. Fugue = first half in later arr.) | G maj. | Organ | 42: 203 | IV/9: 64, 74 | after Z 2383 | 01134 |
| 766 | 7. | c.1706 | chorale setting "Christ, der du bist der helle Tag" | Organ | 40: 107 | IV/1: 114 | after Z 384 | 00895 | |
| 767 | 7. | c.1708 | chorale setting "O Gott, du frommer Gott" | Organ | 40: 114 | IV/1: 122 | after Z 5138 | 00896 | |
| 768 | 7. | 1708–1717 or earlier | chorale setting "Sei gegrüßet, Jesu gütig" | Organ | 40: 122 | IV/1: 132, 152 | after Z 3889b | 00897 | |
| 769 | 7. | c.1747–1748 | chorale setting "Vom Himmel hoch da komm ich her'" (canonic variations; print version) | Organ | 40: 137 | IV/2: 197 | after Z 346; → BWV 769a | 00898 | |
| 769a | 7. | c.1747–1748 | chorale setting "Vom Himmel hoch da komm ich her" (canonic variations; autograph) | Organ | IV/2: 98 | after BWV 769 | 00899 | ||
| 770 | 7. | c.1704 | chorale setting "Ach, was soll ich Sünder machen" | Organ | 40: 189 | IV/1: 104 | after Z 3574 | 00900 |
BWV Anhang
[edit]Various lost, doubtful and spurious organ works are included in the BWV Anhang:
- BWV Anh. 42–79
- BWV Anh. 171–178
- BWV Anh. 200, 206, 208, 213
Recordings
[edit]- Bach, Johann Sebastian; Stockmeier, Wolfgang (1997), Das Orgelwerk (20-CD box set), Hamburg: Art & Music, OCLC 163302495
References
[edit]- ^ (BWV2a) Dürr & Kobayashi 1998, pp. 311–355
- ^ The New Bach Edition – Series IV: Organ Works at the Bärenreiter website
- ^ Humphrey, David. Did J.S. Bach Compose the F minor Prelude and Fugue BWV 534? (from "Bach, Handel, Scarlatti 1685–1985"). p. 173.
- ^ Dürr & Kobayashi 1998, p. 314.
- ^ Williams 2003, p. 59.
- ^ Williams 2003, p. 74.
- ^ Jump up to: a b c d e f g h Williams 2003, pp. 141–142
- ^ Williams 2003, p. 145.
- ^ Jump up to: a b Williams 2003, p. 163.
- ^ Williams 2003, p. 176.
- ^ Williams 2003, p. 177.
- ^ Williams 2003, pp. 181–182.
- ^ Williams 2003, p. 190.
- ^ Pedal-Exercitium (fragment) BWV 598 at www
.bach-digital .de - ^ Work 01725 at Bach Digital website
- ^ Work 00897 at Bach Digital website
- ^ Work 00898 at Bach Digital website
- ^ Die Melodien der deutschen evangelischen Kirchenlieder, aus den Quellen geschöpft und mitgeteilt von Johannes Zahn (6 volumes), Verlag Bertelsmann, Gütersloh (1889–93). [further edited by the Gesellschaft zur wissenschaftlichen Edition des deutschen Kirchenlieds. Hildesheim, New York: Georg Olms Verlagsbuchhandlung, 1998. 6 volumes. ISBN 3-487-09319-7]
- ^ BWV2a (1998), pp. 471–481
- ^ Williams 2003, pp. 429–452 "Chorales formerly called 'The Kirnberger Collection' BWV 690–713"
- ^ Work 00809 at Bach Digital website
- ^ Work 00810 at Bach Digital website
- ^ Work 00811 at Bach Digital website
- ^ Work 00812 at Bach Digital website
- ^ Work 00815 at Bach Digital website
- ^ Work 00835 at Bach Digital website
- ^ Blaut & Schulze 2008, p. 21.
- ^ Choralbearbeitung Meine Seele erhebt den Herren (Fuge) BWV 733 at bach-digital
.de - ^ Meine Seele erhebet den Herren, BWV 733: Scores at the International Music Score Library Project
- ^ Work 00868 at Bach Digital website
- ^ Work 00878 at Bach Digital website
- ^ Work 00879 at Bach Digital website
- ^ Work 00881 at Bach Digital website
- ^ Work 00883 at Bach Digital website
- ^ Work 00885 at Bach Digital website
- ^ Work 00888 at Bach Digital website
- ^ Work 00889 at Bach Digital website
- ^ Work 00890 at Bach Digital website
- ^ Work 00891 at Bach Digital website
- ^ Work 00901 at Bach Digital website
- ^ Williams 2003, p. 549.
- ^ Perreault 2004, p. 56.
- ^ "Wo Gott der Herr nicht bei uns hält BWV 1128; BWV Anh. 71; Emans 195". Bach Digital. Leipzig: Bach Archive; et al. 14 February 2019.
- ^ Blaut & Schulze 2008.
- ^ Bach-Gesellschaft Ausgabe, .../Prefaces, .../Thematic Catalogue: documentation and facsimiles at the International Music Score Library Project
- ^ Neue Bach-Ausgabe: documentation at the International Music Score Library Project
Sources
[edit]- Blaut, Stephan; Schulze, Hans-Joachim (2008). ""Wo Gott der Herr nicht bei uns hält" BWV 1128 – Quellenkundliche und stilistische Überlegungen" [Wo Gott der Herr nicht bei uns hält, BWV 1128: source-related and stylistic considerations]. In Wollny, Peter (ed.). Bach-Jahrbuch 2008 [Bach Yearbook 2008]. Bach-Jahrbuch (in German). Vol. 94. Neue Bachgesellschaft. Leipzig: Evangelische Verlagsanstalt. pp. 11–32. doi:10.13141/bjb.v2008. ISBN 978-3-374-02668-5. ISSN 0084-7682 – via Qucosa.
- Dürr, Alfred; Kobayashi, Yoshitake, eds. (1998). Bach Werke Verzeichnis: Kleine Ausgabe – Nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe [Bach Works Catalogue: Small Edition – After Wolfgang Schmieder's 2nd edition] (in German). Kirsten Beißwenger (collaborator) (BWV2a ed.). Wiesbaden: Breitkopf & Härtel. ISBN 9783765102493. Preface in English and German.
- Perreault, Jean M. (2004). Donna K. Fitch (ed.). The Thematic Catalogue of the Musical Works of Johann Pachelbel. Lanham, Maryland: Scarecrow Press. ISBN 0-8108-4970-4.
- Williams, Peter (2003). The Organ Music of J. S. Bach (2nd ed.). Cambridge University Press. ISBN 9780521891158.
Further reading
[edit]- Terry, Charles Sanford (1921). Bach's Chorals – Part III: The Hymns and Hymn Melodies of the Organ Works. Cambridge University Press.
External links
[edit]
Wikimedia Commons has media related to Organ music by Johann Sebastian Bach.
- Organ Works (Bach, Johann Sebastian), Orgelwerke (Bach, Johann Sebastian): Scores at the International Music Score Library Project. Accessed: 09:23, 3 April 2016 (UTC).
- James Kibbie – Bach Organ Works: free downloads of the complete organ works of Johann Sebastian Bach, recorded by James Kibbie on original baroque organs in Germany. Accessed: 09:23, 3 April 2016 (UTC).
