Herr, deine Augen sehen nach dem Glauben, BWV 102

*Herr, deine Augen sehen nach dem Glauben*
Herr, deine Augen sehen nach dem Glauben
BWV 102
Church cantata by Johann Sebastian Bach
	Thomaskirche, Leipzig
Related	Missa in G minor, BWV 235
Occasion	Tenth Sunday after Trinity
Bible text	Jeremiah 5:3; Romans 2:4–5;
Chorale	by Johann Heermann
Performed	25 August 1726: Leipzig
Movements	seven, in two parts
Vocal	SATB choir; solo: alto, tenor and bass;
Instrumental	flauto traverso; 2 oboes; 2 violins; viola; continuo;

Johann Sebastian Bach composed the church cantata Herr, deine Augen sehen nach dem Glauben (Lord, Your eyes look for faith),^[1] BWV 102 in Leipzig for the tenth Sunday after Trinity and it was first performed on 25 August 1726.

History and text

The cantata of Bach's third annual cycle in Leipzig was written for the Tenth Sunday after Trinity.^[2] The prescribed readings for the Sunday were from the First Epistle to the Corinthians, different gifts, but one spirit (1 Corinthians 12:1–11), and from the Gospel of Luke, Jesus announcing the destruction of Jerusalem and cleansing of the Temple (Luke 19:41–48). The words of the cantata are only generally connected to the readings, asking the soul to return immediately to God's ways. Two movements are based on Bible words, the opening chorus on Jeremiah 5:3, movement 4 on Romans 2:4–5. The cantata is closed by verses 6 and 7 of the hymn "So wahr ich lebe, spricht dein Gott" by Johann Heermann (1630), sung on the melody of Martin Luther's "Vater unser im Himmelreich" based on the Lord's Prayer.^[2] The words of the free poetry have been attributed to different authors: C. S. Terry suggests Christian Weiss Sr, Werner Neumann suggests Christiana Mariana von Ziegler, and Walther Blankenburg suggests Christoph Helm.

Bach first performed the cantata on 25 August 1726.^[2]

Scoring and structure

The cantata is scored for alto, tenor and bass soloists and a four-part choir (SATB), flauto traverso, two oboes, two violins, viola, and basso continuo. The seven movements are structured in two parts, part two to be performed after the sermon.

Chorus: Herr, deine Augen sehen nach dem Glauben
Recitative (bass): Wo ist das Ebenbild, das Gott uns eingepräget
Aria (alto): Weh der Seele, die den Schaden nicht mehr kennt
Arioso (bass): Verachtest du den Reichtum seiner Gnade

Parte seconda

Aria (tenor): Erschrecke doch, du allzu sichre Seele
Recitative (alto): Beim Warten ist Gefahr
Chorale: Heut lebst du, heut bekehre dich

Music

The opening chorus is a mature work containing an intricate combination of instrumental and vocal parts and a variety of expressive devices depicting the words. The opening sinfonia is in two parts which are repeated separately and together throughout the movement. The words Herr, deine Augen are repeated three times.^[3] Bach used the music for the Kyrie of his Missa in G minor.^[4]

Movements 3 and 5 are used in the Missa in F major. The bass voice in movement 4, marked arioso by Bach himself, is treated similarly to the vox Christi, the voice of Jesus in Bach's Passions and cantatas.^[2] The bass part has been recorded by singers who did not specialise in Baroque music, such as Dietrich Fischer-Dieskau with conductor Benjamin Britten at the Aldeburgh Festival.^[5] The final chorale uses the tune of Vater unser im Himmelreich.

Recordings

Britten at Aldeburgh (BBC) – Bach: Cantatas 102 & 151, Benjamin Britten, Aldeburgh Festival Singers, English Chamber Orchestra, Janet Baker, Peter Pears, Dietrich Fischer-Dieskau, Decca 1965
Die Bach Kantate Vol. 47, Helmuth Rilling, Gächinger Kantorei, Bach-Collegium Stuttgart, Eva Randová, Kurt Equiluz, Wolfgang Schöne, Hänssler 1972
Les Grandes Cantates de J. S. Bach Vol. 27, Fritz Werner, Heinrich-Schütz-Chor Heilbronn, Württembergisches Kammerorchester Heilbronn, Barbara Scherler, Theo Altmeyer, Bruce Abel, Erato 1973
Bach Cantatas Vol. 4 – Sundays after Trinity I, Karl Richter, Münchener Bach-Chor, Münchener Bach-Orchester, Julia Hamari, Peter Schreier, Dietrich Fischer-Dieskau, Archiv Produktion 1977
J. S. Bach: Das Kantatenwerk – Sacred Cantatas Vol. 6, Nikolaus Harnoncourt, Tölzer Knabenchor, Concentus Musicus Wien, Paul Esswood, Kurt Equiluz, Philippe Huttenlocher, Teldec 1980
Bach Cantatas Vol. 5: Rendsburg/Braunschweig, John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists, Daniel Taylor, Christoph Genz, Gotthold Schwarz, Soli Deo Gloria 2000
J. S. Bach: Complete Cantatas Vol. 11, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Bogna Bartosz, James Gilchrist, Klaus Mertens, Antoine Marchand 2002
J. S. Bach: Cantatas for the Complete Liturgical Year Vol. 3, Sigiswald Kuijken, La Petite Bande, Petra Noskaiová, Christoph Genz, Jan van der Crabben, Accent 2003
J. S. Bach: Cantatas Vol. 46, Masaaki Suzuki, Bach Collegium Japan, Robin Blaze, Gerd Türk, Peter Kooy, BIS 2009
J. S. Bach Lutheran Masses, Vol. 1. Harry Christophers, The Sixteen, Coro 2013. This recording of the cantata is presented with the Masses in G minor, BWV 235, and F major, BWV 233.

References

^ Dellal, Pamela. "BWV 102 – Herr, deine Augen sehen nach dem Glauben". Emmanuel Music. Retrieved 25 August 2022.
^ Jump up to: ^a ^b ^c ^d Dürr, Alfred (1981). Die Kantaten von Johann Sebastian Bach (in German). Vol. 1 (4 ed.). Deutscher Taschenbuchverlag. pp. 404–406. ISBN 3-423-04080-7.
^ McHugh, Dominic (23 November 2008). "The Monteverdi Choir, The English Baroque Soloists/Sir John Eliot Gardiner (Soli Deo Gloria 147/150)". MusicalCriticism.com. Archived from the original on 18 December 2010. Retrieved 3 August 2010.
^ Chien, George (2008). "Bach: Cantatas Vol 5 / Gardiner, English Baroque Soloists". ArkivMusic. Archived from the original on 15 October 2012. Retrieved 3 August 2010.
^ "Benjamin Britten Bach Cantatas & Other Vocal Works". Bach Cantatas Website. 2006. Retrieved 3 August 2010.

Sources

Herr, deine Augen sehen nach dem Glauben, BWV 102: Scores at the International Music Score Library Project
Herr, deine Augen sehen nach dem Glauben BWV 102; BC A 119 / Sacred cantata (10th Sunday after Trinity) Bach Digital
Cantata BWV 102 Herr, deine Augen sehen nach dem Glauben! history, scoring, sources for text and music, translations to various languages, discography, discussion, Bach Cantatas Website
BWV 102 Herr, deine Augen sehen nach dem Glauben English translation, University of Vermont
BWV 102 Herr, deine Augen sehen nach dem Glauben text, scoring, University of Alberta
Chapter 22 BWV 102 Herr, deine Augen sehen nach dem Glauben / Lord, Your eyes seek out true faith. Julian Mincham, 2010
Gardiner, John Eliot (2008). Johann Sebastian Bach (1685-1750) / Cantatas Nos 45, 46, 101, 102, 136 & 178 (Cantatas Vol 5) (Media notes). Soli Deo Gloria (at Hyperion Records website). Retrieved 11 August 2018.
Luke Dahn: BWV 102.7 bach-chorales.com

External links

Herr, deine Augen sehen nach dem Glauben, BWV 102: performance by the Netherlands Bach Society (video and background information)

[Dellal-1] Dellal, Pamela. "BWV 102 – Herr, deine Augen sehen nach dem Glauben". Emmanuel Music. Retrieved 25 August 2022.

[Dürr-2] Jump up to: ^a ^b ^c ^d Dürr, Alfred (1981). Die Kantaten von Johann Sebastian Bach (in German). Vol. 1 (4 ed.). Deutscher Taschenbuchverlag. pp. 404–406. ISBN 3-423-04080-7.

[McHugh-3] McHugh, Dominic (23 November 2008). "The Monteverdi Choir, The English Baroque Soloists/Sir John Eliot Gardiner (Soli Deo Gloria 147/150)". MusicalCriticism.com. Archived from the original on 18 December 2010. Retrieved 3 August 2010.

[Chien-4] Chien, George (2008). "Bach: Cantatas Vol 5 / Gardiner, English Baroque Soloists". ArkivMusic. Archived from the original on 15 October 2012. Retrieved 3 August 2010.

[Britten-5] "Benjamin Britten Bach Cantatas & Other Vocal Works". Bach Cantatas Website. 2006. Retrieved 3 August 2010.

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v t e Church cantatas by Johann Sebastian Bach
Before Leipzig	Early: BWV 4 131 71 1138.1 & .2 106 196 150 143 Weimar: BWV 61 70a 186a 132 147a 63 152 155 18 54 80a 182 31 12 172 165 21 185 199 161 162 163 Köthen: BWV Anh. 5
First cycle (1723–24)	Between Trinity and Advent: BWV 75 76 24 167 147 186 136 105 46 179 69a 77 25 138 95 148 48 109 89 60 90 70 From Advent to Trinity: BWV 40 64 190 153 65 154 73 81 83 144 181 22 23 66 134 67 104 166 86 37 44 59 184
Second cycle (and chorale cantatas)	Chorale cantatas between Trinity and Easter: BWV 20 2 7 135 10 93 107 178 94 101 113 33 78 99 8 130 114 96 5 180 38 115 139 26 116 62 91 121 133 122 41 123 124 3 111 92 125 126 127 1 Continuation of the second cycle: BWV 6 42 85 103 108 87 128 183 74 68 175 176 Later additions to the chorale cantata cycle: BWV 80 137 129 58 112 140 177 9 14 Other late chorale cantatas: BWV 117 192 100 97
Third cycle	After Trinity 1725: BWV 168 164 79 Liturgical year 1725–26: BWV 110 57 151 28 16 32 13 72 146 43 39 88 170 187 45 102 35 17 19 27 47 169 56 49 98 55 52 1727: BWV 82 84 34 173
Later and other	Picander cycle: BWV 149 188 197a 171 156 159 145 174 Late parodies: BWV 36 30 191 200 248 (I, II, III, IV, V, VI) 1083 Council election (Leipzig): BWV 119 193 29 120 69 (lost: 1139.1, 1140–1141) Wedding: BWV 34a 195 120a 197 Funeral: 157 244a Other: 194 190a 120b 51 158 50 Doubtful: 53 142 189 217 220 221 223 224
Bach cantata List of Bach cantatas Discography: Monteverdi Choir/Koopman/Teldec

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